Human Race Collection

Alfurus, Polinians of Hawaii
6202812 Alfurus, Polinians of Hawaii; (add.info.: "Alfurus, Polinians of Hawaii". Image caption Original styled according to the nineteenth-century concept of "race")

Southern Malay or Brown Breed Type
6202808 Southern Malay or Brown Breed Type; (add.info.: "Southern Malay or Brown Race type". Image caption Original styled according to the nineteenth-century concept of "race")

American race. Pampanese Sciaurri, Araucane
6202805 American race. Pampanese Sciaurri, Araucane; (add.info.: "American race. Pampanese Sciaurri, Araucane". Image caption Original styled according to the nineteenth-century concept of)

American or Red Race Type
6202807 American or Red Race Type; (add.info.: "American or Red Race type." Image caption Original styled according to the nineteenth-century concept of "race")

American race. Eskimo, Woman of Ate-uti
6202804 American race. Eskimo, Woman of Ate-uti; (add.info.: "American race. Eskimo, Woman of Ate-uti". Image caption Original styled according to the nineteenth-century concept of)

Salon of 1855. Peruvian school. Inhabitants of the Cordillera painting by M.F. Laso. engraving 1855
UIG5418795 Salon of 1855. Peruvian school. Inhabitants of the Cordillera painting by M.F. Laso. engraving 1855; UIG.

American race. Fetzeri
6202806 American race. Fetzeri; (add.info.: "American race. Fetzeri". Image caption Original styled according to the nineteenth-century concept of "race")

American race. Mozus, Chief of the Osagii (Algonchino)
6202801 American race. Mozus, Chief of the Osagii (Algonchino); (add.info.: "American race. Mozus, Chief of the Osagii (Algonchino)"

Esquisse pour l'amphithéâtre de paléontologie du Museum d'histoire naturelle de Paris... 1897
Esquisse pour l'amphitheatre de paleontologie du Museum d'histoire naturelle de Paris : les Races humaines (Plafond), 1897

Peur (Fear). Peinture d'Anatoli Afanasyevich Arapov (1876-1949). Huile sur toile, 71 x 90 cm
FIA5348655 Peur (Fear). Peinture d Anatoli Afanasyevich Arapov (1876-1949). Huile sur toile, 71 x 90 cm. art russe, symbolisme. Regional Art Museum, Arkhangelsk (Russie)

Veddahs, or "Wild Men"of Ceylon, one of the Lowest Types of the Human Race (engraving)
1061661 Veddahs, or " Wild Men" of Ceylon, one of the Lowest Types of the Human Race (engraving) by English School, (19th century); Private Collection; (add.info.: Veddahs)

Man. Varieties of the human race (engraving)
1090870 Man. Varieties of the human race (engraving) by English School, (19th century); Private Collection; (add.info.: Man. Varieties of the human race)

Man. Varieties of the human race (engraving)
1090867 Man. Varieties of the human race (engraving) by English School, (19th century); Private Collection; (add.info.: Man. Varieties of the human race)

The Derby Day, Notes on Epsom Downs (engraving)
1045489 The Derby Day, Notes on Epsom Downs (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: The Derby Day, Notes on Epsom Downs)

Man whose skull was discovered in Rhodesia in 1921 (litho)
979410 Man whose skull was discovered in Rhodesia in 1921 (litho) by English School, (20th century); Private Collection; (add.info.: Man whose skull was discovered in Rhodesia in 1921)

Interior of Noahs Ark, 1857 (oil on canvas)
REV346183 Interior of Noahs Ark, 1857 (oil on canvas) by Ramirez, Joaquin oe Joaquim (1839-66); Museo Nacional de Arte, Mexico City

Rhodesian Man (litho)
979411 Rhodesian Man (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Rhodesian Man. Illustration from The Outline of Science, The Waverley Book Company Ltd)

A reconstruction of the Java Man (colour litho)
979404 A reconstruction of the Java Man (colour litho) by English School, (20th century); Private Collection; (add.info.: A reconstruction of the Java Man (pithecanthopus erectus)

