White Gouache Collection (page 3)

Judgment Paris 1585 Carletto Caliari Italian
The Judgment of Paris, c. 1585. Carletto Caliari (Italian, 1570-1596). Pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk

Man Entwined Two Snakes 1527 Attributed Giovanni Antonio da Pordenone
Man Entwined by Two Snakes, c. 1527. Attributed to Giovanni Antonio da Pordenone (Italian, 1483/84-1539). Pen and brown ink and brush and brown wash with blue gouache

Roman Subject 1700s Attributed Philibert Benoit Delarue
Roman Subject, 1700s. Attributed to Philibert Benoit Delarue (French, 1718-1780). Pen and black ink and brush and brown wash over black chalk

Profile Girl Holding Candle 1400s Italy 15th century
Profile of a Girl Holding a Candle, 1400s. Italy, 15th century. Pen and brown ink, heightened with traces of white gouache; sheet: 15.2 x 10.8 cm (6 x 4 1/4 in.)

Man Seated Ground recto 1500s Italy 16th century
Man Seated on the Ground, Seen from Behind (recto), 1500s. Italy, 16th century. Brush and black wash heightened with traces of white gouache; sheet: 15.7 x 14.8 cm (6 3/16 x 5 13/16 in.)

Man Seated Ground recto Sketch verso 1500s Italy
Man Seated on the Ground, Seen from Behind (recto); Sketch (verso), 1500s. Italy, 16th century. Brush and black wash heightened with traces of white gouache; sheet

Copy Tintorettos Children Israel Gathering Manna
Copy of Tintorettos Children of Israel Gathering Manna, after 1594. Copy after Jacopo Tintoretto (Italian, 1518-1594). Pen and brown ink and brush and brown wash, with brush and red (chalk)

Mender 1881 Camille Pissarro French 1830-1903
The Mender, c. 1881. Camille Pissarro (French, 1830-1903). Pen and black ink and brush and gray wash over graphite heightened with white gouache; sheet: 15.1 x 10.2 cm (5 15/16 x 4 in.)

Design Glass Painting Man Woman Architectural Setting
Design for Glass Painting: Man and Woman in Architectural Setting, second half 1500s. Attributed to Tobias Stimmer (Swiss, 1539-1584)

Christ Canaanite Woman Rembrandt Harmensz van Rijn
Christ and the Canaanite Woman; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1650; Pen and brown ink, brown wash, corrected with white gouache; 20 × 27.9 cm (7 7, 8 × 11 in.)

Figures Landscape Harbor Claude Lorrain Claude Gellee
Figures in a Landscape before a Harbor; Claude Lorrain (Claude Gellee) (French, 1604 or 1605 ? - 1682); France; late 1630s; Pen and brown ink, reddish brown wash

View City Night 1831 Camille Roqueplan French
View of a City at Night, 1831. Camille Roqueplan (French, 1803-1855). Pastel heightened with white gouache; support: 28.5 x 43.3 cm (11 1/4 x 17 1/16 in.)

Agony Garden 1591 Santi di Tito Italian 1536-1602
The Agony in the Garden, c. 1591. Santi di Tito (Italian, 1536-1602). Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs

Theater Scene 1775-1776 Giovanni David Italian
Theater Scene, c. 1775-1776. Giovanni David (Italian, 1743-1790). Watercolor and extensive point of brush work with graphite and white gouache; sheet: 47.7 x 56 cm (18 3/4 x 22 1/16 in.)

Family Satyrs Dancing Cherubs 1775-1776 Giovanni David
Family of Satyrs with Dancing Cherubs, c. 1775-1776. Giovanni David (Italian, 1743-1790). Watercolor and extensive point of brush work with graphite and white gouache on laid paper; sheet

Portrait Man 1800 Jean-Baptiste Jacques Augustin
Portrait of a Man, 1800. Jean-Baptiste Jacques Augustin (French, 1759-1832). Black chalk with stumping heightened with white gouache on light brown wove paper; sheet

Valmy Lea 1885-1895 Jean Beraud French
Valmy and Lea, c. 1885-1895. Jean Beraud (French, 1849-1935). Brush and brown wash, heightened with white gouache, over graphite; sheet: 36 x 51.7 cm (14 3/16 x 20 3/8 in.)

Saddled Arabian Horse Courtyard 1820 Carle Vernet
Saddled Arabian Horse in Courtyard, 1820. Carle Vernet (French, 1758-1836). Pen and brown ink, brown wash, with gray wash, over black chalk or crayon

Liberty 1865-1875 Gustave Dore French 1832-1883
Liberty, c. 1865-1875. Gustave Dore (French, 1832-1883). Brown wash and gray and white gouache with graphite; sheet: 46.5 x 32.9 cm (18 5/16 x 12 15/16 in.)

