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The Interior of the Gankiro in Yokohama (Yokohama Gankiro mikomi no zu), 1860. Creator: Utagawa Hiroshige II
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The Interior of the Gankiro in Yokohama (Yokohama Gankiro mikomi no zu), 1860. Creator: Utagawa Hiroshige II
The Interior of the Gankiro in Yokohama (Yokohama Gankiro mikomi no zu), 1860. Detail from a larger artwork
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Media ID 36202976
© Heritage Art/Heritage Images
Hiroshige Ii Hiroshige Ii Utagawa Kisai Rissho Koshibei Morita Chimpei Oban Triptych Pond Rissho Ryusho Servant Servants Shigenobu Silhouette Staircase Stairs Stairway Suzuki Chimpei Tea House Teahouse Tray Triptych Utagawa Chimpei Utagawa Hiroshige Ii
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EDITORS COMMENTS
The Interior of the Gankiro in Yokohama" is a captivating color woodblock print created by Utagawa Hiroshige II in 1860. This intriguing artwork is a detail from a larger oban triptych, showcasing the interior of a teahouse located in Yokohama, Japan during the late Edo period. The print depicts a serene scene of a traditional Japanese teahouse, with its interior decorated in a simple yet elegant manner. The teahouse, named Gankiro, is nestled by a tranquil pond, surrounded by lush greenery and trees. Inside, we see a female servant preparing tea for her male guests, who are seated at a low table, engrossed in conversation. The interior design of the teahouse is adorned with intricate details, including a beautiful stairway leading to the second floor, a silhouetted figure of a man peering from the top, and a tray of tea and tea utensils on the table. The print also features the silhouettes of other servants, busy with their tasks, adding to the bustling atmosphere of the teahouse. The print is a testament to the artistic school of Ukiyo-e, which flourished during the 19th century in Japan. It showcases the daily life and occupations of the people during the Tokugawa period, providing a glimpse into the rich cultural heritage of Japan. The use of color and the attention to detail in the print make it a stunning work of art, worthy of admiration in any art gallery or institute, such as the Art Institute of Chicago. The print also highlights the importance of the tea ceremony in Japanese culture, which was an essential part of social life during the Edo period. The tea ceremony was a way to connect with nature, appreciate the beauty of the moment, and foster relationships with others. The Interior of the Gankiro in Yokohama beautifully captures this essence, making it a must-see for anyone interested in Japanese art and culture.
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