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A Canton Pawn Shop; Honam Temple, Canton; Temple of Five Hundred Gods, Canton... c. 1868
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A Canton Pawn Shop; Honam Temple, Canton; Temple of Five Hundred Gods, Canton... c. 1868
A Canton Pawn Shop; Honam Temple, Canton; Temple of Five Hundred Gods, Canton; The Abbot of the Temple, c. 1868. A work made of collotype, pl. xviii from the album " illustrations of china and its people, volume i" (1873)
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Media ID 23873393
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1873 Abbot Buddhist Buddhists Canton Canton China Canton China Collotype Guangdong Republic Of China Guangzhou China J Thompson John Thomson Oriental Pawn Shop Pawnbroker Pawnshop Thomson John Scots
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This photo print, captured by Scottish photographer John Thomson in 1868, takes us on a visual journey to Canton, China. Titled "A Canton Pawn Shop; Honam Temple, Canton; Temple of Five Hundred Gods" this image is part of Thomson's renowned album "Illustrations of China and Its People". The photograph showcases the bustling exterior of a pawn shop in Canton, where locals engage in the age-old practice of pawning their belongings. The intricate architecture and vibrant signage draw our attention to the rich cultural heritage present within these walls. Adjacent to the pawn shop stands the majestic Honam Temple, its grandeur evident even from afar. This Buddhist temple serves as a spiritual sanctuary for worshippers seeking solace and enlightenment amidst their daily lives. Further along is the awe-inspiring Temple of Five Hundred Gods, an embodiment of Chinese religious devotion. With its ornate decorations and serene atmosphere, it offers visitors a glimpse into centuries-old traditions that continue to shape Chinese culture today. In this snapshot from history, we catch sight of an unidentified man standing outside one such establishment—a testament to the diverse array of people who frequented these spaces during that era. Thomson's masterful collotype technique brings out every intricate detail with stunning clarity. Through his lens, he captures not only physical structures but also moments steeped in spirituality and human connection—reminding us that art has always been a powerful medium for documenting cultures across time and space.
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