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Literature Collection (page 10)

1,069 items

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Background imageLiterature Collection: DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

Background imageLiterature Collection: DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

Background imageLiterature Collection: DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

Background imageLiterature Collection: DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

DECORATIVE CALLIGRAPHY. Austrian, mid-18th century

Background imageLiterature Collection: AMERICAN BOOKPLATE, 1820. Boston Athenaeum

AMERICAN BOOKPLATE, 1820. Boston Athenaeum

Background imageLiterature Collection: THACKERAY: VANITY FAIR. A Family Party at Brighton, England. Etching, after the authors design

THACKERAY: VANITY FAIR. A Family Party at Brighton, England. Etching, after the authors design, to chapter 25 of William Makepeace Thackerays novel Vanity Fair, 1847-48

Background imageLiterature Collection: THACKERAY: VANITY FAIR. Rebeccas Farewell. Etching, after the authors design

THACKERAY: VANITY FAIR. Rebeccas Farewell. Etching, after the authors design, for the first chapter of William Makepeace Thackerays novel Vanity Fair, 1847-48

Background imageLiterature Collection: ROBIN HOOD. Illustration from a late 19th century American juvenile edition

ROBIN HOOD. Illustration from a late 19th century American juvenile edition

Background imageLiterature Collection: ROBIN HOOD. Illustration from a late 19th century American juvenile edition

ROBIN HOOD. Illustration from a late 19th century American juvenile edition

Background imageLiterature Collection: THOMAS ROBERT MALTHUS (1766-1834). English cleric and economist. Autograph signature

THOMAS ROBERT MALTHUS (1766-1834). English cleric and economist. Autograph signature

Background imageLiterature Collection: MALTHUS: POPULATION, 1798. Title-page to the first edition of Thomas Malthus An

MALTHUS: POPULATION, 1798. Title-page to the first edition of Thomas Malthus An Essay on the Principle of Population, London, 1798

Background imageLiterature Collection: MORGAN LE FAY. Drawing, 1905, by Howard Pyle

MORGAN LE FAY. Drawing, 1905, by Howard Pyle

Background imageLiterature Collection: BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense

BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense, first published in 1846

Background imageLiterature Collection: BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense

BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense, first published in 1846

Background imageLiterature Collection: BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense

BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense, first published in 1846

Background imageLiterature Collection: BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense

BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense, first published in 1846

Background imageLiterature Collection: BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense

BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense, first published in 1846

Background imageLiterature Collection: MARY HAD A LITTLE LAMB. Ornamental drawing, 1904, for Sarah Josepha Hales Mary

MARY HAD A LITTLE LAMB. Ornamental drawing, 1904, for Sarah Josepha Hales Mary had a little lamb

Background imageLiterature Collection: FITZGERALD TITLEPAGE, 1859. Titlepage of the first edition of Edward Fitzgerald s

FITZGERALD TITLEPAGE, 1859. Titlepage of the first edition of Edward Fitzgerald s
FITZGERALD TITLEPAGE, 1859. Titlepage of the first edition of Edward Fitzgeralds translation of the Rubaiyat of Omar Khayyam, London, 1859

Background imageLiterature Collection: PAWNBROKERs SHOP, 1836-37. The Pawnbrokers Shop

PAWNBROKERs SHOP, 1836-37. The Pawnbrokers Shop. Etching by George Cruikshank for Charles Dickens Sketches by Boz, 1836-1837

Background imageLiterature Collection: LONDON RECREATIONS, 1836-37. London Recreations

LONDON RECREATIONS, 1836-37. London Recreations. George Cruikshanks etching for Charles Dickens Sketches by Boz, 1836-1837

Background imageLiterature Collection: CALLIGRAPHY. A leaf from Martin Billingsley, The Pens Excellencie or the Secretaries Delight

CALLIGRAPHY. A leaf from Martin Billingsley, The Pens Excellencie or the Secretaries Delight, London, England, 1618

Background imageLiterature Collection: CALLIGRAPHY. Page showing the text hand from John de Beauchesne and John Baildon

CALLIGRAPHY. Page showing the text hand from John de Beauchesne and John Baildon, A Book containing divers Sortes of Hands, London, England, 1571

Background imageLiterature Collection: RELACAM VERDADEIRA, 1577. Title page of the first printed account of Hernando de Sotos discovery

RELACAM VERDADEIRA, 1577. Title page of the first printed account of Hernando de Sotos discovery and exploration of Florida, the Relacam Verdadeira. Printed at Evora, Portugal, in 1577

Background imageLiterature Collection: PRINTING DECREE, 1637. Title-page of the Star Chamber decree on printing, London, 1637

PRINTING DECREE, 1637. Title-page of the Star Chamber decree on printing, London, 1637

Background imageLiterature Collection: MILTON: TITLE-PAGE, 1644. Title-page of the first edition of John Miltons most famous prose work

MILTON: TITLE-PAGE, 1644. Title-page of the first edition of John Miltons most famous prose work, " Areopagitica, " London, 1644

Background imageLiterature Collection: DANTE: PURGATORIO. Illuminated frontispiece to Dantes Purgatorio, Canto XIII; 15th century

DANTE: PURGATORIO. Illuminated frontispiece to Dantes Purgatorio, Canto XIII; 15th century. Dante and Virgil examine a relief set up as an example of Humility to the Proud

Background imageLiterature Collection: DANTE: PURGATORIO. Illuminated frontispiece to Dantes Purgatorio, Canto I; 15th century

DANTE: PURGATORIO. Illuminated frontispiece to Dantes Purgatorio, Canto I; 15th century. The main miniature shows the meeting of Dante and Virgil with Cato

Background imageLiterature Collection: SHERLOCK HOLMES. Frontispiece to the The Valley of Fear, in The Strand Magazine

