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Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)


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Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

CUL4906138 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez, Spain; (add.info.: Designed by Pieter Coeke Van Aelst and Leonard Thiry. Fourth tapestry of the series Vertumnus and Pomona'. Manufactured in Brussels in gold, wool and silk. Design and models by the circle of Pieter Coecke Van Aelst and Leonard Thiry. Scene from the Ovid's Metamorphoses (XIV, 647). Detail of Pomona.); Photo © Maeyaert/AIC

Media ID 31938379

© Maeyaert/AIC / Bridgeman Images

Appcultura Aranjuez Brussels Classical Mythology Coecke Van Aelst Decorative Arts Early Modern Era Embroidery European Wine Grape Flemish Style Hairdo Hairstyles Hairstyling Knife Ovid Royal Palace Of Aranjuez Tapestrey Thiry Valle Del Tajo Vertumnus And Pomona Western Art Antique Rome Flemish Art Flemish Artist Hair Style Mythological Character Tapestries Various Plants


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> Arts > Artists > C > Pieter Coecke van Aelst

> Classical art

> Europe > Belgium > Brussels

> Europe > Belgium > Palaces

> Europe > Belgium > Posters

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> Europe > Spain > Palaces

> Fine Art Finder > Artists > Pieter Coecke van Aelst

> Historic > Ancient civilizations > Roman Empire > Ancient Rome

> Historic > Ancient civilizations > Roman Empire > Roman art

> Historic > Historical fashion trends > Renaissance fashion trends


EDITORS COMMENTS
This print showcases the exquisite tapestry titled "Vertumnus and Pomona: Vertumnus transformed into a pruner" created around 1550 by Coecke van Aelst. The artwork, measuring an impressive 420x570 cm, can be found in the Royal Palace of Aranjuez in Spain. Designed by Pieter Coeke Van Aelst and Leonard Thiry, this tapestry is part of a series depicting the mythological story of Vertumnus and Pomona. It was manufactured in Brussels using gold, wool, and silk, showcasing the mastery of Flemish artistry during the Renaissance period. The scene depicted is inspired by Ovid's Metamorphoses (XIV, 647) and focuses on Pomona. In this particular detail captured in the photograph, we see her adorned with a beautiful hairstyle that reflects the fashion of that era. Surrounding her are various plants and fruits symbolizing fertility and abundance. The transformation of Vertumnus into a pruner represents his attempt to win over Pomona's affection through disguise. This mythological tale explores themes of beauty, deception, love, and nature. Through its intricate embroidery work and vibrant colors, this tapestry exemplifies not only artistic excellence but also serves as a testament to European culture during ancient Rome. Its presence within the Royal Palace adds grandeur to its surroundings while offering viewers an opportunity to immerse themselves in classical mythology brought to life through textiles. Overall, this print captures both the beauty and historical significance embodied within "Vertumnus and Pomona: Vertumnus transformed into a pruner. "

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