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Cosimo De Medici, (1933). Creator: Unknown
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Cosimo De Medici, (1933). Creator: Unknown
Cosimo De Medici, (1933). Portrait of Italian banker and politician Cosimo de Medici (1389-1464), the first member of the Medici political dynasty that served as de facto rulers of Florence during the Italian Renaissance period. After a Florentine miniature made in the 1500s. From " Gestalten Der Weltgeschichte", a book of cigarette-card portrait miniatures of figures in world history from the last four hundred years. [Germany, 1933]
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Media ID 18281064
© The Print Collector / Heritage-Images
Banker Coin Coinage Cosimo Cosimo De Medici Currency De Medici Medal Medals Medici Miniature Cosimo De
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EDITORS COMMENTS
This print showcases a portrait of the esteemed Italian banker and politician, Cosimo de Medici. Created in 1933 by an unknown artist, this piece captures the essence of one of the most influential figures during the Italian Renaissance period. Cosimo de Medici, born in 1389, was a pivotal member of the renowned Medici political dynasty that held significant power in Florence. Serving as de facto rulers, they played a crucial role in shaping the cultural and artistic landscape of their time. This portrait is based on a Florentine miniature from the 1500s, lending it historical significance. The image is part of "Gestalten Der Weltgeschichte" a remarkable book featuring cigarette-card portrait miniatures depicting prominent individuals from world history over four centuries. Published in Germany in 1933, this collection offers glimpses into various professions and statesmen who have left indelible marks on our past. In this profile view, we see Cosimo de Medici's distinguished features highlighted with vivid coloration. The inclusion of medals symbolizes his contributions to finance and currency during his era. It serves as a reminder not only of his occupation but also his immense influence within Italy. As we delve into this photograph print from Heritage Images' extensive collection, we are transported back to both fifteenth-century Italy and early twentieth-century Germany when it was published – an intriguing juxtaposition that invites us to explore history through artistry and documentation alike.
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