Wren Collection (page 9)

Interior of St Pauls Cathedral, City of London, 1836. View showing the bay of an aisle next to the crossing

Church of St Stephen Walbrook, City of London, 1770. Artist: Edward Rooker
Church of St Stephen Walbrook, City of London, 1770. The top image is an interior view of St Stephen Walbrook with figures; the bottom image is a ground plan

Interior view looking east, Church of St Stephen Walbrook, City of London, 1851. Artist
Interior view looking east, Church of St Stephen Walbrook, City of London, 1851

Interior view of the Church of St Stephen Walbrook, City of London, 1811. Artist
Interior view of the Church of St Stephen Walbrook, City of London, 1811

Interior looking east, Church of St Stephen Walbrook, City of London, 1845. View with a cleaner sweeping up

Interior of the Church of St Stephen Walbrook, City of London, 1810. View showing Benjamin Wests painting over the altar

Interior of the Church of St Stephen Walbrook during a service, City of London, 1809

Church of St Stephen Walbrook from the corner of Mansion House, City of London, 1830. View including a street scene with a horse-drawn carriage

North-west view of the Church of St Stephen Walbrook, City of London, 1813. Artist
North-west view of the Church of St Stephen Walbrook, City of London, 1813

South-east view of the Church of St Stephen, Coleman Street, City of London, 1815

The Black Swan Tavern in Carter Lane, City of London, 1870. Artist: JT Wilson
The Black Swan Tavern in Carter Lane, City of London, 1870. View with the dome of St Pauls Cathedral behind, seen from Sermon Lane

Spire of St Martins Ludgate and St Pauls Cathedral, London, 20th century. Artist
Spire of St. Martins Ludgate and St. Pauls Cathedral, 20th century. Street scene with a view across Ludgate Circus and up Ludgate Hill

Canary Wharf from Greenwich Park, London, 2009. The redevelopment of the Canary Wharf area of Londons docklands began in the 1980s

Greenwich Royal Observatory, Greenwich Park, London. The observatory was built by Christopher Wren (1632-1723) on the orders of Charles II with the aim of providing accurate navigation tables

King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Artist: John Seymour Lucas
King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London

Sir Christopher Wrens Final Design for St Paul s, 17th century. (1910). Artist: Sir Christopher Wren
Sir Christopher Wrens Final Design for St Paul s, 17th century. (1910). In designing St Paul s, Christopher Wren had to meet many challenges

The Sheldonian Theatre, Oxford, 1903. From Social England, Volume IV, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

St. Pauls from the Air, 1919. Artist: Airco
St. Pauls from the Air, 1919. From The British Printer Vol. XXXII. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

St. Pauls, Ludgate Hill, 1919. Artist: Garratt & Atkinson
St. Paul s, Ludgate Hill, 1919. From The British Printer Vol. XXXII. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

St. Pauls Cathedral, 1891. Artist: William Luker
St. Pauls Cathedral, 1891. From London City: Its History - Streets - Traffic - Buildings - People by W. J. Loftie. [The Leadenhall Prefs, London, 1891]

Interior of St. Pauls, looking East, 1835, (1845). Artist: John Jackson
Interior of St. Paul s, looking East, 1835, (1845). After William Barnard Clarke (1807-1894). From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

St. Stephens, Walbrook, 1890
St. Stephen s, Walbrook, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890]

Tom Tower, Christchurch College, 1923. Tom Tower, Christchurch College, Oxford. The tower is named on account of the bell housed inside. The building was designed by Christopher Wren in 1682

Trinity Library, Cambridge, 1923. Trinity Library (currently known as Wren Library), designed in 1676 by Christopher Wren and opened to public in 1695

St Pauls Cathedral, Looking Up Ludgate Hill, London, 1925. Artist: Lloyd Brothers
St Pauls Cathedral, Looking Up Ludgate Hill, London, 1925. From The Architectural Forum Volume XLII. [Rogers and Manson, New York, 1925]

London, St. Pauls Cathedral, 1924, (c1900-1930). From London Post Card Album Collection [Photochrom Co. Ltd, London and Tunbridge Wells, c1924]

Church of St Stephen, Walbrook, City of London, c1890 (1911). Artist: Pictorial Agency
Church of St Stephen, Walbrook, City of London, c1890 (1911). St Stephen Walbrook is a church in the City of London, part of the Church of Englands Diocese of London

St Peters Church, Cornhill, City of London, 1811 (1911). Artist: George Sidney Shepherd
St Peters Church, Cornhill, City of London, 1811 (1911). St Peter upon Cornhill is an Anglican church on the corner of Cornhill and Gracechurch Street in the City of London

Church of St Lawrence, Jewry, City of London, c1910 (1911). St Lawrence Jewry is a Church of England guild church in the City of London on Gresham Street

Church of St Mildred, Poultry, City of London, 1812 (1911). Artist: George Sidney Shepherd
Church of St Mildred, Poultry, City of London, 1812 (1911). St Mildred, Poultry was a parish church in the Cheap ward of the City of London

