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Her Horse Kills, 1908. Creator: Edward Sheriff Curtis
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Her Horse Kills, 1908. Creator: Edward Sheriff Curtis
Her Horse Kills, 1908. Photograph shows three-quarter length portrait of Her Horse Kills, braided hair, wearing traditional clothing, beaded earrings and necklace, seated facing front
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Media ID 35145843
© Heritage Art/Heritage Images
1908 Absaroka American West Anthropology Apsaalooke Apsaroke Bead Beaded Beading Beads Beadwork Braid Braided Braids Crow Crow People Curtis Edward Sheriff Curtis Edwards Earring Earrings Edward Sheriff Curtis Edwards Curtis Ethnography Ethnology Gelatin Silver Print Indians Indigenous People Montana Montana United States Of America Necklace North America North American Photographic Plains Indian Plait Plaited Plaits Silver Gelatin Print Three Quarter Tribal Tribe Tribespeople Tribeswoman Typical Clothing Dress Embroidery Fashion Clothing Needlework Sewing Traditional Dress White And Black
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EDITORS COMMENTS
Her Horse Kills, 1908: A Portrait of Resilience and Tradition This evocative photograph, titled "Her Horse Kills," captures the three-quarter length portrait of a Native American woman named Her Horse Kills, a member of the Absaroka, or Crow, tribe. The image, taken by renowned ethnographer and photographer Edward Sheriff Curtis in 1908, offers a glimpse into the rich cultural heritage of the American West during the early 20th century. Her Horse Kills is depicted seated in front of a plain background, her body adorned in traditional clothing, including a beaded dress, intricately designed beaded earrings, and a necklace. Her long, braided hair cascades down her back, adding to the overall sense of timelessness and authenticity. The photograph is a testament to the enduring strength and resilience of the Crow people, who have long called the Montana region of the United States their home. The image serves as a reminder of the importance of preserving cultural traditions and the significance of indigenous peoples in American history. Edward Sheriff Curtis, a pioneering figure in the fields of anthropology and ethnography, captured this image using a gelatin silver print process, which resulted in the high contrast and exquisite detail that can be seen in the photograph today. The image is now part of the extensive collection at the Library of Congress, a testament to its historical and cultural importance.
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