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Headdress of Cantonese Girl; Winter Headdress; Coiffure of Swatow Woman; Coiffure of

Headdress of Cantonese Girl; Winter Headdress; Coiffure of Swatow Woman; Coiffure of


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Headdress of Cantonese Girl; Winter Headdress; Coiffure of Swatow Woman; Coiffure of

Headdress of Cantonese Girl; Winter Headdress; Coiffure of Swatow Woman; Coiffure of Swatow Woman; Coiffure of Ningpo Woman; Coiffure of Shanghai Woman, c. 1868. A work made of collotype, pl. x from the album " illustrations of china and its people, volume ii" (1873)

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Media ID 23873239

© Heritage Art/Heritage Images

1873 Canton Cantonese Coiffure Collotype Diversity J Thompson John Thomson Local People Oriental Thomson John Variety Head Dress Headgear Inset Oval Shaped Scots Swatow


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> Asia > China > Shanghai

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EDITORS COMMENTS
This print showcases the intricate beauty of traditional Chinese headdresses worn by women in different regions during the 19th century. Titled "Headdress of Cantonese Girl; Winter Headdress; Coiffure of Swatow Woman; Coiffure of Ningpo Woman; Coiffure of Shanghai Woman" this work is part of John Thomson's renowned album, "Illustrations of China and its People, Volume II". The oval-shaped collotype image transports us back in time, offering a glimpse into the rich heritage and diversity found within Chinese culture. Each headdress tells a unique story, reflecting the distinct customs and traditions associated with specific locations such as Canton (now Guangzhou), Swatow (now Shantou), Ningpo (now Ningbo), and Shanghai. John Thomson's photography captures not only the exquisite craftsmanship but also celebrates the individuality and beauty of these women. Their hairstyles are meticulously styled, showcasing their pride in cultural identity. As we admire this vintage artwork from 1873, it reminds us that art transcends borders and connects people across time. The delicate details preserved through collotype printing allow us to appreciate both the artistic skill involved in creating these headdresses as well as their historical significance. Displayed at the Art Institute Chicago, this photograph serves as a testament to John Thomson's dedication to documenting local people worldwide while shedding light on China's vibrant past.

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