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Hermes Ordering Calypso to Release Odysseus, c. 1670. Creator: Gerard de Lairesse (Flemish
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Hermes Ordering Calypso to Release Odysseus, c. 1670. Creator: Gerard de Lairesse (Flemish
Hermes Ordering Calypso to Release Odysseus, c. 1670. The Greek goddess Calypso held the hero Odysseus captive for seven years, preventing his return home from the Trojan War. Despite Calypsos charms and the luxurious surroundings, Odysseus longed for his home and family, so the Olympian gods finally allowed his freedom. Here, the god Hermes swoops down to free Odysseus from Calypsos embrace. De Lairesse, popularly known as the " Dutch Poussin, " introduced to the Netherlands a classicizing style influenced by artists of the French Academy
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In this print, Gerard de Lairesse brings to life the dramatic moment when Hermes, the messenger of the gods, intervenes to free Odysseus from his enchanting captor Calypso. Painted in 1670, this masterpiece captures the essence of Greek mythology and showcases de Lairesse's classicizing style influenced by French artists. The scene depicts Calypso, a beautiful goddess known for her seductive charms, holding Odysseus captive on her idyllic island for seven long years. Despite being surrounded by luxury and temptation, Odysseus yearns for his home and family. Finally moved by his longing, the Olympian gods grant him freedom. Hermes is portrayed swooping down from above with grace and power as he commands Calypso to release Odysseus. The tension between them is palpable as their gazes meet - one pleading for mercy while the other sternly delivering divine orders. De Lairesse's attention to detail is evident in every brushstroke; from the intricate folds of Hermes' robes to the lush landscape that surrounds them. The use of oil on canvas adds depth and richness to this timeless scene. This remarkable artwork not only transports us back into ancient Greek mythology but also highlights de Lairesse's skill as an artist who successfully brought a classical aesthetic into Dutch art during his time. It serves as a testament to both his talent and enduring legacy in Flemish art history.
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