Fraud Blocker Skip to main content

Tribal Art Collection (page 4)

"Exploring the Rich Tapestry of Tribal Art: From Central America to North America and Beyond" Embark on a captivating journey through the vibrant world of tribal art

Background imageTribal Art Collection: APACHE MEDICINE CAP, c1907. A medicine cap and fetish used by an Apache medicine man

APACHE MEDICINE CAP, c1907. A medicine cap and fetish used by an Apache medicine man. Photograph by Edward Curtis, c1907

Background imageTribal Art Collection: Antique document and map

Antique document and map

Background imageTribal Art Collection: Antique print of city of Loango in the Congo, Africa

Antique print of city of Loango in the Congo, Africa

Background imageTribal Art Collection: Atlatl Rock, Valley of Fire State Park, Overton, Nevada, United States of America

Atlatl Rock, Valley of Fire State Park, Overton, Nevada, United States of America, North America

Background imageTribal Art Collection: Buddhist monk

Buddhist monk
Antique illustration of a Buddhist monk

Background imageTribal Art Collection: Great Pyramid and Sphinx

Great Pyramid and Sphinx

Background imageTribal Art Collection: Babylonian and Assyrian art

Babylonian and Assyrian art, Relief from Khorsabad

Background imageTribal Art Collection: Nile monitor (Varanus niloticus)

Nile monitor (Varanus niloticus)

Background imageTribal Art Collection: Satsuma ware

Satsuma ware
Antique illustration of a Containers, earthenware Satsuma

Background imageTribal Art Collection: Santo Stefano Rotondo Basilica, Rome

Santo Stefano Rotondo Basilica, Rome

Background imageTribal Art Collection: Death of General Wolfe in the Battle of Quebec

Death of General Wolfe in the Battle of Quebec
Antique illustration of a Death of General Wolfe in the Battle of Quebec

Background imageTribal Art Collection: The Basilica of St. Stephen in the Round on the Celian Hill

The Basilica of St. Stephen in the Round on the Celian Hill
Illustration of The Basilica of St. Stephen in the Round on the Celian Hill

Background imageTribal Art Collection: Illustration of Aboriginal cave painting of a fish

Illustration of Aboriginal cave painting of a fish

Background imageTribal Art Collection: Rock art, Utah

Rock art, Utah

Background imageTribal Art Collection: Illustration showing cave paintings of two horses, Lascaux, France

Illustration showing cave paintings of two horses, Lascaux, France

Background imageTribal Art Collection: Golden Wat Thap Luang in Vientiane, Laos

Golden Wat Thap Luang in Vientiane, Laos

Background imageTribal Art Collection: Jalpan Mission in Sierra Gorda

Jalpan Mission in Sierra Gorda
Although the mission in Jalpan was established before JunAipero Serrs 1750 arrival into the region, Serra is given credit for building the five main missions of this area

Background imageTribal Art Collection: Monastery in Thimphu, Bhutan

Monastery in Thimphu, Bhutan

Background imageTribal Art Collection: Landscape of Trashi Chhoe Dzong, Thimphu

Landscape of Trashi Chhoe Dzong, Thimphu

Background imageTribal Art Collection: Bhutan national flag at Trashi Chhoe Dzong, Thimphu

Bhutan national flag at Trashi Chhoe Dzong, Thimphu

Background imageTribal Art Collection: Ancient rock carvings, Damaraland, Namibia, Africa

Ancient rock carvings, Damaraland, Namibia, Africa
Namibia, Kunene region, Damaraland, rock carvings of Twyfelfontein, listed as World Heritage by UNESCO

Background imageTribal Art Collection: Totem Pole, Stanley Park, Vancouver, British Columbia, Canada, North America

Totem Pole, Stanley Park, Vancouver, British Columbia, Canada, North America

Background imageTribal Art Collection: POMO BASKETS, c1924. Magnesite beads and woven baskets made by Pomo Native Americans

POMO BASKETS, c1924. Magnesite beads and woven baskets made by Pomo Native Americans in California. Photograph by Edward Curtis, c1924

Background imageTribal Art Collection: HUPA PURSES AND MONEY. Purses and money of the Hupa Native Americans of northwestern California

HUPA PURSES AND MONEY. Purses and money of the Hupa Native Americans of northwestern California. Photographed by Edward S. Curtis, 1923

