Stage Costume Collection (page 13)

Austria, Vienna, Costume sketch for Sarastro in The Magic Flute by Wolfgang Amadeus Mozart for a performance in Vienna
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Costume sketch for Sarastro for a performance in Vienna, 1812-13

France, Paris, costume sketch for Count Almaviva for performance The Marriage of Figaro or The Day of Madness
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786. Costume sketch for Count Almaviva by Ezio Frigerio, 1973

Italy, Milan, Costume sketch for Margherita in jail (Mefistopheles)
Arrigo Boito (1842-1918), Mefistofele (Mephistopheles), 1868. Costume sketch for Margherita in jail

France, Paris, Costume sketch for Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Aida by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

Austria, Vienna, Set design for Act I of performance The Magic Flute by Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Act I. Set design by Joseph and Peter Schaffer, for a performance in 1793

France, Paris, Costumes sketch for Sciarrone, Spoletta and police agents in opera Tosca by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), " Tosca". Costumes sketch for Sciarrone, Spoletta and the police agents by Franca Squarciapino (1940-), for a performance at Paris OpA

Italy, Venice, Mime show, from Nuova e curiosa scuola di danza teatrale (School of theatrical dance)
Italy, 18th century - Mime show, from " Nuova e curiosa scuola di danza teatrale" (School of theatrical dance), 1716

France, Paris, costume sketch for servant for performance Medea, at Paris Opera
Luigi Cherubini (1760 - 1842), Medea, 1797. Costume sketch for a servant by M. Phocas, for a performance at Paris OpA

Austria, Vienna, Costume sketch for Guillame and his son in William Tell by Gioacchino Rossini
Gioacchino Rossini (1797-1848), Guillaume Tell (William Tell), 1828. Costume sketch for Guillame and his son

France, Paris, costume sketch for Despina disguised as doctor for performance Thus Do They All
Wolfgang Amadeus Mozart (1756-1791), CosA

France, Paris, Costume sketch for Tosca in act I in opera Tosca by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), " Tosca". Costume sketch for Tosca by Jacques Noel, act I, for a performance at Paris OpA

France, Paris, Costume sketch for opera Falstaff by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901), " Falstaff". Costume sketch for Falstaff by Jean Aujamme for the performance at Paris Opera Comique on May 16, 1952

Costume sketch for Zelmira by Giacomo Pregliasco (1759-1819), Performance at Teatro Regio
Franz Joseph Haydn (1732-1809), Armida, 1784. Costume sketch for Zelmira by Giacomo Pregliasco (1759-1819). Performance at the Teatro Regio, Turin, December 27, 1804

France, Paris, Costume sketch for Mephistopheles in The damnation of Faust by Hector Berlioz
Hector Berlioz (1803-1869), La damnation de Faust (The damnation of Faust), 1846. Costume sketch for Mephistopheles by Germinal Casado, for the performance at Paris OpA

Italy, Milan, Portrait of Italian soprano Maria Piccolomini (1834 - 1899) in La Traviata
Portrait of Italian soprano Maria Piccolomini (1834 - 1899) in " La Traviata"

France, Paris, Costume sketch for chorus singer in Aida by Giuseppe Verdi for Premiere at Khedivial Opera House in
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for chorus singer by Auguste Mariette (1821-1881) for the Premiere at Khedivial Opera House in Cairo, December 24, 1871

France, Paris, Costume sketch for Bilibine in Boris Godunov by Modest Petrovic Musorgskij for performance at Paris
Modest Petrovic Musorgskij (1839-1881), Boris Godunov, 1874. Costume sketch for Bilibine for the performance at Paris Palais Garnier, May 19, 1908

Austria, Vienna, Set design for Il barbiere di Siviglia (The Barber of Seville)
Gioacchino Rossini (1792-1868), Set design for Il barbiere di Siviglia (The Barber of Seville)

France, Paris, costume sketch for Medea performance at Paris Opera
Luigi Cherubini (1760 - 1842), Medea, 1797. Costume sketch by M. Phocas for a performance at Paris OpA

