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INDIANA: BOOTBLACKS, 1908. Greek-American bootblacks in Indianapolis, Indiana

INDIANA: BOOTBLACKS, 1908. Greek-American bootblacks in Indianapolis, Indiana


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INDIANA: BOOTBLACKS, 1908. Greek-American bootblacks in Indianapolis, Indiana

INDIANA: BOOTBLACKS, 1908.
Greek-American bootblacks in Indianapolis, Indiana. Photograph by Lewis Hine, 1908

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12317902

1908 Bootblack Child Labor Greek Hine Indianapolis Lewis Poor Suspenders Wickes Working Class Young


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> North America > United States of America > Indiana > Indianapolis


EDITORS COMMENTS
This photograph, titled "INDIANA: BOOTBLACKS, 1908" transports us back to a bygone era in Indianapolis. Taken by the talented photographer Lewis Hine, this image captures a poignant moment in time - the lives of Greek-American bootblacks who worked tirelessly on the streets of Indianapolis. In this snapshot of history, we see young boys from working-class backgrounds donning suspenders and standing proudly with their shoe shining equipment. Their faces reflect both determination and innocence as they navigate the challenges of early 20th-century life. The image serves as a stark reminder of the harsh realities faced by children during that period. Hine's lens not only documents these young bootblacks but also sheds light on child labor practices prevalent at the turn of the century. These boys were part of a workforce that was often exploited due to poverty and limited opportunities for education. The composition evokes empathy towards these youngsters who were forced into adulthood prematurely. It reminds us to appreciate how far society has come in terms of protecting children's rights and ensuring their well-being. "INDIANA: BOOTBLACKS, 1908" is an important historical artifact that invites contemplation about social inequality, economic struggles, and resilience amidst adversity. It stands as a testament to Lewis Hine's commitment to using photography as a tool for social reform during his time.

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