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Esquisse pour l'amphithéâtre de paléontologie du Museum d'histoire naturelle de Paris... 1897. Creator: Fernand Cormon
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Esquisse pour l'amphithéâtre de paléontologie du Museum d'histoire naturelle de Paris... 1897. Creator: Fernand Cormon
Esquisse pour l'amphitheatre de paleontologie du Museum d'histoire naturelle de Paris : les Races humaines (Plafond), 1897. Ceiling design: ascending spiral of the various races emerging from ancient times, advancing towards civilization and progress. A prehistoric family follows the procession of men in armour and riders who ascend towards a luminous sky. The journey towards "civilization and light" is led by the Aryan races. This vision, influenced by Wagnerian lyricism, embodies the colonial mindset
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Media ID 36271961
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Allegorical Allegorical Figures Ceiling Civilisation Cormon Fernand Cormon Fernand Piestre Fernand Anne Piestre Fernand Cormon Fernand Piestre Cormon Humanity Modern Mural Piestre Fernand Anne Prehistoric Primitive Progress Wall Painting Allegorical Figure Aryan Human Race Interior Design Paris Museums Petit Palais
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Esquisse pour l'amphithéâtre de paléontologie du Museum d'histoire naturelle de Paris... 1897,
EDITORS COMMENTS
a stunning oil painting by Fernand Cormon, captures the imagination with its intricate and allegorical design. The painting serves as a ceiling decoration for the Amphithéâtre de paléontologie, or Palaeontology Amphitheater, in the Musée de l'Homme at the Palais de la Porte Dorée in Paris. The composition of the painting is a captivating representation of the human journey towards civilization and progress. An ascending spiral of various races emerges from ancient times, with figures in armor and riders leading the way towards a luminous sky. A prehistoric family follows this procession, symbolizing the origins of humanity. The allegorical figures in the painting embody the colonial mindset of the 19th century. The journey towards "civilization and light" is dominated by the Aryan races, reflecting the prevailing European perspective of the time. This vision, influenced by Wagnerian lyricism, is a testament to the artistic and cultural climate of the era. The painting's color palette is rich and vibrant, with warm hues dominating the lower portion and cooler tones ascending towards the sky. The architectural feature serves as a stunning interior design element, adding depth and character to the Amphitheater's interior. Fernand Cormon's masterpiece, "Esquisse pour l'amphithéâtre de paléontologie du Museum d'histoire naturelle de Paris... 1897," is a remarkable example of the artistic school of the time, showcasing the artistic skill and conceptual depth of the French artistic community during the late 19th century. The painting's allegorical figures and intricate design continue to captivate viewers, offering a glimpse into the past and the evolving understanding of humanity's place in the world.
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