Tribal Art Collection (page 5)

"Exploring the Rich Tapestry of Tribal Art: From Central America to North America and Beyond" Embark on a captivating journey through the vibrant world of tribal art

Tribal Art Collection: KWAKIUTL VILLAGE, c1914. A Kwakiutl village with totem poles at Alert Bay, British Columbia

KWAKIUTL VILLAGE, c1914. A Kwakiutl village with totem poles at Alert Bay, British Columbia. Photograph by Edward Curtis, c1914

Tribal Art Collection: KWAKIUTL DANCERS, c1914. Masked and costumed Kwakiutl dancers during the winter ceremony

KWAKIUTL DANCERS, c1914. Masked and costumed Kwakiutl dancers during the winter ceremony, crouching in the foreground with others behind them. The chief on the far left holds a speakers staff

Tribal Art Collection: TSIMSHIAN VILLAGE, c1914. Totem pole in a Tsimshian village on Vancouver Island

TSIMSHIAN VILLAGE, c1914. Totem pole in a Tsimshian village on Vancouver Island. Photograph by Edward Curtis, c1914

Tribal Art Collection: ALERT BAY: VILLAGE, c1914. Two Kwakiutl totem poles in front of a wood frame house

ALERT BAY: VILLAGE, c1914. Two Kwakiutl totem poles in front of a wood frame house in a village in Alert Bay, British Columbia. Photograph by Edward Curtis, c1914

Tribal Art Collection: KWAKIUTL HOUSE, c1914. Tanaktak house in a Kwakiutl village at Harbledown Island, Vancouver

KWAKIUTL HOUSE, c1914. Tanaktak house in a Kwakiutl village at Harbledown Island, Vancouver. Photograph by Edward Curtis, c1914

Tribal Art Collection: ALASKA: NATIVE AMERICAN HOME, 1906. Home of Chief Ko-Teth Sha-Doc, Ketchikan, Alaska

ALASKA: NATIVE AMERICAN HOME, 1906. Home of Chief Ko-Teth Sha-Doc, Ketchikan, Alaska. Photographed on 20 March 1906

Tribal Art Collection: GREENVILLE TREATY, 1795. The signature marks of some of the 1, 100 Native American chiefs

GREENVILLE TREATY, 1795. The signature marks of some of the 1, 100 Native American chiefs and warriors on the Greenville treaty of peace, 1795

Tribal Art Collection: ALASKA: VILLAGE OF HOWKAN. Northwest Coast Native American village at Howkan, Alaska

ALASKA: VILLAGE OF HOWKAN. Northwest Coast Native American village at Howkan, Alaska. Stereograph view, 1897

Tribal Art Collection: LITTLE BIGHORN, 1876. Chief Crazy Horse with warriors is seen going to a celebratory

LITTLE BIGHORN, 1876. Chief Crazy Horse with warriors is seen going to a celebratory dance after the Battle of Little Bighorn

Tribal Art Collection: LITTLE BIGHORN, 1876. A symbolic depiction of the principals at the Battle of Little Bighorn

LITTLE BIGHORN, 1876. A symbolic depiction of the principals at the Battle of Little Bighorn, George A. Custer, Crazy Horse, and Sitting Bull

Tribal Art Collection: LITTLE BIGHORN, 1876. Crazy Horse and Sitting Bull mounted before their warriors

LITTLE BIGHORN, 1876. Crazy Horse and Sitting Bull mounted before their warriors at the Little Bighorn, June 25, 1876. Pictograph by Amos Bad Heart Bull

Tribal Art Collection: CANADA: HAIDA TOTEM POLES. Totem poles in front of houses in the Haida village of Haina

CANADA: HAIDA TOTEM POLES. Totem poles in front of houses in the Haida village of Haina (New Gold Harbour) in the Queen Charlotte Islands, British Columbia, Canada

Tribal Art Collection: CANADA: HAIDA TOTEM POLE. Totem pole at the front of a Haida house in the village of Haina

CANADA: HAIDA TOTEM POLE. Totem pole at the front of a Haida house in the village of Haina (New Gold Harbour) in the Queen Charlotte Islands, British Columbia, Canada

Tribal Art Collection: CANADA: HAIDA TOTEM POLE. Totem pole at the front of a house in the Haida village

CANADA: HAIDA TOTEM POLE. Totem pole at the front of a house in the Haida village of Tanu in the Queen Charlotte Islands, British Columbia, Canada, with representations of three watchmen (top)

