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Tapestrey Collection (page 8)

"Tapestries: A Journey Through Time and Artistry" Step into the world of tapestries, where history is woven together with vibrant threads

Background imageTapestrey Collection: Turkmen Ersari carpet, 18th century (wool pile)

Turkmen Ersari carpet, 18th century (wool pile)
7394138 Turkmen Ersari carpet, 18th century (wool pile) by Central Asian School; Ashmolean Museum, University of Oxford, UK; (add.info.: Display: wool pile, Material: wool, Technique: woven)

Background imageTapestrey Collection: Story of Gideon, late 16th century (silk and wool)

Story of Gideon, late 16th century (silk and wool)
CUL4905034 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x481 cm; Museo Diocesano, Albarracin, Teruel

Background imageTapestrey Collection: The Trojan War: Achilles Tent, c. 1470 (tapestry)

The Trojan War: Achilles Tent, c. 1470 (tapestry)
CUL4897252 The Trojan War: Achilles Tent, c.1470 (tapestry) by Master of Coetivy, (Henri de Vulcop) (fl.1450-75); 467x690 cm; (add.info.: The Trojan War: Achilles Tent. ca. 1470. Central detail)

Background imageTapestrey Collection: Episode of the Battle of Pavia (1525), 1525-31 (tapestry)

Episode of the Battle of Pavia (1525), 1525-31 (tapestry)
7378237 Episode of the Battle of Pavia (1525), 1525-31 (tapestry) by Orley, Bernard van (c.1488-1541); Museo di Capodimonte, Naples, Campania

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925267 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageTapestrey Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926066 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 163x239 cm; Chateau d'Angers

Background imageTapestrey Collection: Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908866 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

Background imageTapestrey Collection: Episode of the Battle of Pavia (1525), 1525-31 (tapestry)

Episode of the Battle of Pavia (1525), 1525-31 (tapestry)
7378212 Episode of the Battle of Pavia (1525), 1525-31 (tapestry) by Orley, Bernard van (c.1488-1541); Museo di Capodimonte, Naples, Campania

Background imageTapestrey Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926233 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 171x250 cm; Chateau d'Angers

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4924738 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageTapestrey Collection: Story of Gideon, late 16th century (silk and wool)

Story of Gideon, late 16th century (silk and wool)
CUL4904828 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x403 cm; Museo Diocesano, Albarracin, Teruel

Background imageTapestrey Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906138 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Background imageTapestrey Collection: Harold's ships are blown to the territory of Count Guy of Ponthieu

Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)
XIR183103 Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4894073 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal in Italy. ca. 1570)

Background imageTapestrey Collection: William, Duke of Normandy rides to welcome Harold, Bayeux Tapestry (wool embroidery on linen)

William, Duke of Normandy rides to welcome Harold, Bayeux Tapestry (wool embroidery on linen)
XIR183115 William, Duke of Normandy rides to welcome Harold, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906062 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4894909 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: The crossing of the Alps. ca. 1570. Detail)

Background imageTapestrey Collection: Harold rides to Bosham church to pray before leaving for Normandy

Harold rides to Bosham church to pray before leaving for Normandy, Bayeux Tapestry (wool embroidery on linen)
XIR183100 Harold rides to Bosham church to pray before leaving for Normandy, Bayeux Tapestry (wool embroidery on linen) (detail of 115608) by English School, (11th century); Musee de la Tapisserie

Background imageTapestrey Collection: Story of Gideon, late 16th century (silk and wool)

Story of Gideon, late 16th century (silk and wool)
CUL4904068 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x403 cm; Museo Diocesano, Albarracin, Teruel

Background imageTapestrey Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4925483 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 160x230 cm; Chateau d'Angers

Background imageTapestrey Collection: Duke Conan of Brittany offers William the keys of Dinan and William honours Harold

Duke Conan of Brittany offers William the keys of Dinan and William honours Harold
XIR157769 Duke Conan of Brittany offers William the keys of Dinan and William honours Harold, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie

Background imageTapestrey Collection: William leads his army to Brittany where they get stuck in quicksand

William leads his army to Brittany where they get stuck in quicksand, Bayeux Tapestry (wool embroidery on linen)
XIR183120 William leads his army to Brittany where they get stuck in quicksand, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: Armed riders from Duke William arrive to escort Harold to him

Armed riders from Duke William arrive to escort Harold to him, Bayeux Tapestry (wool embroidery on linen)
XIR183111 Armed riders from Duke William arrive to escort Harold to him, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: Count Guy of Ponthieu's soldiers take Harold prisoner to Beaurain

Count Guy of Ponthieu's soldiers take Harold prisoner to Beaurain, Bayeux Tapestry (wool embroidery on linen)
XIR161949 Count Guy of Ponthieu's soldiers take Harold prisoner to Beaurain, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: Count Guy of Ponthieu seizes Harold as he lands in Normandy, Bayeux Tapestry

