Venus Collection (page 55)

Venus on a shell with burning heart and arrow, floating off the coast of Zeeland, topped by two medallions with portraits of Cloes and Blondae and cartouche with title held by Amor

The Judgement of Paris, 1527 (oil on panel)
XOS1273875 The Judgement of Paris, 1527 (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 50.5x38 cm; Statens Museum for Kunst, Copenhagen

The Gods of Olympus (oil on canvas)
XIR218932 The Gods of Olympus (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632); Musee de la Chartreuse, Douai, France; Flemish, out of copyright

Map of the area east and south of Brussels and the county of Namur (leaf left) Belgium, Cornelis Huyberts, Sanson, Pieter Mortier, 1689 - 1712

Night, Crispijn van de Passe (I), 1574 - 1637

Reclining Venus in landscape, Domenico Campagnola, 1517

Venus and Adonis, Hans Bol, Anonymous, c. 1550 - c. 1650

Venus and Adonis, Jacob Matham, 1599 - 1600

Phoebus makes Vulcan aware of the adultery, Jan Collaert (II), Philips Galle, 1576-1628

Venus and Mars caught in adultery, Jan Collaert (II), Philips Galle, 1576 - 1628

Portrait of Gottfried Kneller, Pieter Schenk (I), Anonymous, 1670 - 1713

Venus and Cupid, Hendrick Goltzius, after 1590

The Judgement of Paris, c. 1528 (oil on beech)
XOS1127609 The Judgement of Paris, c.1528 (oil on beech) by Cranach, Lucas, the Elder (1472-1553); 101.9x71.1 cm; Metropolitan Museum of Art, New York, USA; German, out of copyright

The Birth of Cupid (oil on wood)
XOS1127601 The Birth of Cupid (oil on wood) by Master of Flora (16th century); 108x130 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Venus, c. 1464 (engraving)
XJF1127537 Venus, c.1464 (engraving) by Baldini, Baccio (c.1436-87); Private Collection; (add.info.: Venus rides a chariot across the sky, drawn by two doves)

Sleeping Venus, Jacob Gole, 1670-1724

Allegorical figures in a tomb, Jacob Folkema, 1723

Venus and Neptune, Jacob Folkema, 1715

Nicolo Boldrini (Italian, born ca. 1500) after Titian (Italian (Venetian), ca. 1488 - 1576). Venus and Amor, 1566. Woodcut

Pierre-Alexandre Aveline (French, 1702-1760) after Francois Boucher (French, 1703-1770). Venus and Amor, ca. 1730-1740. Etching and engraving on laid paper. Plate: 310 mm x 238 mm (12.2 in)

Nicolas Francois Bocquet (French, active 1691a'1703, died 1716). Venus, ca. 1691-1703. Etching intended for the interior of a snuff box lid

Marco Dente (aka Marco da Ravenna, Italian, ca. 1486-1527) after Raphael (Italian, 1483 - 1520). Venus, ca. 1516. Engraving on laid paper. Plate: 265 mm x 175 mm (10.43 in. x 6.89 in.)

The Woman with the Arrow, 1661 (etching)
XOS1109210 The Woman with the Arrow, 1661 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 24x12.4 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

The Recent Transit of Venus: Preparing for Work at an Australian Bush Station, 1875

Kerguelen Island, the Transit of Venus: Primary English Station, Observatory Bay, Royal Sound, 1875

The Toilette of Venus; Joseph Heintz the Elder, Swiss, 1564 - 1609; Switzerland, Europe; 1594; Red and black chalk; 21.6 x 15.1 cm (8 1/2 x 5 15/16 in.)

Landscape with the Story of Venus and Adonis; Hans Bol, Flemish, 1534 - 1593; 1589; Gouache heightened with gold on vellum; 20.6 x 25.7 cm (8 1/8 x 10 1/8 in.)

Venus Receiving from Vulcan the Arms of Aeneas; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; Italy, Europe; 1704; Pen and brown ink and brown wash over black chalk; 21 x 14.3 cm

Venus Seated in Her Sea Chariot Suckling Cupid; Alessandro Algardi, Italian, 1598 - 1654; about 1645; Black chalk, partially pricked for transfer; 30.3 x 44.8 cm (11 15/16 x 17 5/8 in.)

Venus and Mars; Palma il Giovane, Italian (Venetian), 1544 - 1628; about 1605 - 1609; Oil on canvas; Unframed: 142.9 x 205.4 cm (56 1/4 x 80 7/8 in.)

Venus on the Waves; Francois Boucher, French, 1703 - 1770; 1769; Oil on canvas; Unframed: 265.7 x 76.5 cm (104 5/8 x 30 1/8 in.), Framed: 273.1 x 86.7 x 6.4 cm (107 1/2 x 34 1/8 x 2 1/2 in.)

Triumph of the Marine Venus; Sebastiano Ricci, Italian, 1659 - 1734; about 1713; Oil on canvas; Unframed: 160 x 210.8 cm (63 x 83 in.), Framed: 64.8 x 237.2 x 9.5 cm (25 1/2 x 93 3/8 x 3 3/4 in.)

