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French Renaissance block printing and embroidery, (1898). Creator: Unknown
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French Renaissance block printing and embroidery, (1898). Creator: Unknown
French Renaissance block printing and embroidery, (1898). Figs 1, 2 and 4: Patterns in relief-printing, 17th century. Fig 3: Pattern in flat printing, 17th century. Fig 5: Border on an embroidered carpet in the Musee du Louvre, 16th century....With the term " block printing" we designate the printing or stamping of a certain repeated pattern on stuff [fabric]. Plate 60 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19777878
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B T Batsford Batsford Bt Batsford Carpet Carpets Chromolithograph Dolmetsch E Hochdanz Foliage H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Ornate Soft Furnishing Stylised Embroidery Flowered Interior Decoration Interior Design
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EDITORS COMMENTS
This print showcases the exquisite artistry of French Renaissance block printing and embroidery from 1898. The creator of this masterpiece remains unknown, adding an air of mystery to its allure. The print features various patterns in relief-printing and flat printing, dating back to the 17th century. Fig 5 highlights a stunning border on an embroidered carpet displayed at the Musee du Louvre, originating from the 16th century. The term "block printing" refers to the technique of repeatedly stamping or printing a specific pattern onto fabric. This particular image is Plate 60 from "The Historic Styles of Ornament" translated from German by H. Dolmetsch and published by B. T. Batford in London in 1898. Every element within this composition exudes elegance and sophistication, with its vibrant colors, intricate foliage designs, and ornate floral motifs. It serves as a testament to the rich artistic heritage of France during the Renaissance period. Displayed against a backdrop that evokes warmth and opulence, this print captures not only a moment in history but also embodies timeless beauty that transcends centuries. Its detailed craftsmanship makes it suitable for interior decoration or as inspiration for soft furnishings. As we gaze upon this remarkable work of art, we are transported back in time to appreciate the skillful mastery behind each stitch and every printed detail—a true treasure preserved through lithography techniques known as chromolithograph—allowing us to cherish these historic styles of ornament created by Heinrich Dolmetsch (Hochdanz).
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