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An Allegory of Misrule, 1720-61. Creator: Johann Georg Platzer
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An Allegory of Misrule, 1720-61. Creator: Johann Georg Platzer
An Allegory of Misrule, 1720-61
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Media ID 20770309
© Heritage Art/Heritage Images
Allegorical Amorini Angelic Aquatic Life Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Centaur Centaurs Cherubim Cherubs Debauchery Father Time Fish Fishes Mythical Beasts Mythical Creatures Mythological Creature Nereid Nereids Nudes Nymph Oil On Copper Old Master Party Satyr Satyrs Scientific Instrument Sea Nymph Triton Tritons Venus Allegorical Figure Baroque Era Cherub Johann Georg Platzer Lapith Lapiths Misrule Mythical Beast Mythical Creature Nakedness Nudity Putti
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EDITORS COMMENTS
This print titled "An Allegory of Misrule, 1720-61" by Johann Georg Platzer takes us back to the vibrant and extravagant Baroque era in Austria. The artwork, displayed at the Birmingham Museum and Art Gallery, showcases Platzer's mastery in capturing allegorical figures with intricate details. In this piece, we witness a scene filled with mythical creatures such as centaurs and Nereids alongside cherubs and angels. The central figure is Venus, the goddess of love and beauty, surrounded by amorini who symbolize desire. Father Time stands nearby as a reminder of the fleeting nature of life. Platzer's use of oil on copper creates a rich color palette that brings to life every element within the composition. The artist skillfully portrays debauchery through his depiction of men engaging in revelry while embracing misrule. The concept behind this artwork explores themes of excesses and indulgence prevalent during the 18th century. It serves as a social commentary on society's fascination with pleasure-seeking behaviors despite their consequences. As we gaze upon this masterpiece from an artistic school long gone but not forgotten, we are transported to an era where mythological creatures coexist with humans in a realm governed by chaos and desire. This print allows us to appreciate Platzer's talent for immortalizing moments that reflect both our human flaws and desires for divine experiences.
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