Background imageTribal Art Collection: Star trails at an ancient petroglyph site near Bishop, California

Star trails at an ancient petroglyph site near Bishop, California

Background imageTribal Art Collection: Bushman rock carving of a Gemsbok or Gemsbuck (Oryx gazella), Mik Mountains, Damaraland, Namibia

Bushman rock carving of a Gemsbok or Gemsbuck (Oryx gazella), Mik Mountains, Damaraland, Namibia, Africa

Background imageTribal Art Collection: Bushman rock carvings, Mik Mountains, Damaraland, Namibia, Africa

Bushman rock carvings, Mik Mountains, Damaraland, Namibia, Africa

Background imageTribal Art Collection: TENOCHTITLAN (MEXICO CITY) with Aztec pictographs and Spanish text from the Codex Mendoza

TENOCHTITLAN (MEXICO CITY) with Aztec pictographs and Spanish text from the Codex Mendoza, c1542

Background imageTribal Art Collection: MEXICO: MIXTEC MANUSCRIPT. Page from the Codex Zouche-Nuttall, a Pre-Columbian

MEXICO: MIXTEC MANUSCRIPT. Page from the Codex Zouche-Nuttall, a Pre-Columbian Mixtec pictographic manuscript from Mexico, painted on deer skin

Background imageTribal Art Collection: Totem poles at building, (B&W)

Totem poles at building, (B&W)

Background imageTribal Art Collection: ALASKA: TOTEM POLES, c1895. Three old totem poles inside the house of a chief

ALASKA: TOTEM POLES, c1895. Three old totem poles inside the house of a chief, with a young Eskimo girl seated on one of them, Alaska. Photograph, c1895

Background imageTribal Art Collection: ALASKA: TOTEM POLES, c1887. A man standing next to two totem poles, Alaska. Photographed by W

ALASKA: TOTEM POLES, c1887. A man standing next to two totem poles, Alaska. Photographed by W. Seward McClure, c1887

Background imageTribal Art Collection: ALASKA: BASKETS, c1899. A group of Aleutian woven baskets with covers, Aleutian Islands, Alaska

ALASKA: BASKETS, c1899. A group of Aleutian woven baskets with covers, Aleutian Islands, Alaska. Photograph, c1899

Background imageTribal Art Collection: ALASKA: TLINGIT WOMEN, 1905. Tlingit women and girls displaying handcrafted items

ALASKA: TLINGIT WOMEN, 1905. Tlingit women and girls displaying handcrafted items (including slippers, bags, baskets, and a miniature totem pole at right)

Background imageTribal Art Collection: HAIDA VILLAGE, c1880. Totem poles and canoes in the Haida village of Skidegate

HAIDA VILLAGE, c1880. Totem poles and canoes in the Haida village of Skidegate in the Queen Charlotte Islands, off the coast of British Columbia, Canada. Photographed c1880

Background imageTribal Art Collection: TLINGIT ARTIFACTS, c1804. Tlingit Native American artifacts collected by Aleksandr

TLINGIT ARTIFACTS, c1804. Tlingit Native American artifacts collected by Aleksandr Baranov on the coast of Alaska: carved wooden mask and neck piece

Background imageTribal Art Collection: CAYUSE CHIEF, c1900. David Young, a Cayuse Native American chief, riding a horse

CAYUSE CHIEF, c1900. David Young, a Cayuse Native American chief, riding a horse which wears a decorated mask. Photographed by Lee Moorhouse, c1900

Background imageTribal Art Collection: KWAKIUTL VILLAGE, 1881. A view of a Southern Kwakiutl village on the Salmon River

KWAKIUTL VILLAGE, 1881. A view of a Southern Kwakiutl village on the Salmon River, on Vancouver Island, British Columbia, Canada. Photographed by Edward Dossetter, 1881

Background imageTribal Art Collection: ALASKA: POTLATCH DANCERS. Tlingit dancers in costume at a potlatch ceremony in Klukwan, Alaska

ALASKA: POTLATCH DANCERS. Tlingit dancers in costume at a potlatch ceremony in Klukwan, Alaska. Photographed by Eric A. Hegg, 14 October 1898

Background imageTribal Art Collection: MENOMINEE COUPLE, 1908. A Menominee Native American couple standing outside a bark

MENOMINEE COUPLE, 1908. A Menominee Native American couple standing outside a bark house in northeastern Wisconsin. Photographed by Arthur J. Kingsbury, 1908

