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The Descent from the Cross, ca 1435. Artist: Weyden, Rogier, van der (ca. 1399-1464)
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The Descent from the Cross, ca 1435. Artist: Weyden, Rogier, van der (ca. 1399-1464)
The Descent from the Cross, ca 1435. Found in the collection of the Museo del Prado, Madrid
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Media ID 15001713
© Fine Art Images
Calvary Christ Carrying The Cross Cross Crucifixion Dead Christ Deposition Deposition Of Christ Deposition Of The Cross Descent From The Cross Early Netherlandish Art Golgotha Golgotha Hill Jerusalem Joseph Of Arimathea And Nicodemus Madrid Magdalen Magdalene Mary Magdalen Mary Magdalene Mourning Museo Del Prado Passion Passion Of Christ Rogier The Body Of Christ The Descent From The Cross The Netherlands The Road To Calvary Via Dolorosa Weyden
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EDITORS COMMENTS
This print showcases "The Descent from the Cross" a remarkable painting created around 1435 by Rogier van der Weyden. Housed in the prestigious Museo del Prado in Madrid, this masterpiece is an exquisite example of Renaissance art. The scene depicted is none other than the crucifixion of Jesus Christ, a pivotal event in Christian history. Van der Weyden's attention to detail and skillful use of oil on wood bring forth a profound sense of emotion and spirituality. The figures surrounding the cross, including Mary Magdalene and John, mournfully grieve for their beloved savior. Set against the backdrop of Golgotha hill in Jerusalem, this painting captures both the physical pain endured by Christ during his crucifixion and the deep sorrow felt by those who witnessed it firsthand. It takes us on a journey along Via Dolorosa, also known as "the road to Calvary" where Jesus carried his cross before reaching his final destination. "The Descent from the Cross" serves as a poignant reminder of Christ's sacrifice for humanity's salvation. It encapsulates key moments from biblical accounts such as Joseph of Arimathea and Nicodemus tenderly removing Jesus' body from the cross—a powerful symbol representing redemption. Van der Weyden's contribution to early Netherlandish art cannot be overstated; he masterfully captured not only religious narratives but also human emotions within his works. This print allows viewers to appreciate every brushstroke while
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