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A Flute-Playing Monk (Komuso); The Fourth Month (Uzuki), from the series Fashionable P

A Flute-Playing Monk (Komuso); The Fourth Month (Uzuki), from the series Fashionable P


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A Flute-Playing Monk (Komuso); The Fourth Month (Uzuki), from the series Fashionable P

A Flute-Playing Monk (Komuso); The Fourth Month (Uzuki), from the series Fashionable Poetic Immortals of the Four Seasons (Fuzoku shiki kasen), ca. 1768

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Media ID 20290198

© Heritage Art/Heritage Images

Bamboo Flute Geta Harunobu Harunobu Suzuki Ink And Color On Paper Komuso Monk Monks Patten Pattens Platform Shoes Poem Shoe Shoes Suzuki Suzuki Harunobu Zen Buddhism Footwear Musical Instruments Poetry Polychrome Woodblock Print Shakuhachi Zen Buddhist


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> Arts > Artists > H > Suzuki Harunobu

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> Asia > Japan > Related Images

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EDITORS COMMENTS
This polychrome woodblock print by Suzuki Harunobu, titled "A Flute-Playing Monk (Komuso); The Fourth Month (Uzuki), from the series Fashionable Poetic Immortals of the Four Seasons" transports us to 18th century Japan during the Edo period. The image showcases a serene and elegant scene, depicting a male Komuso monk playing the shakuhachi flute while dressed in traditional attire. The intricate details of this artwork are truly remarkable. From the delicate brushstrokes that bring life to every fold of clothing, to the vibrant colors that adorn both nature and garments alike, Harunobu's skill as an artist is evident. The composition beautifully captures a moment in time when music and poetry intertwine with Zen Buddhism. The figure's flowing robes and distinctive hat signify his role as a Komuso monk, who were known for their itinerant lifestyle and spiritual practices centered around playing music on bamboo flutes. Surrounding him are hints of springtime - cherry blossoms bloom in soft pinks, symbolizing renewal and beauty. Harunobu's attention to detail extends even to footwear; we see pattens or platform shoes called geta worn by both men and women during this era. These elevated wooden sandals protected against dirt while also elevating one above muddy streets. As we admire this woodblock print at The Metropolitan Museum of Art, we can't help but be transported back in time through its poetic depiction of Japanese

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