Mannerism Collection

View of Toledo, c. 1598. Artist: El Greco, Dominico (1541-1614)
View of Toledo, c. 1598. Found in the collection of the Metropolitan Museum of Art, New York

CELLINI, Benvenuto (1500-1571). Perseus. 1554

The Fable, c. 1580. Artist: El Greco, Dominico (1541-1614)
The Fable, c. 1580. Found in the collection of the Museo del Prado, Madrid

Gabrielle d Estrees and one of her sisters, duchesse de Villars. Artist: Master of the School of Fontainebleau
Gabrielle d Estrees and one of her sisters, duchesse de Villars. Found in the collection of Louvre, Paris

An Allegory with Venus and Cupid, c1523-1568. Artist: Agnolo Bronzino
An Allegory with Venus and Cupid, c1523-1568. The picture is likely to be that mentioned in Vasaris Life of Bronzino of 1568. From the collection of the National Gallery, London

Raphael (1483-1520). Transfiguration. 1517 -

Minerva Victorious over ignorance
Minervas Victorious over Ignorance. Spranger, Bartholomaeus (1546-1611). Oil on canvas

Portrait of Antonietta Gonsalvus, c. 1580. Creator: Anonymous
Portrait of Antonietta Gonsalvus, c. 1580. Found in the Collection of Ambras Castle, Innsbruck

Saint Cassian of Imola. Creator: Aspertini, Amico (1474-1552)
Saint Cassian of Imola. Found in the Collection of Pinacoteca di Brera, Milan

Portrait of Bianca degli Utili Maselli with her six children. Private Collection

Cavaliere dArpino. Penitent magdalene. 1st third 17th c. Roman school. Mannerism art. Oil on canvas. BELGIUM. Tournai. Fine Arts Museum

Madonna and child with infant John the Baptist, 1542. Artist: Beccafumi, Domenico
Madonna and child with infant John the Baptist, 1542. Found in the collection of the Art Gallery of New South Wales

The Battle of Marciano in Val di Chiana, 1570-1571. Artist: Vasari, Giorgio (1511-1574)
The Battle of Marciano in Val di Chiana, 1570-1571. Found in the collection of the Palazzo Vecchio, Florence

Saint Anthony of Padua, c. 1580. Artist: El Greco, Dominico (1541-1614)
Saint Anthony of Padua, c. 1580. Found in the collection of the Museo del Prado, Madrid

The Fall of Ixion, ca 1588. Artist: Haarlem, Cornelis Cornelisz. van (1562-1638)
The Fall of Ixion, ca 1588. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

The Three Graces
Antique illustration of The Three Graces

Deposition
3567417 Deposition by Salviati, Francesco de Rossi (1510-63); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Salviati, Francesco De Rossi Date of Artwork: 1535-1563 ca)

Courtyard of the Palazzo Vecchio, Florence, 19th century. Creator: Francesco Salviati
Courtyard of the Palazzo Vecchio, Florence, 19th century

Silenus gathering Grapes, c. 1598. Artist: Carracci, Annibale (1560-1609)
Silenus gathering Grapes, c. 1598. Found in the collection of the National Gallery, London

Greco, Dom鮩kos Theotok󰯵los, called El (1541-1614)
Greco, Dom鮩 kos Theotok󰯵 los, called El (1541-1614)

MORALES, Lu�de (1515-1586). Piet஠16th c
MORALES, Lu� de (1515-1586). Piet஠ 16th c

Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze)
BEN82525 Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini.

Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral of Cremona
3559310 Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral of Cremona.; (add.info.: Artist: Romanino, Girolamo Romani)

Half-Length Recumbent Male Nude Seen from the Back, c.1590 (charcoal, touches of oil paint)
5861512 Half-Length Recumbent Male Nude Seen from the Back, c.1590 (charcoal, touches of oil paint and traces of lead white on paper) by Faccini, Pietro (1560/2-1602); The Art Institute of Chicago

Charity, c.1590 (oil on wood)
XOS5882001 Charity, c.1590 (oil on wood) by Bloemaert, Abraham (1566-1651); 87x100 cm; Cleveland Museum of Art, OH, USA; (add.info)

View of the valut of the Room of Ulysses, Palazzo della Prefettura, Bergamo, Italy (photo)
2654973 View of the valut of the Room of Ulysses, Palazzo della Prefettura, Bergamo, Italy (photo); (add.info.: Bergamo, Palazzo della Prefettura: the vault of the Hall of Ulysses)

Perino del Vaga (Piero Bonaccorsi), Italian painter
5893214 Perino del Vaga (Piero Bonaccorsi), Italian painter.; (add.info.: Portrait of Perino del Vaga (Piero Bonaccorsi), Italian painter and draughtsman of the Late Renaissance/Mannerism 1501-1547

Jesus in the Garden of Olives, 1600-7 (oil on canvas)
8724249 Jesus in the Garden of Olives, 1600-7 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Museo Nacional de Bellas Artes, Buenos Aires, Argentina; (add.info.: By El Greco).

