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Venus Collection (page 52)

"Exploring the Mysteries of Venus: From Palmistry to Planetary Beauty" Discover the enigmatic allure of Venus

Background imageVenus Collection: Venus in zodiacal light

Venus in zodiacal light
April 6, 2014 - Venus shining in the pre-dawn sky amid the morning zodiacal light below the Milky Way, then overhead, Coonabarabran, Australia

Background imageVenus Collection: The Cat and Venus; Mice in Council

The Cat and Venus; Mice in Council

Background imageVenus Collection: Source Size = 3801 x 2534

Source Size = 3801 x 2534
The Proposed National Museum of Patents: the Transit of Venus, Model Used for Practice at Greenwich Observatory

Background imageVenus Collection: Source Size = 3759 x 2509

Source Size = 3759 x 2509
The Forthcoming Transit of Venus: Shed at Honolulu from which the Model of Venus is Observed, and One of the Portable Transit Instruments

Background imageVenus Collection: Source Size = 3772 x 2525

Source Size = 3772 x 2525
The Coming Transit of Venus, the Triangulation of the Island of Rodriguez

Background imageVenus Collection: Source Size = 3577 x 5033

Source Size = 3577 x 5033
Venus and Mars at the Louvre Gallery, Paris, 1880

Background imageVenus Collection: Source Size = 3829 x 1990

Source Size = 3829 x 1990
Frieze in Terra-Cotta, Marine Venus and Amphitrite, the Campana Museum, Rome

Background imageVenus Collection: The Judgement of Paris (oil on panel)

The Judgement of Paris (oil on panel)
XIR91639 The Judgement of Paris (oil on panel) by Watteau, Jean Antoine (1684-1721); 47x31 cm; Louvre, Paris, France; French, out of copyright

Background imageVenus Collection: Eros and Aphrodite (oil on canvas)

Eros and Aphrodite (oil on canvas)
XIR899097 Eros and Aphrodite (oil on canvas) by Toudouze, Edouard (1848-1907); 190x283 cm; Musee des Beaux-Arts, Rennes, France; (add.info.: Eros et Aphrodite. PE7002); French, out of copyright

Background imageVenus Collection: Deification of Aeneas (oil on canvas)

Deification of Aeneas (oil on canvas)
XIR899033 Deification of Aeneas (oil on canvas) by Lafosse, Charles de (1636-1716); Musee des Beaux-Arts, Nantes, France; (add.info.: Deification d Enee PE6725); French, out of copyright

Background imageVenus Collection: Venus asks Vulcan weapons for Aeneas (oil on canvas)

Venus asks Vulcan weapons for Aeneas (oil on canvas)
XIR899034 Venus asks Vulcan weapons for Aeneas (oil on canvas) by Lafosse, Charles de (1636-1716); 179x152 cm; Musee des Beaux-Arts, Nantes

Background imageVenus Collection: Venus standing in a landscape, detail of the landscape, 1529, (oil on panel)

Venus standing in a landscape, detail of the landscape, 1529, (oil on panel)
XIR898708 Venus standing in a landscape, detail of the landscape, 1529, (oil on panel) by Cranach, Lucas, the Elder (1472-1553); Musee du Louvre, Paris

Background imageVenus Collection: The Foundry of the God Vulcan, 1747 (oil on canvas)

The Foundry of the God Vulcan, 1747 (oil on canvas)
XIR898130 The Foundry of the God Vulcan, 1747 (oil on canvas) by Boucher, Francois (1703-70); 94x12.7 cm; Louvre, Paris, France; (add.info.: Les Forges de Vulcain ); French, out of copyright

Background imageVenus Collection: La Toilette de Venus, 1749 (oil on canvas)

La Toilette de Venus, 1749 (oil on canvas)
XIR898129 La Toilette de Venus, 1749 (oil on canvas) by Boucher, Francois (1703-70); 10.7x17.3 cm; Louvre, Paris, France; (add.info.: La Toilette de Venus Signed and dated bottom right: F)