Background imageTribal Art Collection: ALASKA: TOTEM POLE, c1908. House and totem pole of a Native American chief in Alaska

ALASKA: TOTEM POLE, c1908. House and totem pole of a Native American chief in Alaska. Photograph, c1908

Background imageTribal Art Collection: KWAKIUTL VILLAGE, c1914. A Kwakiutl village with totem poles at Alert Bay, British Columbia

KWAKIUTL VILLAGE, c1914. A Kwakiutl village with totem poles at Alert Bay, British Columbia. Photograph by Edward Curtis, c1914

Background imageTribal Art Collection: KWAKIUTL DANCERS, c1914. Masked and costumed Kwakiutl dancers during the winter ceremony

KWAKIUTL DANCERS, c1914. Masked and costumed Kwakiutl dancers during the winter ceremony, crouching in the foreground with others behind them. The chief on the far left holds a speakers staff

Background imageTribal Art Collection: TSIMSHIAN VILLAGE, c1914. Totem pole in a Tsimshian village on Vancouver Island

TSIMSHIAN VILLAGE, c1914. Totem pole in a Tsimshian village on Vancouver Island. Photograph by Edward Curtis, c1914

Background imageTribal Art Collection: ALERT BAY: VILLAGE, c1914. Two Kwakiutl totem poles in front of a wood frame house

ALERT BAY: VILLAGE, c1914. Two Kwakiutl totem poles in front of a wood frame house in a village in Alert Bay, British Columbia. Photograph by Edward Curtis, c1914

Background imageTribal Art Collection: KWAKIUTL HOUSE, c1914. Tanaktak house in a Kwakiutl village at Harbledown Island, Vancouver

KWAKIUTL HOUSE, c1914. Tanaktak house in a Kwakiutl village at Harbledown Island, Vancouver. Photograph by Edward Curtis, c1914

Background imageTribal Art Collection: ALASKA: NATIVE AMERICAN HOME, 1906. Home of Chief Ko-Teth Sha-Doc, Ketchikan, Alaska

ALASKA: NATIVE AMERICAN HOME, 1906. Home of Chief Ko-Teth Sha-Doc, Ketchikan, Alaska. Photographed on 20 March 1906

Background imageTribal Art Collection: GREENVILLE TREATY, 1795. The signature marks of some of the 1, 100 Native American chiefs

GREENVILLE TREATY, 1795. The signature marks of some of the 1, 100 Native American chiefs and warriors on the Greenville treaty of peace, 1795



All Professionally Made to Order for Quick Shipping

"Exploring the Rich Tapestry of Tribal Art: From Central America to North America and Beyond" Embark on a captivating journey through the vibrant world of tribal art, where ancient traditions and cultural expressions come alive. In Central America, immerse yourself in the enchanting land of Panama, specifically Cristobal, as you discover the mesmerizing beauty of Kuna Indian traditional molas. These intricate textile masterpieces tell stories passed down through generations. Venturing further, let your curiosity guide you to maps that unveil historical narratives. Marvel at the Travels of The Apostle Paul Map Engraving, tracing his remarkable journeys across lands far and wide. Delve into Ancient and Modern Jerusalem Map Engraving to witness the evolution of this sacred city throughout time. And don't miss out on exploring the Wanderings of the Israelites Map Engraving, which brings biblical tales to life. As you traverse continents, make a stop in Utah's Iron County in North America. Here lies Parowan Gap adorned with fascinating petroglyphs etched by ancient civilizations—a testament to their rich heritage and connection with nature. Continuing southwards to Peru's Nazca region reveals an awe-inspiring sight—the Nazca Lines—an enigmatic collection including an illustration of a monkey drawing etched into desert sand that has puzzled researchers for centuries. Crossing borders once again takes us northward towards Canada's vast landscapes filled with indigenous artistry. Witness breathtaking craftsmanship as you encounter a House Post carved from cedar within Bella Bella's Heiltsuk house—a true testament to Canadian First Nations' artistic prowess. Further north still lies Teslin Tlingit Heritage Center in Yukon—home to majestic Totem poles featuring beaver imagery that symbolizes resilience and resourcefulness cherished by indigenous communities. In British Columbia's Duncan on Victoria Island stands another towering Totem Pole—its intricate carvings narrating ancestral legends while preserving cultural heritage for generations to come.