Madonna delle Grazie (oil on panel)
8683292 Madonna delle Grazie (oil on panel) by Colle, Raffaello dal (c.1490-1566) ; Santuario di Santa Maria delle Grazie, Sansepolcro, Arezzo, Tuscany

Incredulity of St. Thomas (oil on canvas)
8683286 Incredulity of St. Thomas (oil on canvas) by Tito, Santi di (1536-1603); Duomo di San Giovanni, Sansepolcro, Arezzo, Tuscany, Italy; (add.info.: "Incredulity of St)

8626324

Do You Know: Why do men raise their hats? (colour litho)
8668141 Do You Know: Why do men raise their hats? (colour litho) by English School, (20th century); Private Collection; (add.info.: Why do men raise their hats)

The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo)
BEN82459 The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini.

The Giardino Segreto, courtyard of the Appartamento Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78415 The Giardino Segreto, courtyard of the Appartamento Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini.

The Loggia di Davide (or D'Onore), interior showing columns of the garden entrance designed by Giulio Romano
BEN78411 The Loggia di Davide (or D'Onore), interior showing columns of the garden entrance designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78412); Palazzo del Te, Mantua

Entrance to the Loggia di Davide, looking from the Cortile D'Onore through the garden to the Exedra
BEN78405 Entrance to the Loggia di Davide, looking from the Cortile D'Onore through the garden to the Exedra, designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua

St. Quentin, 1517 (oil on canvas_)
8683301 St. Quentin, 1517 (oil on canvas_ by Vermeer, Jan (Johannes) (1632-75); Museo Civico, Sansepolcro, Arezzo, Tuscany, Italy; (add.info.: "St)

Benvenuto Cellini (1500-1571), 19th century (engraving)
7214686 Benvenuto Cellini (1500-1571), 19th century (engraving); (add.info.: Benvenuto Cellini (1500-1571) Italian goldsmith and sculptor best remembered for his infamous

Manusso Theotokopoulos, 1603-04 (oil on canvas)
8682930 Manusso Theotokopoulos, 1603-04 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Norton Simon Museum, Pasadena, CA, USA; (add.info.: By El Greco).

Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze)
BEN82533 Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini.

Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze)
BEN82507 Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini.

The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra
BEN78413 The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo); Palazzo del Te

View of the Lungarno Corsini with the Ponte Santa Trinita in Florence
3560258 View of the Lungarno Corsini with the Ponte Santa Trinita in Florence by Unknown photographer, (20th century); (add.info.: Lungarno Corsini, Florence 1900-1910 Date of Artwork: 1252, 1557)

Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel)
5860640 Virgin and Child with the Young Saint John the Baptist, 1527-30 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); 81.6--57.4 cm; The Art Institute of Chicago, IL

Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze)
BEN82509 Juno, sculpture by Giovanni Bandini (1540-99) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini.

The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects including King David
BEN78409 The Loggia di Davide (or D'Onore) interior decorated with ceiling frescos of biblical subjects including King David playing his harp designed by Giulio Romano (1499-1546)

The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546)
BEN78403 The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546), 1524-34 (photo) (detail of 78404); Palazzo del Te, Mantua

Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78402 Vestibule of the west entrance, designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini.

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"Mannerism: A Captivating Display of Artistic Eccentricity" Step into the world of Mannerism, a captivating artistic movement that emerged in the late Renaissance period. With its exaggerated forms, elongated figures, and intricate compositions, Mannerism pushed the boundaries of traditional art. Take a glimpse at El Greco's "View of Toledo, " where the artist skillfully captures an otherworldly landscape with distorted perspectives and vibrant colors. In his masterpiece "The Fable, " El Greco showcases his unique style through elongated figures and dramatic lighting, creating a sense of mystery and intensity. Agnolo Bronzino's "An Allegory with Venus and Cupid" mesmerizes viewers with its sensual yet enigmatic portrayal. The delicate details and meticulous brushwork highlight Bronzino's mastery in capturing complex emotions within his subjects. Benvenuto Cellini's sculpture "Perseus" astonishes with its dynamic composition and intricate detailing. This masterpiece embodies the essence of Mannerist sculpture by showcasing exaggerated poses and elaborate ornamentation. The School of Fontainebleau presents us with "Gabrielle d'Estrees and one of her sisters. " This painting exudes elegance as it portrays two noblewomen engaged in intimate conversation while surrounded by sumptuous fabrics—a testament to the refined aesthetics characteristic of Mannerism. Raphael's "Transfiguration" exemplifies how this artistic movement blended elements from both High Renaissance classicism and emerging Mannerist tendencies. The harmonious composition combined with intense emotion creates a powerful visual narrative. Intriguingly titled "Minerva Victorious over Ignorance, " this artwork symbolizes knowledge triumphing over ignorance through allegorical representations—an essential theme explored during this era. Anonymous brings forth Antonietta Gonsalvus in their portrait, revealing beauty beyond conventional norms—a reflection on society's obsession with physical appearance during that time.