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Esquisse pour l'église de Champigny-sur-Marne : le Martyre de saint Saturnin, 1876. Creator: Theobald Chartran
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Esquisse pour l'église de Champigny-sur-Marne : le Martyre de saint Saturnin, 1876. Creator: Theobald Chartran
Esquisse pour l'eglise de Champigny-sur-Marne : le Martyre de saint Saturnin, 1876
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Media ID 36238907
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3rd Century Academic Canvas Material Chartran Theobald Gaul Geometry Martyr Martyrdom Mathematics Theobald Chartran
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EDITORS COMMENTS
Esquisse pour l'église de Champigny-sur-Marne: le Martyre de saint Saturnin," a captivating oil on canvas painting created by Theobald Chartran in 1876, transports us back in time to the third century, where the narrative unfolds around the martyrdom of Saint Saturnin, a revered figure in Christian history. The painting, now held in the prestigious Musée du Petit Palais in Paris, is a testament to the academic art movement of the nineteenth century. Chartran masterfully employs a monochromatic palette, with the image rendered in striking black and white, imbuing the work with a sense of timelessness and solemnity. The painting depicts three men: a kneeling figure, believed to be Saint Saturnin, flanked by two angels. The saint, with a serene expression, appears to be in deep prayer or contemplation, as he faces an arc, a geometric element that symbolizes the passage between this world and the next. The angels, with their wings spread wide, seem to offer protection and support to the martyr. The painting's composition is reminiscent of Greek and Roman architectural designs, with the use of clean lines and precise geometry. This fusion of classical and Christian elements is a hallmark of academic art, which sought to elevate the status of art by grounding it in the rich heritage of the past. The painting's title, "Esquisse pour l'église de Champigny-sur-Marne," suggests that it may have been intended as a preliminary design for a church or a religious institution. The painting's location in the Musée du Petit Palais, a renowned Parisian museum, underscores its significance as an important work of art and a valuable addition to the city's cultural heritage. Theobald Chartran's "Esquisse pour l'église de Champigny-sur-Marne: le Martyre de saint Saturnin" continues to captivate viewers with its hauntingly beautiful depiction of faith, martyrdom, and the enduring power of art.
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