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I am wrapp d in dismal thinkings!, c1820. Creator: George Cruikshank
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I am wrapp d in dismal thinkings!, c1820. Creator: George Cruikshank
I am wrapp d in dismal thinkings!, c1820. Satirical cartoon of the Prince Regent (future King George IV) with the British lion, and a quote from the king in " Alls Well That Ends Well" by Shakespeare. From " The Queens matrimonial ladder", a political pamphlet with wood engraved illustrations by George Cruikshank, published after the opening of the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV), in August 1820. [William Hone, London]. Included in an album containing portraits and satirical caricatures related to the trial
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Media ID 19046043
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Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Cruikshank George Cruikshank George Iv George Iv Of The United Kingdom His Majesty Hone King George Iv King Of Great Britain Legislation Lion Miserable Pains And Penalties Bill Pains And Penalties Bill 1820 Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Of George Iv Throne Trial William Hone Worried Worry Alls Well That Ends Well
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I am wrapp'd in dismal thinkings!
EDITORS COMMENTS
. This satirical cartoon print, created by George Cruikshank around 1820, captures the political turmoil surrounding the trial of Queen Caroline, consort of King George IV. The image depicts the Prince Regent (future King George IV) alongside the British lion, symbolizing his power and authority. Accompanying them is a quote from Shakespeare's play "All's Well That Ends Well" which adds a dramatic touch to the scene. The caricature reflects the tension and unease felt during this period in British history. The Queen Consort's trial was a highly publicized event that divided public opinion and caused great distress within royal circles. Cruikshank's illustration highlights this atmosphere of misery and uncertainty. Through his intricate wood engraving technique, Cruikshank portrays not only the individuals involved but also broader concepts such as politics, legislation, and monarchy. The black-and-white composition emphasizes the seriousness of these matters while adding an air of timelessness to the artwork. This print is part of an album containing portraits and satirical caricatures related to Queen Caroline's trial. It serves as a historical document capturing both personal emotions and wider societal concerns during this tumultuous period in British history. As we gaze upon this piece by George Cruikshank, we are reminded of how art can encapsulate complex political narratives while offering insight into human emotions such as worry and despair.
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