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Suffered Collection (page 3)

"Suffragette Hen Pecked Husband Suffers: A Tale of Empowerment and Equality" In a world where women fought tirelessly for their rights

Background imageSuffered Collection: Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315162 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Background imageSuffered Collection: Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315160 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Background imageSuffered Collection: The Man of Sorrows, 1430 (oil on panel)

The Man of Sorrows, 1430 (oil on panel)
LAF470816 The Man of Sorrows, 1430 (oil on panel) by Campin, Robert (c.1378-1444); 36x28 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSuffered Collection: St. Augustine heals the lame, detail, 1551 (oil on canvas)

St. Augustine heals the lame, detail, 1551 (oil on canvas)
7292551 St. Augustine heals the lame, detail, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffered Collection: Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon

Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon
7278173 Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon by Unknown Artist, (19th century); Private Collection; (add.info.: Laocoon)

Background imageSuffered Collection: St. Augustine heals the lame, 1551 (oil on canvas)

St. Augustine heals the lame, 1551 (oil on canvas)
7292552 St. Augustine heals the lame, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: by Jacopo Tintoretto); Ghigo Roli

Background imageSuffered Collection: The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte

The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte
7279410 The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte by Unknown Artist, (19th century); Private Collection; (add.info.: The statue of Laocoon and his sons)

Background imageSuffered Collection: Christ at the column, second half of 15th century (oil on panel)

Christ at the column, second half of 15th century (oil on panel)
7292761 Christ at the column, second half of 15th century (oil on panel) by Montagna, Bartolomeo (c.1450-1525); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffered Collection: St. Augustine heals the lame, detail, 1551 (oil on canvas)

St. Augustine heals the lame, detail, 1551 (oil on canvas)
7292774 St. Augustine heals the lame, detail, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffered Collection: Tooth puller, c. 1800 (print)

Tooth puller, c. 1800 (print)
7293225 Tooth puller, c.1800 (print) by Boilly, Louis Leopold (1761-1845); (add.info.: Medecine. Dentistry. Tooth puller. Caricature by Louis Boilly, France, ca 1800.); Photo: © Archives Charmet

Background imageSuffered Collection: After the Crisis, Fever Decline, Health, Child Concern

After the Crisis, Fever Decline, Health, Child Concern
7279057 After the Crisis, Fever Decline, Health, Child Concern by Unknown Artist, (19th century); Private Collection; (add.info.: After the Crisis, Fever Decline, Health, Child Concern)

Background imageSuffered Collection: Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageSuffered Collection: Impact of the Great Depression in South Dakota, 1929 (b / w photo)

Impact of the Great Depression in South Dakota, 1929 (b / w photo)
1700301 Impact of the Great Depression in South Dakota, 1929 (b/w photo) by American Photographer, (20th century); (add.info.: Depression americaine)

Background imageSuffered Collection: Outbreak of the plague in London, 1641 (woodcut)

Outbreak of the plague in London, 1641 (woodcut)
7201737 Outbreak of the plague in London, 1641 (woodcut) by English School, (17th century) (after); Private Collection; (add.info.: Outbreak of the plague in London, 1641)

Background imageSuffered Collection: The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field

The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho)
2808529 The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho) by Beltrame

Background imageSuffered Collection: J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood

J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre
7268493 J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin

Background imageSuffered Collection: Apollo flaying Marsyas, c. 1618 (oil on canvas)

Apollo flaying Marsyas, c. 1618 (oil on canvas)
AII79413 Apollo flaying Marsyas, c.1618 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palazzo Pitti, Florence

Background imageSuffered Collection: Illustration of Song 24 of Hell, by Gustave Dore (engraving)

Illustration of Song 24 of Hell, by Gustave Dore (engraving)
ELD4831862 Illustration of Song 24 of Hell, by Gustave Dore (engraving) by Dore, Gustave (1832-83); (add.info.: Illustration of Song 24 of Hell in " La Divine Comedie" (la divina commedia)

Background imageSuffered Collection: Soldiers of Napoleons defeated Grande Armee returning from Russia, 1812 (engraving)

Soldiers of Napoleons defeated Grande Armee returning from Russia, 1812 (engraving)
7148147 Soldiers of Napoleons defeated Grande Armee returning from Russia, 1812 (engraving) by Kampf, Arthur (1864-1950); Private Collection; (add.info)

Background imageSuffered Collection: Julius Caesar on the voyage to Britain, 55 BC (colour litho)

Julius Caesar on the voyage to Britain, 55 BC (colour litho)
7185385 Julius Caesar on the voyage to Britain, 55 BC (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Julius Caesar on the voyage to Britain, 55 BC)

Background imageSuffered Collection: The Collar of Misery (engraving)