Background imageVenus Collection: Venus depicted in a Seascape (study), 1839 (oil on study)

Venus depicted in a Seascape (study), 1839 (oil on study)
XIR895964 Venus depicted in a Seascape (study), 1839 (oil on study) by Chasseriau, Theodore (1819-56); Location Unknown; (add.info.: Venus marine (esquisse) ); French, out of copyright

Background imageVenus Collection: Venus and Amor, 17th Century (engraving)

Venus and Amor, 17th Century (engraving)
XJF872758 Venus and Amor, 17th Century (engraving) by Italian School, (17th century); Private Collection; Italian, out of copyright

Background imageVenus Collection: Georges Reverdy, French (active 1531-active 1564-1570), Mars and Venus Surprised

Georges Reverdy, French (active 1531-active 1564-1570), Mars and Venus Surprised by Vulcan, engraving

Background imageVenus Collection: Joseph Mansell after Henry George Moon, British (active 19th century), Dendrobium

Joseph Mansell after Henry George Moon, British (active 19th century), Dendrobium (Hybridium) Venus and Dendrobium (Hybridium) Cassiope, color lithograph

Background imageVenus Collection: Portrait of Jeanne Duval, 1862 (oil on canvas)

Portrait of Jeanne Duval, 1862 (oil on canvas)
XIR83387 Portrait of Jeanne Duval, 1862 (oil on canvas) by Manet, Edouard (1832-83); 90x113 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageVenus Collection: Ippolito Caffi, Italian (1809-1866), The Arch of Titus and the Temple of Venus

Ippolito Caffi, Italian (1809-1866), The Arch of Titus and the Temple of Venus and Rome near the Roman Forum, watercolor and gouache over graphite on wove paper

Background imageVenus Collection: French 18th Century, Venus at the Forge of Vulcan, 18th century, pen and brown ink

French 18th Century, Venus at the Forge of Vulcan, 18th century, pen and brown ink with brown wash and touches of white gouache

Background imageVenus Collection: Annibale Carracci, Venus Adorned by the Graces, Italian, 1560-1609, 1590-1595, oil

Annibale Carracci, Venus Adorned by the Graces, Italian, 1560-1609, 1590-1595, oil on panel transferred to canvas

Background imageVenus Collection: Edme Bouchardon, Rocaille Fountain with Venus, Amorini, and Swans, French, 1698-1762, c

Edme Bouchardon, Rocaille Fountain with Venus, Amorini, and Swans, French, 1698-1762, c. 1735, red chalk on 2 joined sheets of laid paper

Background imageVenus Collection: Titian, Italian (c. 1490-1576), Venus with a Mirror, c. 1555, oil on canvas

Titian, Italian (c. 1490-1576), Venus with a Mirror, c. 1555, oil on canvas

Background imageVenus Collection: The Kostionki Venus, from Kostionki, Voronezh region, c. 23, 000 BC (stone)

The Kostionki Venus, from Kostionki, Voronezh region, c. 23, 000 BC (stone)
BAL700705 The Kostionki Venus, from Kostionki, Voronezh region, c.23, 000 BC (stone) by Paleolithic; State Hermitage Museum, St. Petersburg, Russia; out of copyright

Background imageVenus Collection: The Judgement of Paris, c. 1599-1601 (oil on copper)

The Judgement of Paris, c. 1599-1601 (oil on copper)
XAM68932 The Judgement of Paris, c.1599-1601 (oil on copper) by Rubens, Peter Paul (1577-1640); 32.5x43.5 cm; Akademie der Bildenden Kunste, Vienna, Austria; Flemish, out of copyright

Background imageVenus Collection: The Judgement of Paris

The Judgement of Paris
BAL67245 The Judgement of Paris by Hoet, Gerard (1648-1733); 37.5x46.4 cm; Johnny van Haeften Gallery, London, UK; Dutch, out of copyright

Background imageVenus Collection: Willem Basse (Dutch, 1613 or 1614 - 1672), The Followers of Solon Defending the Temple

