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Interior, Three Figures: Sake Party, ca. 1730. Creator: Hasegawa Mitsunobu

Interior, Three Figures: Sake Party, ca. 1730. Creator: Hasegawa Mitsunobu


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Interior, Three Figures: Sake Party, ca. 1730. Creator: Hasegawa Mitsunobu

Interior, Three Figures: Sake Party, ca. 1730

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Media ID 23870859

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Alcohol Ink On Paper Liquor Monochrome Woodblock Print Sak And Xe9 Sake Wine Posture


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> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Japan > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This photo print, titled "Interior, Three Figures: Sake Party, ca. 1730" was created by the talented artist Hasegawa Mitsunobu during the Edo period in Japan. The monochrome woodblock print showcases a scene of utmost elegance and cultural significance. In this artwork, three figures are depicted engaging in a traditional sake party. The attention to detail is remarkable as Mitsunobu captures the essence of the era through their clothing, posture, and facial expressions. A man and two women can be seen kneeling gracefully on tatami mats while enjoying their drinks. The composition exudes a sense of tranquility and harmony as they partake in this beloved Japanese tradition. Sake, known for its rich history and symbolic importance in Japanese culture, becomes the focal point of this gathering. It represents not only an alcoholic beverage but also serves as a catalyst for social bonding and celebration. Mitsunobu's skillful use of ink on paper brings depth to each figure's features while maintaining an overall simplicity that is characteristic of ukiyo-e prints. This piece exemplifies both his artistic prowess and his ability to capture everyday life during this vibrant period in Japan's history. Now housed at The Metropolitan Museum of Art, this exquisite woodblock print stands as a testament to Mitsunobu's legacy as well as an invaluable glimpse into 18th-century Japanese society for art enthusiasts around the world.

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