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Clive of India programme for the Savoy Theatre, 1934

Clive of India programme for the Savoy Theatre, 1934


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Clive of India programme for the Savoy Theatre, 1934

Clive of India programme for the Savoy Theatre, 1934. The Savoy Theatre was the first public building in the world, to be lit entirely by electricity. In 1889, Richard D Oyly Carte (1844-1901) built the Savoy Hotel next to the theatre and for many years, the Savoy was the home of the D Oyly Carte Opera Company. Richards son Rupert D Oyly Carte (1876-1948) rebuilt and modernised the theatre in 1929

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Media ID 14959769

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1st Baron Clive Of Plassey Baron Capital Letter Clive Clive Of India Electricity English Text Hotel Lord Clive Plassey Programme Robert Clive Rupert Savoy Hotel Western Script Carte City Of Westminster Inset Richard Doyly Carte Savoy Theatre


FEATURES IN THESE COLLECTIONS

> Asia > India > Related Images

> Europe > United Kingdom > England > London > Art > Opera

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > Venues > Savoy Theatre

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > Opera

> Europe > United Kingdom > England > Westminster


EDITORS COMMENTS
This print captures a piece of history at the Savoy Theatre in 1934. The programme, featuring "Clive of India" takes us back to a time when this iconic London landmark was buzzing with excitement. Known as the first public building in the world to be fully illuminated by electricity, the Savoy Theatre held a special place in people's hearts. In 1889, Richard D Oyly Carte, an influential figure in British theatre and hospitality, constructed the luxurious Savoy Hotel adjacent to the theatre. For many years, it served as home to his renowned D Oyly Carte Opera Company. Fast forward to 1929 when Rupert D Oyly Carte took charge and transformed the theatre into a modern marvel. The image showcases intricate lettering on the programme itself, reflecting traditional English text from that era. A close-up reveals a distinguished gentleman wearing a wig – perhaps portraying Robert Clive himself or another character from this historical play. As we delve into this snapshot frozen in time, we are reminded of Lord Clive's significant role as Baron Clive of Plassey – an emblematic figure associated with India during colonial times. This print not only encapsulates theatrical artistry but also serves as a testament to London's rich cultural heritage and its continuous evolution throughout the 20th century.

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