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Christ between the Virgin Mary and Saint John the Baptist. Artist: Gossaert, Jan (ca. 1478-1532)

Christ between the Virgin Mary and Saint John the Baptist. Artist: Gossaert, Jan (ca. 1478-1532)


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Christ between the Virgin Mary and Saint John the Baptist. Artist: Gossaert, Jan (ca. 1478-1532)

Christ between the Virgin Mary and Saint John the Baptist. Found in the collection of Museo del Prado, Madrid

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Media ID 15018586

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Absolute Ruler Annunciate Apostle Apostles History Autocrat Baptist Christ Enthroned Christ Pantocrator Christ The Saviour Early Netherlandish Art Faith Gossaert John The Baptist John The Forerunner Loyalty Martyr Martyrdom Mother Of The God Our Lord Pantocrator Pantokrator Prophet Saints Salvation Salvator Mundi Saviour Saviour Of The World The Lord The Netherlands The Saviour Enthroned Theology Throne Tizian


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EDITORS COMMENTS
This stunning print captures the masterpiece "Christ between the Virgin Mary and Saint John the Baptist" by Jan Gossaert. The painting, housed in Museo del Prado, Madrid, showcases a significant moment in Christian theology. In this Renaissance artwork, Christ is depicted as Pantocrator, enthroned between his mother, the Virgin Mary, and his cousin and prophet, Saint John the Baptist. The composition exudes a sense of divine majesty and power. The artist's attention to detail is evident in every brushstroke of this oil on wood piece. Gossaert skillfully portrays each figure with intricate precision while conveying their individual roles within Christianity. The image symbolizes faith and loyalty as it represents Jesus Christ as both Savior and Lord. It serves as a reminder of God's salvation for humanity through His son's sacrifice. Gossaert's work reflects influences from early Netherlandish art but also demonstrates his own unique style. This particular painting showcases his mastery of color and composition. As we gaze upon this remarkable print, we are transported back to an era where fine art images like these were created to inspire devotion and contemplation among believers. It stands as a testament to the enduring power of religious iconography throughout history.

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