Willem Basse (Dutch, 1613 or 1614 - 1672), The Followers of Solon Defending the Temple of Venus, 1634, etching and engraving on laid paper

Background imageVenus Collection: The Sense of Sight, 1617 (oil on panel)

The Sense of Sight, 1617 (oil on panel)
XIR55897 The Sense of Sight, 1617 (oil on panel) by Brueghel, Jan (1601-78) & Rubens, P.P. (1577-1640); 65x109 cm; Prado, Madrid, Spain; Dutch, out of copyright

Background imageVenus Collection: The God Mercury Waking Paris to Judge the Contest of the Golden Apple

The God Mercury Waking Paris to Judge the Contest of the Golden Apple
BAL52783 The God Mercury Waking Paris to Judge the Contest of the Golden Apple by Cranach, Lucas (1472-1553) (studio of); Rafael Valls Gallery, London

Background imageVenus Collection: Pietro Rotari after Antonio Balestra (Italian, 1707 - 1762), Venus Appearing to Achilles

Pietro Rotari after Antonio Balestra (Italian, 1707 - 1762), Venus Appearing to Achilles, 1725, etching with engraving

Background imageVenus Collection: Johann Matthias Kager (German, 1575 - 1634), Without Ceres and Bacchus, Venus Freezes

Johann Matthias Kager (German, 1575 - 1634), Without Ceres and Bacchus, Venus Freezes, 1590s, pen and black ink with gray wash over graphite on laid paper

Background imageVenus Collection: Of disordred loue and veneryous, illustration from Alexander Barclays English

Of disordred loue and veneryous, illustration from Alexander Barclays English
XJF486405 Of disordred loue and veneryous, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Background imageVenus Collection: Tha odore Chassa riau (French, 1819 - 1856), Venus Anadyomene, c

Tha odore Chassa riau (French, 1819 - 1856), Venus Anadyomene, c
Tha© odore Chassa© riau (French, 1819 - 1856), Venus Anadyomene, c. 1841-1842, lithograph on gray-tinted chine colle

Background imageVenus Collection: Rena Gaillard after Franazois Boucher (French, c. 1719 - 1790), Venus et les amours

Rena Gaillard after Franazois Boucher (French, c. 1719 - 1790), Venus et les amours
Rena© Gaillard after Franazois Boucher (French, c. 1719 - 1790), Venus et les amours, engraving and etching

Background imageVenus Collection: Jean-Franazois Janinet after Franazois Boucher, French (1752-1814), La toilette de Venus

Jean-Franazois Janinet after Franazois Boucher, French (1752-1814), La toilette de Venus
Jean-Franazois Janinet after Franazois Boucher (French, 1752 - 1814), La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks

Background imageVenus Collection: Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus

Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus se plaint a Jupiter de la tempete que Junon a excitee contre Enee, engraving

Background imageVenus Collection: Jean-Franazois Janinet after Jean-Jacques-Franazois Le Barbier I (French, 1752 - 1814)

Jean-Franazois Janinet after Jean-Jacques-Franazois Le Barbier I (French, 1752 - 1814), La Venus aux colombes, color aquatint and etching

Background imageVenus Collection: La on Davent (French (?), active 1540-1556), Venus at Vulcans Forge, etching

La on Davent (French (?), active 1540-1556), Venus at Vulcans Forge, etching
La© on Davent (French (?), active 1540-1556), Venus at Vulcans Forge, etching

Background imageVenus Collection: Antonio Balestra (Italian, 1666 - 1740), Venus Appearing to Aeneas, 1713, pen

Antonio Balestra (Italian, 1666 - 1740), Venus Appearing to Aeneas, 1713, pen and brown ink with brown wash over black chalk on laid paper

Background imageVenus Collection: Franazois Boucher (French, 1703 - 1770), Venus Reclining on a Dolphin, c

Franazois Boucher (French, 1703 - 1770), Venus Reclining on a Dolphin, c. 1745, black chalk heightened with white on brown laid paper

