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The Great Harbor in London, England (Egirisu, Rondon taiko), 1862. Creator: Utagawa Hiroshige II
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The Great Harbor in London, England (Egirisu, Rondon taiko), 1862. Creator: Utagawa Hiroshige II
The Great Harbor in London, England (Egirisu, Rondon taiko), 1862. An imaginary view of the port of London. Crowds throng London Bridge with boats from France, China and Russia in the background
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Media ID 24371849
© Heritage Art/Heritage Images
Alter Diptych East Meets West Hiroshige Ii Hiroshige Ii Utagawa Horseman Horsemen Horsewoman Horsewomen Kisai Rissho Koshibei Landscapearts Of Asia London Bridge London England United Kingdom Morita Chimpei Oban Triptych Parasol Parasols Port Riders Rissho Ryusho Sailing Ships Shigenobu Suzuki Chimpei Telescope Thames Triptych Umbrella Umbrellas Utagawa Chimpei Utagawa Hiroshige Ii Accessories Accessory Colour Woodblock Print Estuary Hiroshige Utagawa Metaphor Sailing Ship Tokugawa Period Utagawa Hiroshige
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EDITORS COMMENTS
The Great Harbor in London, England (Egirisu, Rondon taiko), 1862. An Imaginary Fusion of East and West". This print by Utagawa Hiroshige II takes us on a journey back to the bustling port of London in the 19th century. With its vibrant colors and meticulous details, it offers a unique blend of Japanese artistic style and Western subject matter. In this imaginary view, we find ourselves standing on London Bridge amidst an eclectic crowd from various corners of the world. Boats from France, China, and Russia dot the background, symbolizing the global connections fostered by trade during that era. The diptych format allows for a panoramic depiction of the great harbor's expanse. The artist skillfully captures both geographical features and cultural elements within this dynamic scene. From Christian churches towering over the landscape to elegantly dressed men and women adorned with parasols, every detail adds depth to this rich tapestry. Hiroshige II's mastery lies not only in his technical execution but also in his ability to convey metaphorical meaning through art. By bringing together Eastern aesthetics with Western subjects like clothing styles or horsemen crossing mouth-like estuaries, he invites viewers into a world where cultures intertwine harmoniously. As we gaze upon this heritage artwork today at the Art Institute Chicago or any other art gallery fortunate enough to house it, we are reminded of how art transcends time and place – bridging gaps between different countries and centuries past.
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