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Big Mouth Spring, c1910. Creator: Edward Sheriff Curtis
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Big Mouth Spring, c1910. Creator: Edward Sheriff Curtis
Big Mouth Spring, c1910. Big Mouth Spring, three-quarter length portrait, standing, facing right, braids, one feather, beaded buckskin shirt, decorated scalp lock on right shoulder, black silk neckerchief
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Media ID 35130055
© Heritage Art/Heritage Images
1910 Algonquian Algonquin American Indians American West Anthropology Bead Beaded Beading Beads Beadwork Blackfeet Blackfoot Blackfoot Confederacy Braid Braided Braids Buckskin Cloth Curtis Edward Sheriff Curtis Edwards Edward Sheriff Curtis Edwards Curtis Ethnography Ethnology Feather Feathers Indians Indigenous People Kerchief Leather Material Montana Montana United States Of America Native Americans Neckerchief North America North American Photographic Piegan Piegan Blackfeet Plait Plaited Plaits Shirt Three Quarter Tribal Tribe Tribesman Tribespeople Typical Accessories Accessory Clothing Dress Embroidery Fashion Clothing Needlework Sewing Traditional Dress White And Black
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EDITORS COMMENTS
Big Mouth Spring, c1910: A Portrait of a Blackfoot Man in Traditional Attire This striking three-quarter length portrait captures the essence of the Blackfoot people and their rich cultural heritage. Taken by renowned ethnographer Edward Sheriff Curtis around 1910, the image features a Blackfoot man standing proudly, facing right, with his braids cascading down his back. He wears a beaded buckskin shirt adorned with intricate designs and a black silk neckerchief, fastened with a decorative buckle. A single feather is tucked into the band of his braids, adding an elegant touch to his traditional attire. The Blackfoot Confederacy, also known as the Blackfeet Nation, is an Algonquian-speaking Native American tribe originally from the Great Plains of North America. This portrait offers a glimpse into their history and the importance they placed on clothing and accessories as expressions of their identity. The man's clothing is not only functional but also decorative, with beadwork and embroidery adding color and texture to the garment. The location of this portrait is not explicitly stated, but it is believed to have been taken in the early 20th century, during a time when the Blackfoot people were undergoing significant cultural changes. Curtis' documentation of their traditional dress and customs played an essential role in preserving their heritage for future generations. This portrait is a testament to the resilience and creativity of the Blackfoot people and their deep connection to the land and their ancestors. It serves as a reminder of the importance of preserving cultural traditions and the role that ethnography and anthropology play in understanding the rich history of North America.
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