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Italian Renaissance works in precious metals and enamel, (1898). Creator: Unknown
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Italian Renaissance works in precious metals and enamel, (1898). Creator: Unknown
Italian Renaissance works in precious metals and enamel, (1898). Fig 1: Crowning of a little altar in the Galerie d Apollon of the Louvre at Paris. Fig 2: From a vase of lapis lazuli in the Galleria degli Uffizi at Florence. Fig 3: Cover of a crystal cup in enamelled gold, ibid. Figs 4 and 5: Pendants by Benvenuto Cellini. Figs 6-8: Pendants by an unknown master. Figs 9 and 10: Handles on vessels in the Galerie d Apollon of the Louvre at Paris. Figs 11 and 12: Masks on a shield, ibid. Figs 13 and 14: Foot and upper portion of a water-jug, ibid. Figs 15-19: Borders on vessels in the same collection. (All Italian work apart from Figs 6-8 which are French). The works in precious metals comprise two kinds: on the one side those objects, which, being made of precious metals, were still decorated in a particular manner with precious stones, pearls and enamel (for instance jewelry); on the other those by which any rare mineral, such as lapis lazuli, onyx, etc. or a beautifully formed glass were made into a vessel or utensil of luxury, by the application of a handle, foot, cover etc. For both kinds, Benvenuto Cellini was the leading master about the middle of the 16th century. Plate 58 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19777956
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Altar Altarpiece Artefacts Artifacts B T Batsford Bassetaille Batsford Benvenuto Benvenuto Cellini Bt Batsford Cellini Chromolithograph Crystal Dolmetsch Enamel Enamelled H Dolmetsch Handle Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Necklace Ornate Pendant Interior Decoration Interior Design
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EDITORS COMMENTS
This print showcases a collection of exquisite Italian Renaissance works in precious metals and enamel. The creator of this stunning display remains unknown, adding an air of mystery to these remarkable pieces. Figures 1 to 5 highlight various examples of the craftsmanship displayed in these works. Figure 1 captures the crowning of a little altar in the Galerie d'Apollon at the Louvre in Paris, while Figure 2 presents a vase made from lapis lazuli found in the Galleria degli Uffizi in Florence. Figure 3 features a crystal cup adorned with enamelled gold, showcasing intricate detailing. The following figures showcase pendants created by renowned artist Benvenuto Cellini (Figures 4-5) as well as other masterpieces by unknown artisans (Figures 6-8). Figures 9 and 10 exhibit handles on vessels found within the Galerie d'Apollon at the Louvre, while Figures 11 and 12 depict masks adorning a shield from the same collection. Additionally, Figures 13 to19 present borders on vessels within this esteemed collection. It is worth noting that all pieces showcased are Italian except for Figures 6-8 which originate from France. These extraordinary works exemplify two distinct types: those crafted entirely from precious metals embellished with gemstones, pearls, and enamel; and those where rare minerals like lapis lazuli or beautifully formed glass were transformed into luxurious vessels through meticulous additions such as handles, feet, or covers. Benvenuto Cellini emerges as one of the leading masters during this period around mid-16th century for both types of creations. This photograph originates from "The Historic Styles of Ornament" translated from German author H. Dolmetsch's work published by B. T Batford London in1898
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