Background imageVenus Collection: Joseph Heintz the Elder (Swiss, 1564 - 1609), The Toilet of Venus, c

Joseph Heintz the Elder (Swiss, 1564 - 1609), The Toilet of Venus, c. 1590, pen and ink over red and black chalk with wash and heightening on laid paper

Background imageVenus Collection: Jean Franazois Pierre Peyron, Venus and the Graces Crowning Tha mire, French, 1744 - 1814

Jean Franazois Pierre Peyron, Venus and the Graces Crowning Tha mire, French, 1744 - 1814
Jean Franazois Pierre Peyron, Venus and the Graces Crowning Tha© mire, French, 1744 - 1814, 1795-1796, pen and black and brown ink with brown wash over traces of graphite, on laid paper

Background imageVenus Collection: Antoine Coypel, Cupid Stealing Venus Floral Crown, French, 1661 - 1722, 1705-1708

Antoine Coypel, Cupid Stealing Venus Floral Crown, French, 1661 - 1722, 1705-1708, orange-red, white, and black chalk, squared for transfer in black chalk, on blue laid paper

Background imageVenus Collection: The Judgement of Paris (oil on canvas)

The Judgement of Paris (oil on canvas)
XIR417059 The Judgement of Paris (oil on canvas) by Aachen, Johann or Hans von (1552-1616); Musee de la Chartreuse, Douai

Background imageVenus Collection: The Wedding Night (watercolour & ink on paper)

The Wedding Night (watercolour & ink on paper)
XIR392239 The Wedding Night (watercolour & ink on paper) by Baudouin, Pierre Antoine (1723-69); Musee des Beaux-Arts, Grenoble, France; French, out of copyright

Background imageVenus Collection: Te Arii Vahine (The Kings Wife), 1896

Te Arii Vahine (The Kings Wife), 1896
BAL37510 Te Arii Vahine (The Kings Wife), 1896 by Gauguin, Paul (1848-1903); 97x130 cm; Pushkin Museum, Moscow, Russia; French, out of copyright

Background imageVenus Collection: The Judgement of Paris, 1639 (oil on canvas)

The Judgement of Paris, 1639 (oil on canvas)
XIR36856 The Judgement of Paris, 1639 (oil on canvas) by Rubens, Peter Paul (1577-1640); 199x379 cm; Prado, Madrid, Spain; Flemish, out of copyright



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"Exploring the Mysteries of Venus: From Palmistry to Planetary Beauty" Discover the enigmatic allure of Venus, not just as a planet in our solar system but also as a symbol of love, beauty, and art. In palmistry, the map of the hand reveals secrets about one's personality and future. Just like Venus herself, these lines hold hidden depths waiting to be explored. The captivating artwork "Venus of Urbino" by Titian transports us back to 1538 with its sensual depiction of feminine beauty. It reminds us that throughout history, artists have been inspired by this celestial goddess. Alessandro Botticelli's masterpiece "Birth of Venus" captures her emergence from sea foam in all her ethereal glory. This iconic painting has become synonymous with grace and elegance. Even ancient cartographers recognized Venus' significance; the Catalan Atlas from the 14th century includes her presence among other celestial bodies. As we zoom out into space, we encounter breathtaking images depicting our solar system's planets. Each one holds its own unique charm and character – from colossal Jupiter to tiny Mercury – reminding us how diverse our cosmic neighborhood truly is. Sandro Botticelli's "Primavera" takes us on a journey through mythology where Venus reigns supreme amidst an enchanting springtime scene. Her influence extends beyond astronomy into literature and folklore. Hubert Robert's painting "The Bathing Pool" invites us to immerse ourselves in tranquility while contemplating the timeless allure associated with water - another element often linked to this celestial deity. Bronzino’s "An Allegory with Venus and Cupid" delves deeper into symbolism as it explores themes such as desire and passion intertwined with love itself. Here lies yet another facet of understanding this multifaceted goddess. Venturing even further than any artist could ever reach are photographs taken by Venera 13 on the surface itself.