Aristomenes Mourning Death Socrates Bewitchment
Aristomenes Mourning the Death of Socrates from the Bewitchment of Meroe (from Book 1 of Apuleius, " The Golden Ass" ), 1795. Antoine-Denis Chaudet (French, 1763-1810)

Notre-Dame de Paris 1881 Luc-Olivier Merson French
Notre-Dame de Paris, c. 1881. Luc-Olivier Merson (French, 1846-1920). Pen and black ink, brush and gray wash, black and white gouache, and graphite; sheet: 32.6 x 21.7 cm (12 13/16 x 8 9/16 in.)

Joan Arc 1889 Ernest Meissonier French 1815-1891
Joan of Arc, c. 1889. Ernest Meissonier (French, 1815-1891). Graphite, red chalk, colored washes, and black and white gouache; sheet: 18.8 x 30.3 cm (7 3/8 x 11 15/16 in.)

Jane Jarvis 1830-1831 Paul Delaroche French 1797-1856
Jane Jarvis, 1830-1831. Paul Delaroche (French, 1797-1856). Pastel, heightened with white gouache on tan woven paper, mounted to board; sheet: 46.2 x 34.3 cm (18 3/16 x 13 1/2 in.)

Study Weeds 1800-1850 Jean Antoine Linck Swiss
Study of Weeds, 1800-1850. Jean Antoine Linck (Swiss, 1766-1843). Brush and gray, black and white gouache over graphite; sheet: 16.9 x 24.5 cm (6 5/8 x 9 5/8 in.)

Perseus Minerva Temple first third 18th century
Perseus and Minerva before a Temple, first third 18th century?. Jan Goeree (Dutch, 1670-1731). Pen and brown ink, brush and brown and gray wash, over traces of red chalk

Lady Elliott Commonly Called Dolly Tall 1775 / 1827
Lady Elliott, Commonly Called Dolly The Tall, 1775/1827. Thomas Rowlandson (British, 1756-1827). Graphite, pen and brown ink, and watercolor

Portrait Sir John Macpherson 1st Baronet Governor-General
Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India, 1787. John I Smart (British, 1741-1811). Watercolor and gouache heightened with white gouache on paper; sheet

Portrait General Keith MacAlister 1800-1810 John I Smart
Portrait of General Keith MacAlister, c. 1800-1810. John I Smart (British, 1741-1811). Watercolor and graphite, heightened with traces of white gouache

Portrait Miss Mary Tadman 1809 John I Smart British
Portrait of Miss Mary Tadman, 1809. John I Smart (British, 1741-1811). Watercolor and graphite, heightened with traces of white gouache on paper; sheet: 15.4 x 13.4 cm (6 1/16 x 5 1/4 in.); image

Portrait Comtesse Starjinska 1800s Eugene Isabey
Portrait of Comtesse Starjinska, 1800s. Eugene Isabey (French, 1803-1886). Charcoal, black crayon, brush and grey wash, and graphite

Young Lady White Bow Head 1795 John Downman British
Young Lady with a White Bow on Her Head, 1795. John Downman (British, 1750-1824). Brush and black chalk wash and watercolor

Garden Court 1870-1875 Edward Burne-Jones British
The Garden Court, 1870-1875. Edward Burne-Jones (British, 1833-1898). Graphite and watercolor, heightened with white gouache; sheet: 32.3 x 60.2 cm (12 11/16 x 23 11/16 in.)

Landscape Castle Shepherds 1814 Achille Etna Michallon
Landscape with Castle and Shepherds, 1814. Achille Etna Michallon (French, 1796-1822). Brown ink and brown wash over graphite, heightened with white gouache; sheet: 18.8 x 27 cm (7 3/8 x 10 5/8 in.)

