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Chatillon. Jean-Baptiste. 31 ans, ne a Toiseron des Minard (Cher)

Chatillon. Jean-Baptiste. 31 ans, ne a Toiseron des Minard (Cher)


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Chatillon. Jean-Baptiste. 31 ans, ne a Toiseron des Minard (Cher)

Chatillon. Jean-Baptiste. 31 ans, ne a Toiseron des Minard (Cher). Employe de commerce. Note du cabinet. 10/5/82, 1882

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Media ID 20137426

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anthropology Anthropometry Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Cher

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Chatillon. Jean-Baptiste. 31 ans, ne a Toiseron des Minard (Cher) - A Glimpse into the Past

EDITORS COMMENTS
. This photo print, taken in 1882 by Alphonse Bertillon, showcases the intriguing portrait of Jean-Baptiste Chatillon. At the age of 31, born in Toiseron des Minard (Cher), Chatillon appears as an enigmatic figure with his piercing gaze and composed demeanor. Employed in commerce at that time, this mugshot-like image was captured for identification purposes within the realm of law enforcement and criminal investigation. The photograph is part of Bertillon's pioneering work in anthropometry - a scientific method that aimed to classify individuals based on their physical characteristics. In this snapshot from the nineteenth century, we witness not only a man but also a piece of French heritage art. The Metropolitan Museum of Art has preserved this significant artifact which represents both the advancements made in photography during that era and its intersection with science. Alphonse Bertillon's meticulous attention to detail is evident through his use of albumen silver print techniques, resulting in stunning clarity and contrast within this monochromatic composition. As we contemplate this historical document today, it serves as a reminder of how far we have come in terms of forensic sciences and criminal investigations. It offers us an opportunity to delve into our past while appreciating the artistic value embedded within these early photographic records at The Met.

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