The Collar of Misery (engraving)
7185144 The Collar of Misery (engraving) by Geoffroy, Jean (called Geo) (1853-1924); Private Collection; (add.info.: The Collar of Misery)

Background imageSuffered Collection: Man being ridden by a demon (engraving)

Man being ridden by a demon (engraving)
7172266 Man being ridden by a demon (engraving) by Delamotte (19th century); Private Collection; (add.info.: Man being ridden by a demon.); © Look and Learn

Background imageSuffered Collection: Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of

Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of Gethsemane, 1671
7227323 Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of Gethsemane, 1671 by Pozzo, Andrea (1642-1709); Chiesa di San Francesco di Paola, Milan

Background imageSuffered Collection: Man who has drunk too much (colour litho)

Man who has drunk too much (colour litho)
7151124 Man who has drunk too much (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageSuffered Collection: Childbirth (woodcut)

Childbirth (woodcut)
7186200 Childbirth (woodcut) by Swiss School, (16th century); Private Collection; (add.info.: Childbirth. Illustration from Bilder-Lexicon Sexualwissenschaft (Verlag fur Kulturforschung)

Background imageSuffered Collection: Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)

Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)
7201264 Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving) by English School, (19th century); Private Collection; (add.info.: Retreat of Napoleons Grande Armee from Moscow, 1812)

Background imageSuffered Collection: Banished, 1865

Banished, 1865
7215877 Banished, 1865 by Sundt-Hansen, Carl (1841-1907); 50x42 cm; Private Collection; Photo © O. Vaering

Background imageSuffered Collection: TOWERS CROSSING A FORD (detail), 1872 (oil on canvas)

TOWERS CROSSING A FORD (detail), 1872 (oil on canvas)
7215218 TOWERS CROSSING A FORD (detail), 1872 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1872//Oil on canvas The " Mother Volga")

Background imageSuffered Collection: Plague of Athens, Ancient Greece, 430 BC (engraving)

Plague of Athens, Ancient Greece, 430 BC (engraving)
7173429 Plague of Athens, Ancient Greece, 430 BC (engraving) by German School, (19th century); Private Collection; (add.info.: Plague of Athens, Ancient Greece, 430 BC)

Background imageSuffered Collection: Barricades (litho)

Barricades (litho)
7201319 Barricades (litho) by Daumier, Honore (1808-79) (after); Private Collection; (add.info.: Barricades. Illustration from Lustige Blatter, 1913.); © Look and Learn

Background imageSuffered Collection: Napoleons retreat from Moscow, 1812 (engraving)

Napoleons retreat from Moscow, 1812 (engraving)
7154013 Napoleons retreat from Moscow, 1812 (engraving) by English School, (19th century); Private Collection; (add.info.: Retreat of Napoleons French Grande Armee from Moscow, Russia, 1812)

Background imageSuffered Collection: Too Cold to Bear (engraving)

Too Cold to Bear (engraving)
7164504 Too Cold to Bear (engraving) by English School, (19th century); Private Collection; (add.info.: Too Cold to Bear. Illustration for The Comic Annual by Thomas Hood)

Background imageSuffered Collection: The Magdalene, also known as The Pain, 1869 (Oil on Canvas)

The Magdalene, also known as The Pain, 1869 (Oil on Canvas)
7212083 The Magdalene, also known as The Pain, 1869 (Oil on Canvas) by Cezanne, Paul (1839-1906); Musee d Orsay, Paris, France; (add.info.: The Magdalene, also known as The Pain, 1869)

Background imageSuffered Collection: TOWERS CROSSING A FORD, 1872 (oil on canvas)

TOWERS CROSSING A FORD, 1872 (oil on canvas)
7215214 TOWERS CROSSING A FORD, 1872 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1872//Oil on canvas The " Mother Volga")

Background imageSuffered Collection: Sick on a Holiday (engraving)

Sick on a Holiday (engraving)
7182189 Sick on a Holiday (engraving) by English School, (19th century); Private Collection; (add.info.: Sick on a Holiday)

Background imageSuffered Collection: Newlywed couple on their honeymoon, with the husband suffering from a cough (colour litho)

Newlywed couple on their honeymoon, with the husband suffering from a cough (colour litho)
7172193 Newlywed couple on their honeymoon, with the husband suffering from a cough (colour litho) by Bluhm, Oscar (1867-1912); Private Collection; (add.info.: Newlywed couple on their honeymoon)

Background imageSuffered Collection: The suffering of Job (engraving)

The suffering of Job (engraving)
7172392 The suffering of Job (engraving) by European School, (17th century); Private Collection; (add.info.: The suffering of Job (Job 2)

Background imageSuffered Collection: Herbal remedies (litho)

