White Gouache Collection

Christ Cross Virgin Mary Mary Magdalene Saint John
Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John; Pietro da Cortona (Italian, 1596 - 1669); Italy; about 1661; Pen and brown ink and gray wash over black chalk

The Annunciation, late 17th century. Creator: Johann Jakob von Sandrart
The Annunciation, late 17th century

Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs (from Torquato... 1782
Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs (from Torquato Tassos " Gerusalemme liberata", 15:57-58), 1782. Jerusalem Delivered

Landscape with a Scene from Fenelons Telemaque, 1780

Bust of a Gentleman in an Oval Field, n. d Creator: Hyacinthe Rigaud
Bust of a Gentleman in an Oval Field, n.d.. Formerly attributed to Robert Levrac de Tournieres

Souvenir of a Castle in Vosges, 1857. Creator: Victor Hugo
Souvenir of a Castle in Vosges, 1857

The Maryrdom of Saint Lawrence, early 17th-mid 17th century. Creator: Cornelis Schut I
The Maryrdom of Saint Lawrence, early 17th-mid 17th century. Attributed to Rombout Eynhoudts

Study for a Title-Page: Allegory of Commerce and a Debtors Prison (?), n. d
Study for a Title-Page: Allegory of Commerce and a Debtors Prison (?), n.d.. Attributed to Romeyn de Hooghe

A Painter at Work in his Studio, 1663-77. Creator: Thomas Wijck
A Painter at Work in his Studio, 1663-77

Study of Capers, Gorse, and a Beetle, 1693. Creator: Sybilla Merian
Study of Capers, Gorse, and a Beetle, 1693

Psyche Asleep in a Landscape, 1837. Creator: Karl Joseph Aloys Agricola
Psyche Asleep in a Landscape, 1837

The Sculptor Antoine Coysevox, . Creator: Gilles Allou
The Sculptor Antoine Coysevox

The Gate of Bruges at Sluis, 1661. Creator: Hendrick van Minderhout
The Gate of Bruges at Sluis, 1661

Saint Sebastian, ca. 1524. Creator: Gerolamo Giovenone
Saint Sebastian, ca. 1524

Man and Child (from McGuire Scrapbook), . Creator: William Page
Man and Child (from McGuire Scrapbook)

A Cowrie, and a Larger and Two Smaller Shells, late 17th-mid 18th century. Creator: Anon
A Cowrie, and a Larger and Two Smaller Shells, late 17th-mid 18th century. Formerly attributed to Herman Henstenburgh

Shipping on a Rough Sea, 1665?. Creator: Willem van de Velde (Dutch, c. 1611-1693)
Shipping on a Rough Sea, 1665?

William James Glackens Never Again Remarked Gloomily
William James Glackens: Never Again, He Remarked Gloomily, William James Glackens, 1909, Black crayon and white gouache with blue crayon underdrawing on paperboard, Overall: 11 3/8 x 13 5/8 in

William James Glackens Your Trousers 1903 Black crayon
William James Glackens: Here Are Your Trousers, William James Glackens, 1903, Black crayon and white gouache on thick illustration board, Overall: 15 x 10 3/4 in. (38.1 x 27.3 cm)

Val Shanganagh Killiney August 1843 Elizabeth Murray
Val of Shanganagh, Killiney, August 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 176 mm × 254 mm, The Stays

Albenga Corniche Costal Road November 6 1841
Albenga on the Corniche (Costal) Road, November 6, 1841, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 188 mm × 267 mm

Powerscourt Waterfall August 1843 Elizabeth Murray
Powerscourt Waterfall, August 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 254 mm × 176 mm

View Dalkey Road November 1843 Elizabeth Murray
View of Dalkey from the Road, November 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor with traces of white gouache over graphite on gray wove paper, 176 mm × 254 mm

Portrait Selina Quin Markham 1850 Elizabeth Murray
Portrait of Selina (Quin) Markham, 1850, Elizabeth Murray, English, c. 1815-1882, England, Black chalk with colored fabricated chalk, and traces of white gouache, on gray wove paper, 254 mm × 176 mm

