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Battle of the Nudes, 1470s-80s. Creator: Antonio del Pollaiuolo (Italian, 1431 / 32-1498)

Battle of the Nudes, 1470s-80s. Creator: Antonio del Pollaiuolo (Italian, 1431  /  32-1498)


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Battle of the Nudes, 1470s-80s. Creator: Antonio del Pollaiuolo (Italian, 1431 / 32-1498)

Battle of the Nudes, 1470s-80s. This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Pollaiuolos grimacing warriors appear like clones in different poses. The print may have functioned as a model for workshop apprentices studying human anatomy while learning to draw; however, the artists Latin signature suggests it also had an audience educated in literature. Art historians remain uncertain whether Pollaiuolo intended to depict a particular story or historical event. It is possible he created a deliberately ambiguous allegory that would appeal to patrons interested in interpreting symbols. For example, the continuous chain shared by the two central men could refer to an ancient idea that the body is the chain of the soul, only to be released in death

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Media ID 19623297

© Heritage Art/Heritage Images

Antonio Del Pollaiuolo


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EDITORS COMMENTS
This print showcases Antonio del Pollaiuolo's "Battle of the Nudes" a groundbreaking work from the 1470s-80s. As one of the earliest Renaissance prints to depict the male nude body in action, it holds immense historical significance. The engraving features warriors with grimacing expressions, appearing almost like clones in various poses. While this print may have served as a model for apprentices studying human anatomy and drawing techniques, its Latin signature suggests a more educated audience interested in literature. Art historians are still uncertain about whether Pollaiuolo intended to portray a specific story or historical event. Instead, he might have created an intentionally ambiguous allegory that would appeal to patrons who enjoyed interpreting symbols. One intriguing symbol within this artwork is the continuous chain shared by two central figures. This motif could allude to an ancient belief that the body represents the chain of the soul, only released upon death—a concept both profound and thought-provoking. The photograph itself captures every intricate detail of Pollaiuolo's masterpiece, allowing viewers to appreciate his skillful rendering and meticulous attention to anatomical accuracy. Preserved by Heritage Art/Heritage Images and housed at The Cleveland Museum of Art, this print serves as a testament to Pollaiuolo's artistic genius and his significant contribution during Italy's Renaissance period.

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