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A coach in Rome, 18th century (1956)
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A coach in Rome, 18th century (1956)
A coach in Rome, 18th century (1956). Detail from Piazza del Campidoglio by Bernardo Bellotto. Bellotto (1721-1780) was the nephew and pupil of Canaletto. A print from Things, a volume about the origin and early history of many things, common and less common, essential and inessential, by Readers Union, the Grosvenor Press, London, 1956
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Media ID 14949521
© The Print Collector / Heritage-Images
Balustrade Belloto Bellotta Bellotti Bellotto Bernard Bernardo Bernardo Bellotto Canaletto Carriage Coach Il Canaletto Piazza Piazza Del Campidoglio Print Collector11 Travelling Baroque Era Horse Drawn Vehicle
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EDITORS COMMENTS
This print captures the essence of 18th-century Rome, showcasing a magnificent coach amidst the bustling streets of the city. The image is a detail from Bernardo Bellotto's famous painting titled "Piazza del Campidoglio" which beautifully showcases his architectural expertise and artistic talent. The coach itself is a stunning example of horse-drawn transportation during this era, with its ornate design and intricate detailing. It stands as a testament to the opulence and grandeur that characterized 18th-century Italy. Surrounded by awe-inspiring buildings and statues, this scene transports us back in time to an era where elegance and sophistication reigned supreme. The vibrant colors bring life to every element within the frame, from the cobblestone streets to the flowing garments of pedestrians passing by. Bellotto's skillful brushstrokes capture not only the physical beauty but also evoke a sense of movement and energy within this historical moment. As we gaze upon this print, we can almost hear the clip-clop of hooves on stone pavement and feel ourselves being transported through time. This print serves as both an exquisite work of art and a valuable glimpse into Rome's rich history. It reminds us that even centuries later, these timeless scenes continue to captivate our imagination and inspire our appreciation for artistry in all its forms.
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