Tribal Art Collection: SIOUX NATIVE AMERICAN, c1900. An unidentified Sioux, a member of Buffalo Bills Wild West Show

SIOUX NATIVE AMERICAN, c1900. An unidentified Sioux, a member of Buffalo Bills Wild West Show. Photographed by Gertrude Kasebier, c1900

Tribal Art Collection: SIOUX NATIVE AMERICAN, c1900. Charles American Horse, a young Oglala Sioux, holding a peace pipe

SIOUX NATIVE AMERICAN, c1900. Charles American Horse, a young Oglala Sioux, holding a peace pipe. Photographed by Gertrude Kasebier, c1900

Tribal Art Collection: NATIVE AMERICANS: FINGER NECKLACE. Necklace of human fingers. Possibly Iroquois

NATIVE AMERICANS: FINGER NECKLACE. Necklace of human fingers. Possibly Iroquois, 18th century

Tribal Art Collection: LITTLE BIG HORN, 1876. Native American village at Little Big Horn. Pictograph, 1881

LITTLE BIG HORN, 1876. Native American village at Little Big Horn. Pictograph, 1881, by Red Horse, a Sioux chief

Tribal Art Collection: San Francisco del Valle de Tilaco

San Francisco del Valle de Tilaco is in a small community eighteen km northeast of Landa de Matamoros. It was constructed between 1754 and 1762 by Juan Crespi and dedicated to Francis of Assisi

Tribal Art Collection: Jalpan Mission in Sierra Gorda

Jalpan Mission in Sierra Gorda
Although the mission in Jalpan was established before JunAipero Serrs 1750 arrival into the region, Serra is given credit for building the five main missions of this area

Tribal Art Collection: Santa MarAia del Agua de Landa, mission

Santa MarAia del Agua de Landa, mission
Santa MarAia del Agua de Landa is located twenty km from Jalpan on Highway 120 towards Xilitla. The mission was built between 1760

San Francisco del Valle de Tilaco is in a small community eighteen km northeast of Landa de Matamoros. It was constructed between 1754 and 1762 by Juan Crespi and dedicated to Francis of Assisi

Tribal Art Collection: Nuestra SeAnora de la Luz de Tancoyol

Nuestra SeAnora de la Luz de Tancoyol
A second mission is located in the community of Tancoyol called Nuestra SeAnora de la Luz de Tancoyol, dedicated to Our Lady of Light

San Francisco del Valle de Tilaco is in a small community eighteen km northeast of Landa de Matamoros. It was constructed between 1754 and 1762 by Juan Crespi and dedicated to Francis of Assisi

Tribal Art Collection: Traditional Mexican handcrafted toys

Traditional Mexican handcrafted toys are those made by artisans rather than manufactured in factories. The history of Mexican toys extends as far back as the Mesoamerican era

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"Exploring the Rich Tapestry of Tribal Art: From Central America to North America and Beyond" Embark on a captivating journey through the vibrant world of tribal art, where ancient traditions and cultural expressions come alive. In Central America, immerse yourself in the enchanting land of Panama, specifically Cristobal, as you discover the mesmerizing beauty of Kuna Indian traditional molas. These intricate textile masterpieces tell stories passed down through generations. Venturing further, let your curiosity guide you to maps that unveil historical narratives. Marvel at the Travels of The Apostle Paul Map Engraving, tracing his remarkable journeys across lands far and wide. Delve into Ancient and Modern Jerusalem Map Engraving to witness the evolution of this sacred city throughout time. And don't miss out on exploring the Wanderings of the Israelites Map Engraving, which brings biblical tales to life. As you traverse continents, make a stop in Utah's Iron County in North America. Here lies Parowan Gap adorned with fascinating petroglyphs etched by ancient civilizations—a testament to their rich heritage and connection with nature. Continuing southwards to Peru's Nazca region reveals an awe-inspiring sight—the Nazca Lines—an enigmatic collection including an illustration of a monkey drawing etched into desert sand that has puzzled researchers for centuries. Crossing borders once again takes us northward towards Canada's vast landscapes filled with indigenous artistry. Witness breathtaking craftsmanship as you encounter a House Post carved from cedar within Bella Bella's Heiltsuk house—a true testament to Canadian First Nations' artistic prowess. Further north still lies Teslin Tlingit Heritage Center in Yukon—home to majestic Totem poles featuring beaver imagery that symbolizes resilience and resourcefulness cherished by indigenous communities. In British Columbia's Duncan on Victoria Island stands another towering Totem Pole—its intricate carvings narrating ancestral legends while preserving cultural heritage for generations to come.