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Two Bricklayers Holding Bricks and Trowels, 1870s-80s. Creator: Unknown

Two Bricklayers Holding Bricks and Trowels, 1870s-80s. Creator: Unknown


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Two Bricklayers Holding Bricks and Trowels, 1870s-80s. Creator: Unknown

Two Bricklayers Holding Bricks and Trowels, 1870s-80s

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Media ID 20170656

© Heritage Art/Heritage Images

Bricklayer Bricklaying Bricks Ferrotype Tintype Trowel Working Man Workman Workmen


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> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
In this photograph from the 1870s-80s, we are transported back in time to witness the skilled craftsmanship of two bricklayers. The image showcases their proud stance as they hold bricks and trowels, tools of their trade. Their weathered faces tell tales of hard work and dedication, embodying the spirit of the working man in 19th century America. The unknown creator has captured a moment frozen in time - a testament to the importance of manual labor during this era. As we gaze upon this tintype print, we can almost feel ourselves standing alongside these men on a construction site, surrounded by stacks of bricks waiting to be laid. This portrait not only documents an occupation but also serves as a window into American history. It reminds us that behind every great cityscape lies countless hours of labor by individuals like these bricklayers who played an integral role in shaping our country's landscape. Preserved within the walls of The Metropolitan Museum of Art, this heritage art piece allows us to reflect on our past while appreciating the contributions made by those who came before us. Though their names may remain unknown, their legacy lives on through images such as this one – reminding us that progress is built upon the sweat and determination of hardworking individuals like these two bricklayers.

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