Linked hands, 1952. Creator: Shirley Markham
Linked hands, 1952. Illustration to a poem by Walter Raleigh (1914), " Wishes of an Elderly Man" : I wish I loved the Human Race; I wish I loved its silly face; I wish I liked the way it

Crucifixion Christ Allegorical Accompaniment
Crucifixion of Christ with Allegorical Accompaniment for the Redemption of the Human Race, 17th cent. (?), Mixed media on paper, mounted on oak wood, 36 x 24.4 cm, unmarked, Deutscher Meister, 17. Jh

Hum-Bug P T Barnum Comic Natural History Human Race
Artokoloro

Rats Comic Natural History Human Race 1851 Color lithography
Artokoloro

Milliner Bird Minnie Doyle Comic Natural History
Artokoloro

Jail Bird Comic Natural History Human Race 1851
Artokoloro

Catamaran Speel Owl Charlotte Chushman Joseph
Artokoloro

Gudgeon Shark Comic Natural History Human Race
Artokoloro

Sun Bird Jamess Wallace Comic Natural History
Artokoloro

Lark Comic Natural History Human Race 1851 Color lithography
Artokoloro

King Bird Robert P King Alexander Baird Comic Natural History
Artokoloro

Alms House Bird Comic Natural History Human Race
Artokoloro

Humming Bird Thomas B Florence Comic Natural History
Artokoloro

Gold Fish Francis M Drexel Comic Natural History
Artokoloro

Gallows Bird Comic Natural History Human Race
Artokoloro

Hen Hatched Egg Henry L Stephens Title Page Comic Natural History
Artokoloro

Butcher Birds Comic Natural History Human Race
Artokoloro

Woodpecker William B Gihon Comic Natural History
Artokoloro

Mac-Arel Comic Natural History Human Race 1851
Artokoloro

Vampyre Comic Natural History Human Race 1851
Artokoloro

Night Hawk Comic Natural History Human Race 1851
Artokoloro

Old Coon Henry Clay Comic Natural History Human Race
Artokoloro

Old Shad & Young Comic Natural History Human Race
Artokoloro

Wharf Rat Comic Natural History Human Race 1851
Artokoloro

Little Dear Comic Natural History Human Race
Artokoloro

Giraffe John E Owens Jakey Comic Natural History
Artokoloro

Son Fish Sucker Comic Natural History Human Race
Artokoloro

Widow Bird Comic Natural History Human Race 1851
Artokoloro

Paper chain family

Paper chain people

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The human race, a complex tapestry of emotions and diversity, has long been the subject of artistic expression. Anatoli Afanasyevich Arapov's painting "Peur (Fear)" captures the essence of this universal feeling, reminding us that fear knows no boundaries. In contrast to fear, we encounter the Veddahs or "Wild Men" of Ceylon in an engraving depicting one of the lowest types within our species. This serves as a stark reminder that humanity is not exempt from its own flaws and imperfections. Yet, amidst these variations lies unity. The engravings showcasing different varieties of the human race emphasize our shared existence despite our differences, and is through embracing this diversity that we can truly appreciate the beauty inherent in mankind. "The Derby Day, " an engraving capturing moments on Epsom Downs, reminds us that even in leisurely pursuits like horse racing, people from all walks of life come together to revel in shared experiences. Our common interests transcend societal divisions and unite us as one collective entity - humanity. Delving into history reveals fascinating discoveries such as the skull found in Rhodesia in 1921 and reconstructions like Java Man. These archaeological findings shed light on our origins and remind us how far we have come as a species throughout time. No discussion about humanity would be complete without acknowledging compassion and connection. Shirley Markham's artwork titled "Linked hands" portrays individuals holding hands - a powerful symbol representing unity and solidarity among humans across generations. Lastly, humor finds its place within art too; evidenced by "Page from The Satires of Cynicus. " Satirical illustrations serve as mirrors reflecting society's follies while also highlighting our ability to find amusement even amidst chaos. These artworks depict various facets of the human race - from fear to unity, imperfection to progress - encapsulating both our individuality and interconnectedness. As we navigate through life's complexities, let us remember that our shared humanity is what truly binds us together.