William Collection (page 21)

The Rosse Telescope, 1845 (litho)
472239 The Rosse Telescope, 1845 (litho) by English School, (19th century); Private Collection; (add.info.: Popularly known as the Leviathan of Parsonstown)

The patte-d oie, north-west of Lord Burlingtons Chiswick Villa
449334 The patte-d oie, north-west of Lord Burlingtons Chiswick Villa (pen and ink with wash on paper) by Rigaud, Jacques (1681-1754); 29.7x50.8 cm; eThe Devonshire Collections

William Pulteney, Earl of Bath, c. 1758 (oil on canvas)
450064 William Pulteney, Earl of Bath, c.1758 (oil on canvas) by Hoare, William, of Bath (1707-92); 74x61.5 cm; The Holburne Museum, Bath, UK; (add.info.: William Pulteney, 1st Earl of Bath)

The Entry of Kaiser Wilhelm II (1859-1941) into Tangiers, 31st March 1905 (colour litho)
CHT214209 The Entry of Kaiser Wilhelm II (1859-1941) into Tangiers, 31st March 1905 (colour litho) by Spanish School, (20th century); Private Collection; (add.info)

The Meeting in Wellington Channel, June 14, 1851, illustration from
931435 The Meeting in Wellington Channel, June 14, 1851, illustration from Voyage to Baffins Bay and Barrow Straits... 1852 (hand-coloured engraving) by English School

Red and white striped Lily, 1799-1810 (hand-coloured engraving)
986191 Red and white striped Lily, 1799-1810 (hand-coloured engraving) by English School, (18th-19th century); 23x14.3 cm; Private Collection; (add.info.: Red and white striped Lily)

The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint)
986116 The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint) by Daniell, William (1769-1837); 36x25.5 cm; Private Collection; (add.info.: The Towns-end Mill, Liverpool)

Clovelly, on the Coast of North Devon, 1814 (coloured aquatint engraving
986089 Clovelly, on the Coast of North Devon, 1814 (coloured aquatint engraving, grey wash border) by Daniell, William (1769-1837); Private Collection; (add.info.: Clovelly)

Front cover of the book Love is Enough or The Freeing of Pharamond
985744 Front cover of the book Love is Enough or The Freeing of Pharamond by William Morris, 1873 (crimson & green morocco leather, gilt, mother of pearl)

William, Crown Prince of Germany with the Kaiser in Gtenan, pub. 1918 (colour lithograph)
1073664 William, Crown Prince of Germany with the Kaiser in Gtenan, pub. 1918 (colour lithograph) by Pape, William Friedrich Georg (1859-1920); Private Collection; (add.info.: Wilhelm)

William, Crown Prince of Germany visiting the troops behind the lines in their trenches
1073663 William, Crown Prince of Germany visiting the troops behind the lines in their trenches at Champagne pub. 1917 (colour lithograph) by Pape

William, Crown Prince of Germany, visiting wounded troops in the field, pub
1073659 William, Crown Prince of Germany, visiting wounded troops in the field, pub. 3rd Mary 1917 (colour litho) by Pape

William Fielding (engraving)
961528 William Fielding (engraving) by English School, (19th century); Private Collection; (add.info.: William Fielding Earl of Denbigh (1582-1662). English courtier and soldier

Set Design for Hamlet by William Shakespeare, 1850 (w / c & gouache on paper)
1109361 Set Design for Hamlet by William Shakespeare, 1850 (w/c & gouache on paper) by Isakov, Pavel Alexandrovich (1823-81); State Central A.A

Edgar Atheling and the Nobility offer submission to William the Conqueror (engraving)
1090791 Edgar Atheling and the Nobility offer submission to William the Conqueror (engraving) by American School, (19th century); Private Collection; (add.info)

Portrait of Friedrich Wilhelm von Bulow (engraving)
XEE1065379 Portrait of Friedrich Wilhelm von Bulow (engraving) by French School, (19th century); Private Collection; (add.info.: Friedrich Wilhelm Freiherr von BAolow)