Majolica Lake Como September 1841 Elizabeth Murray
Majolica, Lake Como, September 1841, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 187 mm × 270 mm

Portofino Sea Genoa October 1841 Elizabeth Murray
Portofino from the Sea, Genoa, October 1841, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 188 mm × 267 mm

Swan Reeds Moonlight Carl Gustav Carus German
A Swan Among the Reeds, by Moonlight; Carl Gustav Carus (German, 1789 - 1869); Germany; September 18, 1852; Charcoal with white gouache heightening on brown paper laid down on thin board; 22.8 x 19.1

Studies Marrow Plant Cabbages Abraham Bloemaert
Studies of a Marrow Plant and Cabbages; Abraham Bloemaert (Dutch, 1564 - 1651); about 1605 - 1614; Pen and brown ink, blue wash, and white gouache heightening; 24.8 x 36.8 cm (9 3, 4 x 14 1, 2 in.)

Portrait Andre-Antoine Bernard Jacques-Louis David
Portrait of Andre-Antoine Bernard; Jacques-Louis David (French, 1748 - 1825); July 24, 1795; Pen and Indian ink and gray wash, heightened with white gouache, over pencil; 18.1 cm (7 1, 8 in.)

Saint Jerome Hearing Trumpet Last Judgement Vicente Carducho
Saint Jerome Hearing the Trumpet of the Last Judgement; Vicente Carducho (Spanish, born Italy, about 1576 - 1638); about 1626 - 1632; Black chalk with brown wash, heightened with white gouache

Equestrian Portrait Don Juan Jose Austria Jose Ximenez
Equestrian Portrait of Don Juan Jose of Austria; Jose Ximenez Donoso (Spanish, about 1632 - 1690); about 1660 - 1680; Brown ink and brown wash over black chalk, heightened with white gouache

Draped Figure Holding Book North Central Italian
A Draped Figure Holding a Book; North or Central Italian School; about 1380; Point of the brush, heightened with white gouache, on greenish blue prepared paper; 19.4 × 11.3 cm (7 5, 8 × 4 7)

Double Portrait Hans Furraht Jacob von der Burch
A Double Portrait of Hans Furraht and Jacob von der Burch; Attributed to Ludger Tom Ring the Younger (German, 1522 - 1584); Germany; about 1560; Pen and black ink and gray wash

Bearded Man Filling Glass Giorgio Vasari Italian
Bearded Man Filling a Glass; Giorgio Vasari (Italian, 1511 - 1574); about 1544 - 1545; Pen and brown ink and brown wash over black chalk, heightened with white gouache

Youth Running Giorgio Vasari Italian 1511 1574
Youth Running; Giorgio Vasari (Italian, 1511 - 1574); about 1544 - 1545; Pen and brown ink and brown wash over traces of black chalk, heightened with white gouache

Bearded Man Filling Glass Youth Running Giorgio Vasari
Bearded Man Filling a Glass: Youth Running; Giorgio Vasari (Italian, 1511 - 1574); about 1544 - 1545; Pen and brown ink and brown wash over black chalk, heightened with white gouache;

Christ Pilate Nikolaus Knupfer Dutch 1603 1655
Christ Before Pilate; Nikolaus Knupfer (Dutch, about 1603 - 1655); about 1640 - 1650; Brush and brown ink and brown wash, heightened with white gouache

Father Psyche Consulting Oracle Apollo Baron Francois-Pascal-Simon
The Father of Psyche Consulting the Oracle of Apollo; Baron Francois-Pascal-Simon Gerard (French, born Italy, 1770 - 1837); about 1796; Pen and brown and gray ink, gray and brown wash, white gouache

Crucifixion Hans von Aachen German 1552 1615
The Crucifixion; Hans von Aachen (German, 1552 - 1615); about 1587; Pen and brown ink and gray wash, heightened with white gouache, over black chalk; 33.3 x 45.9 cm (13 1, 8 x 18 1, 16 in.)