Young Greek Man Conversation Priest second half 19th century
Young Greek Man in Conversation with a Priest, second half 19th century. Alexandre Bida (French, 1823-1895). Brush and gray wash

Classical Landscape 1779 Pierre Henri de Valenciennes
Classical Landscape, 1779. Pierre Henri de Valenciennes (French, 1750-1819). Black gouache and brush and gray wash, over black chalk and graphite

A Barnyard Goats Goatherd 1610-1615 Abraham Bloemaert
A Barnyard with Goats and a Goatherd, c. 1610-1615. Abraham Bloemaert (Dutch, 1564-1651). Pen and brown ink, brush and brown wash over black chalk

Soldier Dog 1853 Joseph-Louis-Hippolyte Bellangé
Soldier with Dog, 1853. Joseph-Louis-Hippolyte Bellange (French, 1800-1866). Black chalk and watercolor heightened with white gouache; sheet: 39.3 x 26.6 cm (15 1/2 x 10 1/2 in.); secondary support

Allegorical Figure 16th century Niccolo dell Abbate
Allegorical Figure, 16th century. Niccolo dell Abbate (Italian, c. 1512-1571). Pen and black ink and brush and gray wash, heightened with white gouache; sheet

Scene nocturne patrouille a la lisiere d bois
Scene nocturne; patrouille a la lisiere d un bois, 1914. Auguste Louis Lepere (French, 1849-1918). Brush and black ink, black crayon, heightened with white gouache

Monumental Sculpture Moonlit Park 1842 Giuseppe Bernardino Bison
Monumental Sculpture in a Moonlit Park, c. 1842?. Giuseppe Bernardino Bison (Italian, 1762-1844). Black chalk with blue gouache

Artillelurs belges 1914 Auguste Louis Lepere
Artillelurs belges, 1914. Auguste Louis Lepere (French, 1849-1918). Brush and black ink, black crayon, heightened with white gouache

Marechal Joffre 1914 Auguste Louis Lepere
Marechal Joffre, 1914. Auguste Louis Lepere (French, 1849-1918). Brush and black ink, black crayon, heightened with white gouache

Saint Deicolus Boar 1747-1748 Johann Wolfgang Baumgartner
Saint Deicolus and the Boar, 1747-1748. Johann Wolfgang Baumgartner (German, 1712-1761). Pen and brown and gray ink and brush and gray wash heightened with white gouache; incised

Annunciation last third 1600s Johann Jakob von Sandrart
The Annunciation, last third 1600s. Johann Jakob von Sandrart (German, 1655-1698). Black and red chalk with white gouache

Christ Caiaphas 1641-1642 Rembrandt van Rijn
Christ Taken Before Caiaphas, c. 1641-1642. Rembrandt van Rijn (Dutch, 1606-1669). Pen and brown ink and brush and brown wash

Lot Daughters 1756 Antoine Pesne French 1683-1757
Lot and His Daughters, 1756. Antoine Pesne (French, 1683-1757). Black and red chalk wash, gray wash, heightened with white gouache; framing lines in black ink; sheet

Lot Daughters recto Sketch verso 1600s Circle
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s. Circle of Pietro da Cortona (Italian, 1596-1669)

Mans Head Back 16th century Copy Agnolo Bronzino
Mans Head from the Back, 16th century?. Copy after Agnolo Bronzino (Italian, 1503-1572). Red chalk with red and white gouache; sheet: 19.4 x 12.8 cm (7 5/8 x 5 1/16 in.)

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"White Gouache: A Divine Canvas Unveiled" In the realm of art, white gouache serves as a celestial medium, capturing the essence of purity and transcendence. Like a sacred palette, it intertwines with the masterpieces created by renowned artists throughout history. One such masterpiece is "The Annunciation, " painted in the late 17th century by Johann Jakob von Sandrart. With delicate strokes, he portrays Christ's divine message to Virgin Mary, Mary Magdalene, and Saint John. The ethereal glow emanating from their figures reflects the heavenly significance of this momentous encounter. Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs transports us to an enchanting world crafted by Torquato Tasso in 1782. Amidst lush landscapes, these noble heroes resist temptation while surrounded by captivating nymphs. White gouache accentuates their virtuous struggle against alluring desires. A breathtaking scene unfolds in Landscape with a Scene from Fenelons Telemaque (1780). This painting invites us into an idyllic setting where nature harmonizes with human existence. Through skillful brushwork enhanced by white gouache highlights, we witness Fenelon's vision come alive on canvas. Hyacinthe Rigaud's Bust of a Gentleman in an Oval Field captures timeless elegance through its meticulously sculpted features. Rendered with precision using white gouache accents, this portrait immortalizes nobility and grace for generations to admire. Victor Hugo takes us on a nostalgic journey through his Souvenir of a Castle in Vosges (1857). With each stroke imbued with sentimentality and longing, he depicts architectural grandeur amidst serene surroundings. White gouache adds depth to every detail as if whispering tales from centuries past. Cornelis Schut I brings forth intense emotion in The Martyrdom of Saint Lawrence (early 17th-mid 17th century).