Caxton (c. 1422-91) showing specimens of his printing to King Edward IV at the Almonry in
KW212276 Caxton (c.1422-91) showing specimens of his printing to King Edward IV at the Almonry in Westminster, 1858 (engraving) by English School

William Cavendish (engraving)
2597569 William Cavendish (engraving) by Turner, Charles (1773-1857); Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: William Cavendish)

Ms Elkins 169 A description of the sea coast from the hill of Guatemala to
700759 Ms Elkins 169 A description of the sea coast from the hill of Guatemala to... Illustration from Waggoner of the Sea (pen & ink with w/c on paper) by Hack

Arrival of William of Orange in London (engraving)
611369 Arrival of William of Orange in London (engraving) by English School, (18th century); Private Collection; (add.info)

The crown offered to William and Mary (engraving)
665002 The crown offered to William and Mary (engraving) by English School, (19th century); Private Collection; (add.info.: The crown offered to William and Mary)

The Secret, 1855 (oil on canvas)
659816 The Secret, 1855 (oil on canvas) by Witherington, William Frederick (1785-1865); 81.2x99.1 cm; Private Collection; (add.info.: The Secret. William Frederick Witherington (1785-1865)

The Contract, (oil on canvas)
659888 The Contract, (oil on canvas) by Bromley, William III (c.1815-c.88); 23x33 cm; Private Collection; (add.info.: The Contract. William Bromley (fl. 1835-1888). Oil on canvas

Statue of William the Conqueror, Falaise (engraving)
653968 Statue of William the Conqueror, Falaise (engraving) by English School, (19th century); Private Collection; (add.info.: Statue of William the Conqueror, Falaise)

Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword
652173 Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword and Wearing the Badge of a C.B

The Arming and Departure of the Knights, tapestry designed by the artist
BIR111595 The Arming and Departure of the Knights, tapestry designed by the artist and woven by Morris & Co. 1895-96 (textile) by Burne-Jones

Portrait of Kaiser Wilhelm II (1859-1941) c. 1900 (colour litho)
CHT191441 Portrait of Kaiser Wilhelm II (1859-1941) c.1900 (colour litho) by German School, (20th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; German, out of copyright

Portrait of Kaiser Wilhelm II (1859-1941) from Jugend, 1905 (colour litho)
CHT191439 Portrait of Kaiser Wilhelm II (1859-1941) from Jugend, 1905 (colour litho) by German School, (20th century); Private Collection; eArchives Charmet; German, out of copyright

Portrait of Kaiser Wilhelm II (1859-1941) (colour litho)
CHT191438 Portrait of Kaiser Wilhelm II (1859-1941) (colour litho) by German School, (20th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; German, out of copyright

Invoice for the cleaning of a portrait of William Shakespeare, c. 1682 (ink on paper)
2560062 Invoice for the cleaning of a portrait of William Shakespeare, c.1682 (ink on paper) by English School, (17th century); Belvoir Castle, Leicestershire

Scottish Coins, William and Mary, William II (b / w photo)
6003821 Scottish Coins, William and Mary, William II (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Scottish Coins, William and Mary, William II)

Mr Kendal as William in "William and Susan"(engraving)
1616156 Mr Kendal as William in " William and Susan" (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Kendal as William in " William and Susan")

Mr and Mrs William
3893014 Mr and Mrs William by Gainsborough, Thomas (1727-88); National Gallery, London, UK; (add.info.: Mr and Mrs William Hallett ( The Morning Walk )); Photo © Derek Bayes

Portrait of William Cavendish, 1st Duke of Devonshire, 1835 (litho)
4070962 Portrait of William Cavendish, 1st Duke of Devonshire, 1835 (litho) by English School, (19th century); Private Collection; (add.info.: William Cavendish)

Portrait of William Cavendish, Duke of Newcastle, 1835 (litho)
4070920 Portrait of William Cavendish, Duke of Newcastle, 1835 (litho) by English School, (19th century); Private Collection; (add.info.: William Cavendish)

