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Guy Fawkes before James the First, c1870, (c1900). Creator: Unknown
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Guy Fawkes before James the First, c1870, (c1900). Creator: Unknown
Guy Fawkes before James the First, c1870, (c1900). Victorian depiction of Guy Fawkes being brought before King James I after the discovery of the Gunpowder Plot in 1605. Print after a painting by Sir John Gilbert. From English water-colour with reproductions of drawings by eminent painters, edited by Charles Holme, published by The Studio Library, [c1900]
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Media ID 18097347
© The Print Collector / Heritage-Images
Charles Holme Conspiracy Conspirator Conspirators Fawkes Gilbert Guido Fawkes Gunpowder Plot Guy Fawkes His Majesty Holme James I James Vi James Vi Of Scotland John Gilbert King James I King James Vi Of Scotland King Of England Sir John Sir John Gilbert Treason
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EDITORS COMMENTS
This print captures a pivotal moment in history, depicting Guy Fawkes being brought before King James I after the discovery of the infamous Gunpowder Plot in 1605. Created around 1870 and reproduced in the early 20th century, this Victorian depiction showcases the talent of an unknown artist who sought to immortalize this significant event. The image portrays Guy Fawkes on his knees, humbly facing his sovereign monarch. The tension is palpable as both men lock eyes, their expressions revealing a mix of defiance and resignation. Surrounding them are courtiers and officials, observing with bated breath as justice unfolds. Sir John Gilbert's original painting served as inspiration for this print, which beautifully captures the colors and details of its predecessor. The composition highlights not only the historical context but also conveys a sense of drama and intrigue that surrounded this conspiracy against the crown. As we gaze upon this artwork today, it serves as a reminder of how one man's treacherous plot forever altered England's history. It symbolizes the resilience of a nation united under its king's rule while showcasing artistic prowess from centuries past. Preserved through time by The Studio Library publication edited by Charles Holme around 1900, this print continues to captivate viewers with its rich historical significance and artistic merit.
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