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Ascension du Constitutionnel, 1830 / 1835. Creator: Aubert

Ascension du Constitutionnel, 1830  /  1835. Creator: Aubert


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Ascension du Constitutionnel, 1830 / 1835. Creator: Aubert

Ascension du Constitutionnel, 1830/1835. [Bienheureux les pauvres d esprit, le Royaume des cieux leur appartient. Blessed are the poor in spirit, for theirs is the kingdom of heaven]

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Media ID 21236315

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Angels Ascending Ascension Ascent Aubert Constitution Funny List Lithograph On Wove Paper Matthew Matthews Gospel Silly Winged Figure Winged Figures Constitutional Hand Gesture Politicians


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Ascension du Constitutionnel, 1830/1835 - A Satirical Depiction of French Politics in the 19th Century

EDITORS COMMENTS
. This black and white lithograph by Aubert captures a humorous yet thought-provoking scene from France's political landscape during the early 19th century. The image portrays a group of politicians ascending towards the heavens, symbolizing their rise to power and influence. The artist employs caricature to exaggerate the features and gestures of these men, adding an element of satire to his work. One figure stands out among them, gesturing with his hand as if delivering an important message. This comical portrayal highlights the absurdity often associated with political discourse. Incorporating religious symbolism, Aubert references Matthew's Gospel - "Blessed are the poor in spirit, for theirs is the kingdom of heaven". By juxtaposing this biblical verse with politicians' ascent, he questions their true intentions and mocks their claims to righteousness. The print serves as a commentary on both politics and society at large during that time period. It reflects on notions of power, corruption, and hypocrisy within French politics while also challenging societal beliefs about leadership and morality. Displayed at the National Gallery of Art in Washington D. C. , this heritage artwork invites viewers to reflect upon historical events through artistic expression. Its wit and creativity continue to captivate audiences today, reminding us that humor can be a powerful tool for social critique.

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