Mrs William Morris, 1860 (pencil on paper)
1202912 Mrs William Morris, 1860 (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21.9x17.8 cm; Fitzwilliam Museum, University of Cambridge

The Independence of Liguria, 1815 (oil on canvas)
LRI1219166 The Independence of Liguria, 1815 (oil on canvas) by Italian School, (19th century); Museo del Risorgimento, Genova, Liguria

Thisbe, 1861-62 (ceramic)
1194900 Thisbe, 1861-62 (ceramic) by Burne-Jones, Edward Coley (1833-98); 25.5 high cm; Private Collection; Photo eChristies Images; English, out of copyright

The Prince of Wales in the Terai Beating the Jungle with Sir Jung Bahadur Rana
1196706 The Prince of Wales in the Terai Beating the Jungle with Sir Jung Bahadur Rana, 1876 (pencil, w/c, heightened touches of white and gum arabic) by Simpson

The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)
1196705 The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w/c, heightened touches of whi) by Simpson, William Crimea (1823-99)

Portrait of William Morris, 1886 (black and white photograph)
1195399 Portrait of William Morris, 1886 (black and white photograph) by English School, (19th century); 36x29.3 cm; Private Collection; (add.info.: English School)

Dido and Cupid, 1874-c. 1919 (w / c on vellum)
1195388 Dido and Cupid, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Stake, 1837 (oil on canvas)
824241 The Stake, 1837 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H. (1811-74); 110.5x141.5 cm; Private Collection; (add.info.: The Stake)

Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress
824224 Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress, a Yellow Shawl and Black Mantilla, Holding a Maltese Dog, in the Grounds of Frogmore House, (oil on canvas) by Beechey

A Male Nude, seated full-length, (oil on board)
824184 A Male Nude, seated full-length, (oil on board) by Etty, William (1787-1849); 60.9x50.8 cm; Private Collection; (add.info.: A Male Nude, seated full-length. William Etty (1787-1849)

Landing of the Prince of Orange (colour litho)
969317 Landing of the Prince of Orange (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Landing of the Prince of Orange)

King John
3765199 King John by Gilbert, John (1817-97); (add.info.: William Shakespeares King John-Act III scene II. Philip Faulconbridge with the head of the Archduke of Austria)

The Tempest
3764524 The Tempest by Gilbert, John (1817-97); (add.info.: William Shakespeares The Tempest-Act I scene I. The ship at sea in the storm with thunder and lightning. An invisble Ariel hovers above)

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William, a name that echoes through history with various associations. From the detailed maps of Sheffield in 1797 drawn by W. Fairbank and engraved by Thomas Harris, to the captivating artwork of Burne-Jones depicting Adam and Eve's laborious tasks. William Hilton's oil painting immortalizes John Clare, an English poet who found solace in his verses. But it doesn't stop there; it also witnessed the daring exploits of The Wild Bunch, a notorious gang of American outlaws led by Butch Cassidy, as they fearlessly robbed banks and trains in 1901. In contrast, Thomas Nast used his cartooning skills to expose corruption with "The Tammany Tiger Loose, " a powerful indictment against Tweed Ring in 1871. Turner's masterpiece "Burning Parliament" captures the fiery destruction that engulfed the Houses of Lords and Commons on October 16th, 1834. Meanwhile, J. M. W Turner himself left his mark on art history as an influential English painter known for his mesmerizing pencil drawings. Intriguingly enough, even an English knight from c1323 finds connection to this name through a brass rubbing discovered at Pebmarsh Church in Essex. And let us not forget John William Waterhouse's enchanting works or Brightside Works' steel manufacturer - William Jessop and Sons - contributing to industrial progress in 1900. Lastly but certainly not least is Ted Williams: an American baseball player who soared both on the field and above it as he posed confidently inside a Grumman F9F-6 Panther fighter plane during World War II while serving as a pilot for the U. S Marine Corps. Through these diverse hints spanning centuries and continents emerges one common thread: William represents resilience, creativity, bravery, innovation - truly embodying countless stories waiting to be explored further.