Count Guy of Ponthieu seizes Harold as he lands in Normandy, Bayeux Tapestry (wool embroidery on linen)
XIR183106 Count Guy of Ponthieu seizes Harold as he lands in Normandy, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: The parable of the laborers in the vineyard, c. 1500 (tapestry)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900107 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

Background imageTapestrey Collection: The Trojan War: Achilles Tent, c. 1470 (tapestry)

The Trojan War: Achilles Tent, c. 1470 (tapestry)
CUL4897599 The Trojan War: Achilles Tent, c.1470 (tapestry) by Master of Coetivy, (Henri de Vulcop) (fl.1450-75); 467x690 cm; (add.info.: The Trojan War: Achilles Tent. ca. 1470. Detail of Hector)

Background imageTapestrey Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905792 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4895271 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal's Oath. ca. 1570)

Background imageTapestrey Collection: The parable of the laborers in the vineyard, c. 1500 (tapestry)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899493 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

Background imageTapestrey Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4909467 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 150x190 cm; Chateau d'Angers

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4894838 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: The crossing of the Alps. ca. 1570. Detail)

Background imageTapestrey Collection: Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4906044 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Background imageTapestrey Collection: Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4906842 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Background imageTapestrey Collection: David before Saul, c. 1525 (silk and wool)

David before Saul, c. 1525 (silk and wool)
CUL4903857 David before Saul, c. 1525 (silk and wool) by Orley, Bernard van (c.1488-1541); 560x410 cm; (add.info.: David before Saul, series of History of David)

Background imageTapestrey Collection: Story of Gideon, late 16th century (silk and wool)

Story of Gideon, late 16th century (silk and wool)
CUL4904572 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x403 cm; Museo Diocesano, Albarracin, Teruel

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925239 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4924755 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageTapestrey Collection: Count Guy leads Harold to William, Duke of Normandy, Bayeux Tapestry (wool embroidery on linen)

Count Guy leads Harold to William, Duke of Normandy, Bayeux Tapestry (wool embroidery on linen)
XIR183114 Count Guy leads Harold to William, Duke of Normandy, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: Harold's ships are blown to the territory of Count Guy of Ponthieu

Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)
XIR183104 Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: Duke William's messangers arrive at Beaurain Castle, Bayeux Tapestry (wool embroidery on linen)

Duke William's messangers arrive at Beaurain Castle, Bayeux Tapestry (wool embroidery on linen)
XIR183110 Duke William's messangers arrive at Beaurain Castle, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTapestrey Collection: The parable of the laborers in the vineyard, c. 1500 (tapestry)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900168 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

Background imageTapestrey Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4927069 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 148x106 cm; Chateau d'Angers

Background imageTapestrey Collection: The parable of the laborers in the vineyard, c. 1500 (tapestry)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899701 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4895364 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal's Oath. ca. 1570. Sacrifice and oath against the Romans)

Background imageTapestrey Collection: Series of History of David, c. 1525 (silk and wool)

Series of History of David, c. 1525 (silk and wool)
CUL4903902 Series of History of David, c.1525 (silk and wool) by Orley, Bernard van (c.1488-1541); Burgos, Spain; (add.info.: David before Saul. ca. 1525. (560 x 410 cm). Series of History of David

Background imageTapestrey Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925184 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageTapestrey Collection: Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4906821 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)



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"Tapestries: A Journey Through Time and Artistry" Step into the world of tapestries, where history is woven together with vibrant threads. From the grandeur of the Apocalypse Tapestry to the delicate beauty of The Lady of Shalott, these textile masterpieces tell stories that transcend centuries. The Apocalypse Tapestry or Apocalypse of Angers, created between 1375-80, depicts a vivid portrayal of biblical events. Its intricate details and rich colors transport us back to an era filled with religious fervor and awe-inspiring artistry. In contrast, "Leaving home for the Carlisle Indian School" captures a different narrative. This chromolitho from 1911 portrays a poignant moment in American history when Native American children were sent away from their families to assimilate into Western culture. "The Lady of Shalott, " painted between c. 1886-1905 by an unknown artist, enchants viewers with its ethereal beauty. This oil on panel masterpiece brings Alfred Lord Tennyson's poem to life through delicate brushstrokes and captivating imagery. Moving forward in time, we encounter a mid to late 17th-century textile panel depicting Esther and Ahasuerus stitched using tent stitches. The skillful craftsmanship showcases both artistic talent and storytelling prowess. Traveling further eastward, we discover an exquisite Turkmen Ersari carpet from the 18th century. Its wool pile intricately woven together creates mesmerizing patterns that reflect Central Asian traditions and cultural heritage. One cannot discuss tapestries without mentioning "La Dame à la Licorne (Lady and the Unicorn): To my only desire. " Created between 1484-1500 using wool and silk threads, this iconic piece exudes elegance as it explores themes of love, desire, and mystery. Throughout history, tapestries have been used not only as decorative pieces but also as historical records.