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Coronation of Harold King of the Anglo-Saxons, A. D. 1066, (1878). Artist: W Ridgway

Coronation of Harold King of the Anglo-Saxons, A. D. 1066, (1878). Artist: W Ridgway


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Coronation of Harold King of the Anglo-Saxons, A. D. 1066, (1878). Artist: W Ridgway

Coronation of Harold King of the Anglo-Saxons, A.D. 1066, (1878). After Daniel Maclise (1806?1870). From Pictures and Royal Portraits Illustrative of English and Scottish History, by Thomas Archer. [Blackie & Son, London, Glasgow & Edinburgh, 1878]

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Media ID 14974124

© The Print Collector

11th Century Archer Bishop Blackie Blackie And Son Blackie Son Blackie Son Ltd Coronation Daniel Daniel Maclise Eleventh Century Harold Godwineson Harold Godwinson Harold Ii His Majesty King Harold Ii King Of England Maclise Pictures And Royal Portraits Ridgway Royal Event Sepia Thomas Archer Throne W Ridgway


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> Arts > Artists > M > Daniel Maclise

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Scotland > Edinburgh > Edinburgh

> Europe > United Kingdom > Scotland > Lothian > Edinburgh

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow

> People > Royalty > Related Images

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EDITORS COMMENTS
The Coronation of Harold King of the Anglo-Saxons, A. D. 1066, captured in this stunning print by W Ridgway, takes us back to a pivotal moment in British history. The artist skillfully recreates the grandeur and solemnity of the event that unfolded over nine centuries ago. In this sepia-toned image, we find ourselves inside a regal interior where an array of distinguished figures are gathered. The central focus is on Harold II, also known as Harold Godwinson, who stands tall and proud wearing his royal crown. Surrounding him are men of power and influence - bishops adorned in their ecclesiastical robes and nobles dressed in rich garments. The scene exudes religious symbolism as a bishop holds a cross above Harold's head while another presents him with a ceremonial axe symbolizing his role as defender of the realm. This fusion of Christianity and monarchy underscores the close relationship between religion and governance during this period. Thomas Archer's publication from 1878 brings to life Daniel Maclise's original artwork from decades earlier. Through meticulous engraving techniques, every detail is preserved for future generations to admire. This print not only serves as an artistic masterpiece but also provides valuable insights into English history during the eleventh century. It allows us to witness firsthand one of Britain's most significant royal events - the coronation of King Harold II - forever immortalized through W Ridgway's skilled handiwork.

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