Herbal remedies (litho)
7201214 Herbal remedies (litho) by English School, (20th century); Private Collection; (add.info.: Herbal remedies. Illustration from The Boys Own Annual (Boys Own Paper Office, London)

Background imageSuffered Collection: Le Vocabulaire Illustre: Pain (Petit); French roll; Brodchen (engraving)

Le Vocabulaire Illustre: Pain (Petit); French roll; Brodchen (engraving)
7196930 Le Vocabulaire Illustre: Pain (Petit); French roll; Brodchen (engraving) by European School, (19th century); Private Collection; (add.info.: Pain (Petit); French roll; Brodchen

Background imageSuffered Collection: Calvary, c. 1520 (oil on panel)

Calvary, c. 1520 (oil on panel)
6620693 Calvary, c.1520 (oil on panel) by Cock, Jan Wellens de (1480-1526); 172.5--119 cm; Rijksmuseum, Amsterdam, The Netherlands

Background imageSuffered Collection: Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)

Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)
7185207 Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving) by Philippoteaux, Felix (1815-84) (after); Private Collection; (add.info.: Retreat of Napoleons Grande Armee from Moscow, 1812)

Background imageSuffered Collection: Le Vocabulaire Illustre: Pain (natte); Twist; Flechte (engraving)

Le Vocabulaire Illustre: Pain (natte); Twist; Flechte (engraving)
7196931 Le Vocabulaire Illustre: Pain (natte); Twist; Flechte (engraving) by European School, (19th century); Private Collection; (add.info.: Pain (natte); Twist; Flechte

Background imageSuffered Collection: A Stitch in Time (engraving)

A Stitch in Time (engraving)
7177695 A Stitch in Time (engraving) by English School, (19th century); Private Collection; (add.info.: A Stitch in Time. Illustration for The Comic Annual by Thomas Hood)

Background imageSuffered Collection: Guys disorder breaks out (engraving)

Guys disorder breaks out (engraving)
7172707 Guys disorder breaks out (engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: Guys disorder breaks out)

Background imageSuffered Collection: Invalid woman suffering an attack of pins and needles in Brighton (engraving)

Invalid woman suffering an attack of pins and needles in Brighton (engraving)
7172968 Invalid woman suffering an attack of pins and needles in Brighton (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageSuffered Collection: Bismarck as Prometheus (engraving)

Bismarck as Prometheus (engraving)
7157244 Bismarck as Prometheus (engraving) by Gilbert-Martin, Charles (1839-1905) (after); Private Collection; (add.info.: Otto von Bismarck as Prometheus)

Background imageSuffered Collection: Dolorosa (engraving)

Dolorosa (engraving)
7157348 Dolorosa (engraving) by German School, (19th century); Private Collection; (add.info.: Dolorosa. Illustration from Illustrierte Zeitung, 16 April 1881.); © Look and Learn

Background imageSuffered Collection: The Fire at the India Museum and Inventions Exhibition, South Kensington (engraving)

The Fire at the India Museum and Inventions Exhibition, South Kensington (engraving)
1045065 The Fire at the India Museum and Inventions Exhibition, South Kensington (engraving) by English School, (19th century); Private Collection; (add.info)



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"Suffragette Hen Pecked Husband Suffers: A Tale of Empowerment and Equality" In a world where women fought tirelessly for their rights, the suffragette movement emerged as a symbol of resilience and determination. While their fight was often met with resistance, it was not just the suffragettes who suffered; their husbands too felt the weight of societal change. One such husband, whose story remains untold in history books, endured what can only be described as a "hen pecked" existence. As his wife passionately campaigned for her right to vote, he found himself caught between traditional expectations and the winds of change blowing through society. Meanwhile, outlawed Charlotte Despard's novel became an emblematic voice for those seeking justice and equality. Her words resonated deeply with individuals who yearned to break free from oppressive norms that had plagued them for far too long. Centuries before this struggle unfolded on British soil, battles like Gettysburg shaped nations across the Atlantic. Cassells' vivid illustrations captured both the heroism and suffering experienced by soldiers on both sides during this pivotal moment in American history. Closer to home but no less impactful were Prince John's experiences during World War I. The pages of ILN depicted his journey from innocence to injury as he bravely served his country alongside countless others who bore witness to unimaginable horrors. The devastating German bomb damage inflicted upon Colchester serves as a stark reminder that war spares no one - innocent civilians included. Buildings reduced to rubble stood testament to the indiscriminate nature of conflict and its ability to bring suffering even into everyday life. Yet amidst all these tales of hardship emerges hope - seen in snapshots like Charing Cross Station's underground network bustling with commuters determinedly going about their daily lives despite adversity looming overhead. And then there is RMS Titanic - forever etched into our collective memory through film reels capturing life jackets worn alongside baseball caps.