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Haddon Hall and Homestead, From the River, 1880s. Creator: Peter Henry Emerson

Haddon Hall and Homestead, From the River, 1880s. Creator: Peter Henry Emerson


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Haddon Hall and Homestead, From the River, 1880s. Creator: Peter Henry Emerson

Haddon Hall and Homestead, From the River, 1880s. A work made of photogravure, plate xxxiv from the album " the compleat angler or the contemplative mans recreation, volume ii" (1888); edition 109/250

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Media ID 23881442

© Heritage Art/Heritage Images

1888 Derbyshire England Dr Peter Henry Emerson Edition 109 250 Emerson Dr Peter Henry Emerson Peter Henry Estate Haddon Hall Homestead Peter Henry Emerson Photogravure River Wye Country House Estuary


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> Arts > Contemporary art > Photography > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Europe > United Kingdom > England > Derbyshire > Over Haddon

> Europe > United Kingdom > England > Rivers


Haddon Hall and Homestead, From the River, 1880s

EDITORS COMMENTS
is a captivating print that transports viewers to the serene countryside of Derbyshire, England in the late 19th century. Created by renowned photographer Peter Henry Emerson, this photogravure captures the essence of British heritage art. The image showcases Haddon Hall, a stately home nestled amidst lush greenery on the banks of the picturesque River Wye. The grandeur of this historic building is beautifully juxtaposed against its natural surroundings, creating a harmonious blend of man-made architecture and untouched nature. Emerson's expertly composed photograph highlights not only the magnificent house but also its idyllic location. The river meanders gracefully through the landscape while trees frame the scene with their majestic presence. This scenic view evokes a sense of tranquility and invites contemplation. As one gazes upon this timeless artwork, it becomes evident why Emerson was considered a pioneer in photography during his time. His attention to detail and ability to capture both physical structures and intangible concepts make this piece truly remarkable. This particular print belongs to an edition limited to 250 copies from "the compleat angler or the contemplative mans recreation". Volume II (1888). It serves as a testament to Emerson's artistic vision and his contribution to capturing Britain's cultural heritage through photography.

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