St. Pauls Cathedral, London, c1905

St. Pauls Cathedral, c1910. [J. Salmon, Sevenoaks, England, c1910]

Sir Christopher Wren, 1711. Artist: Sir Godfrey Kneller
Sir Christopher Wren, 1711. Wren (1632-1723) is best remembered for his rebuilding of St Pauls Cathedral and numerous other churches destroyed in the Great Fire of London (1666)

The College of William and Mary, c1938. The main building of The College of William and Mary was designed by Christopher Wren

Sir Christopher Wrens house, Love Lane, c1902, (1903). Artist: Hedley Fitton
Sir Christopher Wrens house, Love Lane, c1902, (1903). From The Pall Mall Magazine Volume XXXI, edited by George R. Halkett. [Editorial and Publishing Offices, London, 1903]

Love Lane, showing the entrance to Wrens house on the left, c1902, (1903). Artist: Hedley Fitton
Love Lane, showing the entrance to Wrens house on the left, c1902, (1903). From The Pall Mall Magazine Volume XXXI, edited by George R. Halkett. [Editorial and Publishing Offices, London, 1903]

Marlborough House, c1937
Marlborough House c1937. Marlborough House was originally built for the first Duke of Marlborough by Sir Christopher Wren in 1709-1711. From Our King & Queen and the Royal Princesses

Elevation of North Transept, Westminster Abbey, Showing Cut-Out with Wrens Scheme for Restoration, 1719. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Sir Christopher Wren, taken from a series of cigarette cards, 1935
Sir Christopher Wren (1632-1723), English architect. Taken from a series of cigarette cards entitled Celebrities of British History produced by Carreas Ltd, 1935

Aerial view of St Pauls Cathedral, London, from a Zeppelin, 1931 (1933). Tower Bridge can be seen in the distance. A photograph from Zeppelin-Weltfahrten

St Jamess Square, London, c18th century (1907). The tower of St Jamess Church, designed by Sir Christopher Wren, can be seen in the background

St Jamess Square, London, 18th century (1907). Sir Christopher Wrens St Jamess Church can be seen in the background. The pool of water in the centre of the square was added between 1726

St Pauls Cathedral from Fleet Street on a Sunday, London, c1930s. The dome of Sir Christopher Wrens cathedral, built to replace the one destroyed by the Great Fire of London

Temple Bar archway, at the Stand end of Fleet Street, London, 1877 (1951). The Temple Bar stood at the junction of Fleet Street and The Strand and marked the western boundary of the City of London

Temple Bar, London, 1805. Artist: Busby
Temple Bar, London, 1805. The Temple Bar stood at the junction of Fleet Street and The Strand and marked the western boundary of the City of London

The Principal Works of Sir Christopher Wren, 1882. A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

London from Greenwich Park, 1816. Artist: I Varrall
London from Greenwich Park, 1816. The Royal Hospital, Greenwich, designed by Sir Christopher Wren, can be seen to the right of centre

St Pauls Cathedral, City of London. View of the cathedral which was built by Sir Christopher Wren after the previous cathedral was destroyed in the Great Fire of London (1666)

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"Wren: A Symbol of Beauty, Architecture, and Melody" The wren, a small bird known for its melodious song, has captivated the hearts of many across different cultures and locations. Just like Saint Francis of Assisi found solace in nature's creatures, the wren enchants us with its sweet melodies. In London's iconic St Pauls Cathedral, Sir Christopher Wren's architectural masterpiece showcases his genius. The section through Wrens Dome reveals the intricate design that stands as a testament to human creativity and skill. But it is not just in grand structures where we find the wren's influence. In Cleveland, England, UK, this tiny bird sings joyfully amidst nature's beauty. It reminds us that even in urban landscapes like Soho or Cambridge University's Emmanuel College gardens in England; nature finds a way to thrive. A glimpse into the life of a wren reveals their dedication to family. An adult feeding its offspring at nest exemplifies parental love and responsibility shared by creatures big and small. Beyond Europe lies Australia’s Olive Pink Botanic Gardens where the splendid fairy-wren displays vibrant colors against Alice Springs' backdrop. This male specimen reminds us of nature’s diversity and beauty spread across continents. Looking back at history brings forth images such as William Barribal’s "To the Girls in Navy Blue, " depicting young women adorned with delicate feathers reminiscent of these birds' gracefulness. Even folklore recognizes their significance - Grimm tales often feature clever interactions between cunning characters like Wren & Bear who navigate challenges together using wit and resourcefulness. As we admire these various representations of wrens throughout art and architecture alike—whether it be an interior view from 1825 City of London Church or St Anne’s Church on Wardour Street—we are reminded that these birds have left an indelible mark on our collective consciousness. The wrens symbolize more than just avian elegance; they embody resilience, creativity, and the power of song.