Wren Collection (page 7)

Part of the dwelling house of Sir Christopher Wren, Southwark, London, 1820. Artist
Part of the dwelling house of Sir Christopher Wren, Southwark, London, 1820. View as seen through the opening of the gates of the iron foundry in which was cast the ironwork for St Pauls Cathedral

The tower of the Church of St George Botolph Lane, City of London, c1830. Artist
The tower of the Church of St George Botolph Lane, City of London, c1830. View looking north showing the backs of houses in Botolph Lane and George Lane

Church of St George Botolph Lane from George Lane, City of London, c1813. Artist
Church of St George Botolph Lane from George Lane, City of London, c1813

Church of St Bride, Fleet Street, City of London, c1815. Artist: William Pearson
Church of St Bride, Fleet Street, City of London, c1815

Royal coach passing St Pauls Cathedral, City of London, 1837. Scene of Queen Victoria passing St Pauls Cathedral in her coach, en route through the City of London, November 9th, 1837

West front of St Pauls Cathedral, City of London, 1814

St Pauls Cathedral, City of London, 1851. Artist: Thomas Picken
St Pauls Cathedral, City of London, 1851. View of St Pauls Cathedrals west front, with traffic in the foreground

Church of St Michael, Crooked Lane and part of Crooked Lane, City of London, c1815

Church of St Mary Somerset, City of London, c1815. Artist: William Pearson
Church of St Mary Somerset, City of London, c1815

Church of St Mary le Bow from Bow Churchyard, City of London, c1815

Church of St Mary Abchurch, City of London, c1815. Artist: William Pearson
Church of St Mary Abchurch, City of London, c1815

View of St Dionis Backchurch, City of London, 1815. Artist: William Pearson
View of St Dionis Backchurch, City of London, 1815

Church of St Stephen Walbrook, City of London, c1840. Interior view looking towards the altar

Interior of the Church of All Hallows the Great, City of London, 1884. Artist
Interior of the Church of All Hallows the Great, City of London, 1884. Interior view looking east, showing pews and the choir screen

Church of St Michael, Cornhill, City of London, 1882. Artist
Church of St Michael, Cornhill, City of London, 1882. View of the church with the back of Jamaica Coffee House on the left

College Hill and the Church of St Michael Paternoster Royal, City of London, 1883. View showing building work in the foreground

Garlick Hill, City of London, 1882. Artist: John Crowther
Garlick Hill, City of London, 1882. View of Garlick Hill looking towards Upper Thames Street, with the tower of St James Garlickhythe in the distance

Interior view of St Michaels Church, Wood Street, City of London, 1888. Artist
Interior view of St Michaels Church, Wood Street, City of London, 1888

Interior view of the Church of St Matthew, Friday Street, City of London, 1881. Artist
Interior view of the Church of St Matthew, Friday Street, City of London, 1881

St Pauls Cathedral, London, 1742. Three different elevations of the exterior of St Pauls Cathedral with figures

Bank of England, St Christopher-le-Stocks and St Bartholomew-by-the-Exchange, London, c1775
Bank of England and the churches of St Christopher-le-Stocks and St Bartholomew-by-the-Exchange, London, c1775. Both churches wer rebuilt by Sir Christopher Wren after the Great Fire of London

Church of St Vedast Foster Lane, City of London, 1838. View of the church, with a man on horseback

Church of St Vedast Foster Lane, City of London, 1814. View of the church, with figures, cows, sheep and a dog in the street

Nave of St Pauls Cathedral, looking east towards the choir, City of London, 1850

North-west view of St Pauls Cathedral, City of London, 1814. Artist: John Buckler
North-west view of St Pauls Cathedral, City of London, 1814

South-west view of St Pauls Cathedral, City of London, 1750. View with figures, coaches and carts in St Pauls Churchyard

Premises of James Spence and Co, warehousemen, 76-79 St Pauls Churchyard, City of London, 1850

South-west view of St Pauls Cathedral from St Pauls Churchyard, City of London, 1842. With figures including two soldiers on horseback, an omnibus and a wagon

North-east view of St Pauls Cathedral by moonlight, City of London, 1850

Six views of St Pauls Cathedral, City of London, 1830. The upper row from left to right shows: interior of the choir, south-west view of the exterior