Mystic Marriage Saint Catherine Saints Doge Andrea Schiavone
The Mystic Marriage of Saint Catherine with Saints and a Doge; Andrea Schiavone (Andrea Meldolla) (Italian, about 1510 - 1563); Italy; about 1550 - 1553; Pen and brown ink and gray wash

View Farnese Gallery Rome Francesco Panini Italian
View of the Farnese Gallery, Rome; Francesco Panini (Italian, 1745 - 1812); Italy; about 1775; Pen and black ink and gray wash over black chalk

Truth Illuminating Human Blindness Volterrano
Truth Illuminating Human Blindness; Volterrano (Baldassare Franceschini) (Italian, 1611 - 1690); Italy; about 1650; Red chalk, heightened with white gouache; 46.7 x 39.1 cm (18 3, 8 x 15 3, 8 in.)

God Father recto Standing Christ verso Vittore Carpaccio
God the Father (recto); Standing Christ (verso); Vittore Carpaccio (Italian, about 1460 - 1526); Venice, Veneto, Italy; about 1495 - 1500; Black chalk, brush with gray wash

Design Frieze Worshippers Bringing Sacrificial
Design for a Frieze with Worshippers Bringing Sacrificial Offerings; Lelio Orsi (Italian, 1511 - 1587); Italy; about 1555; Pen and brown ink and brown wash, heightened with white gouache

Seated Young Man Florentine School Florence Tuscany
Seated Young Man; Florentine School; Florence, Tuscany, Italy; about 1515; Metalpoint, heightened with white gouache, on light pinkish brown prepared paper; 20 × 9.8 cm (7 7, 8 × 3 7, 8 in.)

Nativity Francesco Vanni Italian 1563 1610 Italy
The Nativity; Francesco Vanni (Italian, 1563 - 1610); Italy; about 1600; Red wash over black chalk, heightened with white gouache; on an ocher prepared ground

Flagellation Bernardino Lanino Italian 1509 1513
The Flagellation; Bernardino Lanino (Italian, 1509, 1513 - 1581, 1583); about 1550; Brown ink wash with white gouache on an oiled surface; 39.3 x 32.1 cm (15 1, 2 x 12 5, 8 in.)

Assumption Virgin Volterrano Baldassare Franceschini
Assumption of the Virgin; Volterrano (Baldassare Franceschini) (Italian, 1611 - 1690); Italy; about 1664 - 1670; Red chalk and red wash, and white gouache heightening; 48.3 x 30 cm (19 x 11 13)

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"White Gouache: A Divine Canvas Unveiled" In the realm of art, white gouache serves as a celestial medium, capturing the essence of purity and transcendence. Like a sacred palette, it intertwines with the masterpieces created by renowned artists throughout history. One such masterpiece is "The Annunciation, " painted in the late 17th century by Johann Jakob von Sandrart. With delicate strokes, he portrays Christ's divine message to Virgin Mary, Mary Magdalene, and Saint John. The ethereal glow emanating from their figures reflects the heavenly significance of this momentous encounter. Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs transports us to an enchanting world crafted by Torquato Tasso in 1782. Amidst lush landscapes, these noble heroes resist temptation while surrounded by captivating nymphs. White gouache accentuates their virtuous struggle against alluring desires. A breathtaking scene unfolds in Landscape with a Scene from Fenelons Telemaque (1780). This painting invites us into an idyllic setting where nature harmonizes with human existence. Through skillful brushwork enhanced by white gouache highlights, we witness Fenelon's vision come alive on canvas. Hyacinthe Rigaud's Bust of a Gentleman in an Oval Field captures timeless elegance through its meticulously sculpted features. Rendered with precision using white gouache accents, this portrait immortalizes nobility and grace for generations to admire. Victor Hugo takes us on a nostalgic journey through his Souvenir of a Castle in Vosges (1857). With each stroke imbued with sentimentality and longing, he depicts architectural grandeur amidst serene surroundings. White gouache adds depth to every detail as if whispering tales from centuries past. Cornelis Schut I brings forth intense emotion in The Martyrdom of Saint Lawrence (early 17th-mid 17th century).