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The Head of Saint John the Baptist, with Mourning Angels and Putti, Early16th cen Artist: Mostaert, Jan (1472 / 73-1555 / 56)

The Head of Saint John the Baptist, with Mourning Angels and Putti, Early16th cen Artist: Mostaert, Jan (1472  /  73-1555  /  56)


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The Head of Saint John the Baptist, with Mourning Angels and Putti, Early16th cen Artist: Mostaert, Jan (1472 / 73-1555 / 56)

The Head of Saint John the Baptist, with Mourning Angels and Putti, Early16th cen.. Found in the collection of the National Gallery, London

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Media ID 15019912

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Apostle Apostles History Baptist Early Netherlandish Art Jan 1472 73 1555 56 John The Baptist John The Forerunner Loyalty Martyr Martyrdom Mostaert Prophet Saint John The Baptist Saints The Beheading Of John The Baptist The Netherlands Theology


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EDITORS COMMENTS
This print showcases "The Head of Saint John the Baptist, with Mourning Angels and Putti" a masterpiece created by Jan Mostaert in the early 16th century. The artwork can be found in the prestigious collection of the National Gallery in London. In this profound painting, Mostaert skillfully captures the essence of death, Christianity, and loyalty. The image depicts Saint John the Baptist's decapitated head surrounded by grieving angels and cherubic putti. It serves as a poignant reminder of martyrdom and sacrifice for one's faith. The artist's attention to detail is evident in every brushstroke, bringing forth an atmosphere charged with emotion. This piece not only reflects biblical narratives but also delves into theological themes prevalent during that era. Mostaert's expertise lies within early Netherlandish art, which he masterfully employs to portray this significant event from apostolic history. Through his use of oil on wood technique, he creates a sense of depth and texture that adds to its visual impact. "The Head of Saint John the Baptist" stands as a testament to Mostaert's artistic brilliance and his ability to convey complex religious narratives through fine art imagery. Its presence within the National Gallery further solidifies its importance within art history while offering viewers an opportunity for contemplation on matters related to faith and devotion.

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