Royal procession passing the east end of St Pauls Cathedral, City of London, 1863. Procession of HRH Albert Edward Prince of Wales, and HRH Alexandra Princess of Denmark

View along Fleet Street towards St Pauls Cathedral, City of London, 1805

Proposed riverfront access to St Pauls Cathedral, City of London, 1826. Artist
Proposed riverfront access to St Pauls Cathedral, City of London, 1826. Proposal for a new street and ground landing place, with fountain, leading to the south entrance of the cathedral

Steps outside the west front of St Pauls Cathedral, City of London, 1900. Artist
Steps outside the west front of St Pauls Cathedral, City of London, 1900. People on the steps and around the statue of Queen Anne

North-east view of St Pauls Cathedral through an archway, City of London, 1820

East end of St Pauls Cathedral, City of London, 1837. Artist: John Le Keux
East end of St Pauls Cathedral, City of London, 1837. View with a gravedigger sitting in the churchyard

St Pauls Cathedral, City of London, 1822. Artist: Samuel Rawle
St Pauls Cathedral, City of London, 1822. The top and bottom images show an observatory erected over the cross of the cathedral

St Pauls Cathedral from Southwark Bridge, City of London, 1835. View with wharves in the foreground and signs for Bull Wharf, RW Kennard, Iron Wharf and W and F White, Kennet Wharf

View of St Pauls Cathedral under construction, City of London, 1685 (c1853). Artist
View of St Pauls Cathedral under construction, City of London, 1685 (c1853)

North-east view of St Pauls Cathedral, City of London, 1854

North-west view of St Pauls Cathedral with figures walking in front, City of London, 1854

West front of St Pauls Cathedral, City of London, 1780. Artist: Thomas Malton II
West front of St Pauls Cathedral, City of London, 1780

St Pauls Cathedral, City of London, 1710. Sheet from William Morgans map, London Actually Survey d, first published in 1682

Church of St Mary Abchurch, City of London, 1812. Artist: Joseph Skelton
Church of St Mary Abchurch, City of London, 1812. Exterior view with figures and a description beneath

Church of St Martin within Ludgate and Ludgate Hill, City of London, 1815. Artist
Church of St Martin within Ludgate and Ludgate Hill, City of London, 1815

View of the tower and spire of St Martin within Ludgate, City of London, 1840. Artist
View of the tower and spire of St Martin within Ludgate, City of London, 1840

South-west view of the Church of St Olave Jewry, City of London, 1815

West prospect of the Church of St Olave Jewry from Ironmonger Lane, City of London, 1750

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"Wren: A Symbol of Beauty, Architecture, and Melody" The wren, a small bird known for its melodious song, has captivated the hearts of many across different cultures and locations. Just like Saint Francis of Assisi found solace in nature's creatures, the wren enchants us with its sweet melodies. In London's iconic St Pauls Cathedral, Sir Christopher Wren's architectural masterpiece showcases his genius. The section through Wrens Dome reveals the intricate design that stands as a testament to human creativity and skill. But it is not just in grand structures where we find the wren's influence. In Cleveland, England, UK, this tiny bird sings joyfully amidst nature's beauty. It reminds us that even in urban landscapes like Soho or Cambridge University's Emmanuel College gardens in England; nature finds a way to thrive. A glimpse into the life of a wren reveals their dedication to family. An adult feeding its offspring at nest exemplifies parental love and responsibility shared by creatures big and small. Beyond Europe lies Australia’s Olive Pink Botanic Gardens where the splendid fairy-wren displays vibrant colors against Alice Springs' backdrop. This male specimen reminds us of nature’s diversity and beauty spread across continents. Looking back at history brings forth images such as William Barribal’s "To the Girls in Navy Blue, " depicting young women adorned with delicate feathers reminiscent of these birds' gracefulness. Even folklore recognizes their significance - Grimm tales often feature clever interactions between cunning characters like Wren & Bear who navigate challenges together using wit and resourcefulness. As we admire these various representations of wrens throughout art and architecture alike—whether it be an interior view from 1825 City of London Church or St Anne’s Church on Wardour Street—we are reminded that these birds have left an indelible mark on our collective consciousness. The wrens symbolize more than just avian elegance; they embody resilience, creativity, and the power of song.