SHERLOCK HOLMES. Frontispiece to the The Valley of Fear, in The Strand Magazine. Illustration by Frank Wiles, September 1914

Background imageLiterature Collection: SHERLOCK HOLMES. The Return of Sherlock Holmes: The Adventure of the Empty House

SHERLOCK HOLMES. The Return of Sherlock Holmes: The Adventure of the Empty House by Sir Arthur Conan Doyle. From The Strand Magazine, October 1903

Background imageLiterature Collection: COLERIDGE TITLE-PAGE, 1816. Title-page of the first edition of Samuel Taylor Coleridge s

COLERIDGE TITLE-PAGE, 1816. Title-page of the first edition of Samuel Taylor Coleridge s
COLERIDGE TITLE-PAGE, 1816. Title-page of the first edition of Samuel Taylor Coleridges Christabel, London, 1816

Background imageLiterature Collection: CLEMENS: TOM SAWYER. The immortal incident of Tom whitewashing the fence

CLEMENS: TOM SAWYER. The immortal incident of Tom whitewashing the fence. Frontispiece to a late 19th century edition of Mark Twains The Adventure of Tom Sawyer

Background imageLiterature Collection: BARRIE: PETER PAN, 1911. Swordfight between Peter and Captain Hook. Illustration by Francis D

BARRIE: PETER PAN, 1911. Swordfight between Peter and Captain Hook. Illustration by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

Background imageLiterature Collection: ROBIN HOOD. Robin Hood stops the marriage of Lady Alice

ROBIN HOOD. Robin Hood stops the marriage of Lady Alice. Illustration, 1912, by Walter Crane

Background imageLiterature Collection: BOOKKEEPER, 1500. A medieval monk keeping the monastery accounts

BOOKKEEPER, 1500. A medieval monk keeping the monastery accounts. Woodcut from the Kalendier des Bergers, French, 1500

Background imageLiterature Collection: GODEYs LADYs BOOK, 1853. First page of the January 1853 issue of Godeys Ladys Book

GODEYs LADYs BOOK, 1853. First page of the January 1853 issue of Godeys Ladys Book, published at Philadelphia, Pennsylvania

Background imageLiterature Collection: LAST OF THE MOHICANS, 1872. Illustration by Felix Octavius Carr Darley from an 1872

LAST OF THE MOHICANS, 1872. Illustration by Felix Octavius Carr Darley from an 1872 edition of James Fenimore Coopers The Last of the Mohicans

Background imageLiterature Collection: VOLTAIRE: CANDIDE. Woodcut by Gerard Cochet from a 1921 edition of Voltaires Candide

VOLTAIRE: CANDIDE. Woodcut by Gerard Cochet from a 1921 edition of Voltaires Candide

Background imageLiterature Collection: THE RAVEN: TITLE PAGE. Title page of the first edition of Edgar Allan Poes The Raven

THE RAVEN: TITLE PAGE. Title page of the first edition of Edgar Allan Poes The Raven and Other Poems, published at New York, New York, in 1845

Background imageLiterature Collection: DON QUIXOTE: TITLE PAGE. Title page of the first edition of Miguel de Cervantes Don Quixote

DON QUIXOTE: TITLE PAGE. Title page of the first edition of Miguel de Cervantes Don Quixote, published at Valencia, Spain, in 1605

Background imageLiterature Collection: HARRIS: UNCLE REMUS, 1911. The Wonderful Tar-Baby Story

HARRIS: UNCLE REMUS, 1911. The Wonderful Tar-Baby Story. Pen-and-ink drawing by Carton Moorepark for the African American folktale by Joel Chandler Harris, 1911

Background imageLiterature Collection: HARRIS: UNCLE REMUS, 1911. The Wonderful Tar-Baby Story

HARRIS: UNCLE REMUS, 1911. The Wonderful Tar-Baby Story. Pen-and-ink drawing by Carton Moorepark for the African American folktale by Joel Chandler Harris, 1911

Background imageLiterature Collection: JACK AND THE BEANSTALK. Drawing by Lancelot Speed for the traditional English fairy

JACK AND THE BEANSTALK. Drawing by Lancelot Speed for the traditional English fairy tale

Background imageLiterature Collection: GRAND THEATRE, NYC, c1900. Jacob P. Adler (seated center) and cast of The Broken

GRAND THEATRE, NYC, c1900. Jacob P. Adler (seated center) and cast of The Broken Hearts in Adlers Grand Theatre on Grand Street at The Bowery

Background imageLiterature Collection: GOETHE: WERTHER, 1774. Title page of the first edition (part one) of Johann Wolfgang

GOETHE: WERTHER, 1774. Title page of the first edition (part one) of Johann Wolfgang von Goethes Das Leiden des Jungen Werthers (The Sorrows of Young Werther), published at Leipzig, Germany, in 1774

Background imageLiterature Collection: THOMAS GRAY: ELEGY, 1751. Title-page to the first issue of the first edition of

THOMAS GRAY: ELEGY, 1751. Title-page to the first issue of the first edition of Thomas Grays An Elegy Wrote in a Country Church Yard, London, England, 1751

Background imageLiterature Collection: PERRAULT: CINDERELLA. Cinderellas haughty step- mother

PERRAULT: CINDERELLA. Cinderellas haughty step- mother. Pen-and-ink drawing by William Heath Robinson for the fairy tale by Charles Perrault (1628-1703)

Background imageLiterature Collection: CALLIGRAPHY: CHINESE. Yan Zhenqing (709-785), sample of regular script, Tang Dynasty

CALLIGRAPHY: CHINESE. Yan Zhenqing (709-785), sample of regular script, Tang Dynasty. Rubbing, height: 10 1/4 inches



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