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The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
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The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Count, from The Dance of Death, ca. 1526, published 1538
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Media ID 23878217
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Afraid Alarm Allegorical Bone Bones Breastplate Chest Plate Count Dance Of Death Fear Feather Feathers Frighten Frightened Frightening Funny Hans Holbein Hans Holbein The Younger Hans Lutzelburger Holbein Holbein Hans Holbein Hans The Younger Holbein The Younger Hans Inevitability Inevitable Lutzelburger Hans Mortality Nobleman Northern Renaissance Ostrich Feather Ostrich Feathers Scared Skeleton The Dance Of Death Allegorical Figure Aristocracy Aristocrat Armour Hand Gesture
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The Count, from The Dance of Death - A Haunting Allegory of Mortality
EDITORS COMMENTS
. This print captures the essence of "The Count" from Hans Lützelburger's renowned artwork, "The Dance of Death". Created in the 16th century and published in 1538, this allegorical figure represents the inevitable fate that awaits us all. Dressed in aristocratic clothing adorned with a feathered hat and breastplate armor, the count stands as a symbol of power and privilege. However, his expression reveals deep fear and alarm as he gestures with wringing hands. This juxtaposition between his noble status and overwhelming fright adds an intriguing layer to the composition. Lützelburger's artistic school is evident through his meticulous attention to detail, particularly in capturing every bone-like structure on the count's chest plate. The use of black and white enhances the eerie atmosphere surrounding this allegory of mortality. As part of "The Dance of Death" this piece serves as a reminder that death spares no one regardless of their social standing or wealth. It reflects on our own mortality while simultaneously poking fun at our fears through its dark humor. Displayed within the Metropolitan Museum of Art, this German masterpiece continues to captivate viewers with its powerful message about life's transience. Through Lützelburger's skillful execution, we are reminded that even those who seem invincible must eventually confront their own fragility.
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