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Brittannia roused or the Coalition Monsters Destroyed, 1784

Brittannia roused or the Coalition Monsters Destroyed, 1784


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Brittannia roused or the Coalition Monsters Destroyed, 1784

Brittannia roused or the Coalition Monsters Destroyed, 1784. The giantess Britannia holding Charles James Fox above her head and grasping Lord North around the neck, dashing them to destruction.This is a satire on the struggle between William Pitt the Younger and Fox before the dissolution of Parliament. The ensuing election was a heavy defeat for Fox and North as Pitt became Prime Minister with a parliamentary majority of 120

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Media ID 15177488

© London Metropolitan Archives (City of London) / Heritage-Images

2nd Earl Of Guilford Britannia Charles Fox Charles James Charles James Fox Earl Of Guildford Frederick Frederick North Lord Lord North North Prime Minister Rowlandson Thomas Rowlandson Whig Allegorical Figure Giantess


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> Arts > Artists > C > James Charles

> Arts > Artists > R > Thomas Rowlandson

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Politics > Frederick North

> Europe > United Kingdom > England > London > Politics > William Pitt the Younger

> Europe > United Kingdom > England > London > Politics > William Pitt

> Europe > United Kingdom > England > Politics

> People > Politicians

> Popular Themes > Politics


Britannia Roused - A Satirical Triumph Over the Coalition Monsters

EDITORS COMMENTS
. In this print, created by Thomas Rowlandson in 1784, we witness a powerful allegorical scene that encapsulates the political turmoil of its time. The central figure is none other than Britannia herself, depicted as a formidable giantess. With unwavering strength, she holds Charles James Fox above her head while tightly grasping Lord North around his neck. This symbolic act represents their imminent destruction. The print serves as a biting satire on the intense struggle between William Pitt the Younger and Fox prior to Parliament's dissolution. It foreshadows the subsequent election which resulted in a resounding defeat for Fox and North, paving the way for Pitt to become Prime Minister with an overwhelming parliamentary majority of 120 seats. Rowlandson's masterful etching skillfully captures both the gravity and humor of this political moment. His caricatured portrayal of these prominent figures adds an element of wit to their downfall. Through his artistry, he conveys not only the triumph of one statesman over another but also reflects upon broader themes such as national identity and power dynamics within British politics. This historic artwork can be found at Guildhall Library and Art Gallery where it continues to serve as a testament to Rowlandson's artistic prowess and his ability to capture significant moments in history through satirical imagery.

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