The Triumph of Venus; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

Mars and Venus Surprised by Vulcan; Joachim Anthonisz. Wtewael, Dutch, 1566 - 1638; about 1606 - 1610; Oil on copper; Unframed: 20.3 x 15.5 cm (8 x 6 1/8 in.)

Venus at the Forge of Vulcan; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; 1704; Oil on canvas; Unframed: 205.4 x 153.7 cm (80 7/8 x 60 1/2 in.)

Female Figure (possibly Venus, formerly titled Bathsheba); Giambologna (Giovanni da Bologna or Jean de Boulogne), Italo-Flemish, 1529 - 1608; Florence, Italy, Tuscany

Figure of Venus Marina; Unknown; Paris, France, Europe; model about 1710, probably cast later; Bronze; Object: H: 64.8 x W: 54.9 x D: 29.5 cm (H: 25 1/2 x W: 21 5/8 x D: 11 5/8 in.)

Venus and Adonis; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Florence, Italy, Tuscany, Europe; about 1715 - 1716; Bronze; Object: H: 46.4 x W: 49 x D: 34.2 cm (1 ft. 6 1/4 in. x 1 ft)

Mars and Venus; Attributed to Hans Mont, Flemish, born about 1540, active 1571 - 1584; Belgium, Flanders (?), Europe; about 1575; Bronze; Object: H: 53.9 x W: 37.2 x D

Venus; Joseph Nollekens, English, 1737 - 1823; England, Europe; 1773; Marble; Object: H: 124 x W: 51 x D: 51 cm (4 ft. 13/16 in. x 1 ft. 8 in. x 1 ft. 8 in.)

Venus and Cupid; Circle of Jacopo Sansovino, Italian (Venetian), 1486 - 1570; France, Europe; about 1550; Bronze; Object: H: 88.9 x W: 35.6 x D: 30.5 cm (H: 35 x W: 14 x D: 12 in.)

The Orbits of Venus, Mercury, and the Sun; Unknown; Therouanne ?, France (formerly Flanders), Europe; fourth quarter of 13th century (after 1277); Tempera colors, pen and ink, gold leaf

Venus Kindling a Fire in the Castle from which the Personifications of Shame, Anxiety, and Resistance Depart; Unknown; Paris, France, Europe; about 1405; Tempera colors, gold leaf

Tapestry: Venus aux forges de Vulcain, from Les Tentures de Francois Boucher Series; After painting by Francois Boucher, French, 1703 - 1770, and after designs by Maurice Jacques, French

Tapestry: Venus sortant des eaux, from Les Tentures de Francois Boucher Series; After cartoon by Francois Boucher, French, 1703 - 1770, and after designs by Maurice Jacques, French

Statue of Venus (the Mazarin Venus); Unknown; 2nd century; Marble; Object: H: 184 cm (H: 72 7/16 in.)

Statuette of Venus (Venus de Clerq); Unknown; Rome, Italy, Lazio, Europe; 175 - 200; Marble with polychromy; Object: H: 97.2 x W: 33 x D: 20.3 cm (38 1/4 x 13 x 8 in.)

Statuette of Venus; Unknown; Egypt, Africa; 1st century B.C.; Alabaster; Object: H: 30.5 cm (12 in.)

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"Exploring the Mysteries of Venus: From Palmistry to Planetary Beauty" Discover the enigmatic allure of Venus, not just as a planet in our solar system but also as a symbol of love, beauty, and art. In palmistry, the map of the hand reveals secrets about one's personality and future. Just like Venus herself, these lines hold hidden depths waiting to be explored. The captivating artwork "Venus of Urbino" by Titian transports us back to 1538 with its sensual depiction of feminine beauty. It reminds us that throughout history, artists have been inspired by this celestial goddess. Alessandro Botticelli's masterpiece "Birth of Venus" captures her emergence from sea foam in all her ethereal glory. This iconic painting has become synonymous with grace and elegance. Even ancient cartographers recognized Venus' significance; the Catalan Atlas from the 14th century includes her presence among other celestial bodies. As we zoom out into space, we encounter breathtaking images depicting our solar system's planets. Each one holds its own unique charm and character – from colossal Jupiter to tiny Mercury – reminding us how diverse our cosmic neighborhood truly is. Sandro Botticelli's "Primavera" takes us on a journey through mythology where Venus reigns supreme amidst an enchanting springtime scene. Her influence extends beyond astronomy into literature and folklore. Hubert Robert's painting "The Bathing Pool" invites us to immerse ourselves in tranquility while contemplating the timeless allure associated with water - another element often linked to this celestial deity. Bronzino’s "An Allegory with Venus and Cupid" delves deeper into symbolism as it explores themes such as desire and passion intertwined with love itself. Here lies yet another facet of understanding this multifaceted goddess. Venturing even further than any artist could ever reach are photographs taken by Venera 13 on the surface itself.