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Emperor Charles V Captures Tunis, c. 1565. Creator: Zuccari, Taddeo (1529-1566)
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Emperor Charles V Captures Tunis, c. 1565. Creator: Zuccari, Taddeo (1529-1566)
Emperor Charles V Captures Tunis, c. 1565. Found in the collection of the Apostolic Palace, Vatican
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Media ID 36226683
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Apostolic Palace Charles V Emperor Charles V Fresco Galley Mannerism Ottoman Habsburg Wars Roman School Vatican
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EDITORS COMMENTS
Emperor Charles V Captures Tunis," a breathtaking fresco painting by the Italian Mannerist artist Taddeo Zuccari, depicts a pivotal moment in the history of the Ottoman-Habsburg Wars. Painted around 1565, the artwork is now a cherished masterpiece housed in the Sala Regia of the Apostolic Palace in the Vatican City. The painting captures the triumphant scene of Emperor Charles V (1500-1558) on his galley, "La Goletta," as he surveys the conquered city of Tunis in the distance. The Ottoman forces, led by Dragut Reis, had been defeated, and the Christian forces, led by the Habsburg Empire, had successfully captured the city. The Ottoman flag, now lowered, is visible atop the city walls, symbolizing the end of the siege. Zuccari masterfully portrays the grandeur and power of Emperor Charles V, whose regal presence is emphasized by the contrasting chaos and destruction in the background. The artist's use of dramatic lighting, dynamic composition, and intricate details create a sense of depth and realism that transports the viewer to the heart of the battle. The painting is a testament to the Roman School of painting, which emphasized historical accuracy, grandeur, and emotion. It is also a reflection of the Mannerist style, characterized by its complex compositions, elongated figures, and exaggerated gestures. The conquest of Tunis was a significant victory for the Habsburg Empire, as it marked the end of the Ottoman threat in the Mediterranean and solidified their dominance in the region. The painting, therefore, holds great historical significance and is a valuable addition to the art collections of the Vatican City.
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