France, Paris, Costume sketch for Donner in The Ring of the Nibelung - The Rhinegold by Richard Wagner for performance
Richard Wagner (1813-1883), Der Ring des Nibelungen - Das Rheingold (The Ring of the Nibelung - The Rhinegold), 1869. Costume sketch for Donner by Joseph Pincheon, for the performance at Paris OpA

France, Paris, Poster of The Mastersingers of Nuremberg by Richard Wagner
Richard Wagner (1813-1883), Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg). Poster

France, Paris, Costume sketch for Froh in The Ring of the Nibelung - The Rhinegold by Richard Wagner for
Richard Wagner (1813-1883), Der Ring des Nibelungen - Das Rheingold (The Ring of the Nibelung - The Rhinegold), 1869. Costume sketch for Froh by Joseph Pincheon, for the performance at Paris OpA

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France, Paris, Spanish dances, 1886
Music - Spanish dances. Lithograph by F. Gorguet, 1886

France, Paris, costume sketch for Fiordiligi for performance Thus Do They All, or The School For Lovers, at Paris Opera
Wolfgang Amadeus Mozart (1756-1791), CosA

Costume design for Il Bravo by Pisani
Saverio Mercadante (1795-1870). " Il Bravo". Costume design by Pisani

France, Paris, costume sketch for Antonio for performance The Marriage of Figaro or The Day of Madness
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786. Costume sketch for Antonio by Ezio Frigerio, 1973

France, Paris, costume sketch for Ferrando disguised as Albanian officer for performance Thus Do They All
Wolfgang Amadeus Mozart (1756-1791), CosA

France, Paris, Costumes sketch for Cavaradossi for opera Tosca by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), " Tosca". Costumes sketch for Cavaradossi by Franca Squarciapino (1940-), for a performance at Paris OpA

Germany, Berlin, Interior of the Paris Opera during a performance
France, 19th century - Interior of the Paris OpA

France, Paris, Singer mezzo soprano Celestine Galli-Marie (1840 -1905) in role of Carmen
Singer mezzo soprano Celestine Galli-Marie (1840 -1905) in the role of Carmen, by Georges Bizet. Sketch of one of her costumes of the first performance at the Opera Comique Theater in Paris

France, Paris, Costume sketch for Pistola in opera Falstaff by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901), " Falstaff". Costume sketch for Pistola by Jean Aujamme for the performance at Paris Opera Comique on May 16, 1952

France, Paris, set design for performance Don Giovanni or the rake punish d at Opera Comique, by Toni Businger
Wolfgang Amadeus Mozart (1756-1791), Don Giovanni ossia Il dissoluto punito, (Don Giovanni or the rake punish d), K 527, 1787. Act II, set design by Toni Businger, for the performance at Paris OpA

France, Paris, Costume sketch for Radames in Aida by Giuseppe Verdi for Premiere at Khedivial Opera House in Cairo
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Radames by Auguste Mariette (1821-1881) for the Premiere at Khedivial Opera House in Cairo, December 24, 1871

France, Paris, costume sketch for Donna Anna for performance Don Giovanni or the rake punish d, at Opera Comique
Wolfgang Amadeus Mozart (1756-1791), Don Giovanni ossia Il dissoluto punito, (Don Giovanni or the rake punish d), K 527, 1787

France, Paris, Ballets Russes: Tamara Platonovna Karsavina and Waslaw Nijinsky performing the Sylphide
Ballet, 20th century - Paris, Ballets Russes official program - Tamara Platonovna Karsavina and Waslaw Nijinsky performing the " Sylphide", June 1910

France, Paris, Costume sketch for Herrmann in Tannhauser by Richard Wagner for performance at Paris Palais Garnier
Richard Wagner (1813-1883), Tannhauser. Costume sketch for Herrmann, Landgrave of Thuringia by Charles Bianchini (1860-1905), act II. Performance at Paris Palais Garnier, May 13, 1895

Italy, Milan, Frontpage of libretto to Nabucco (Nebuchadnezzar) opera by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901), Nabucco (Nebuchadnezzar), opera in four acts to a libretto by Temistocle Solera. Premiere at the Teatro alla Scala in Milan, March 9, 1842

France, Paris, costume sketch for Masetto and Don Giovanni, for performance Don Giovanni or the rake punish d at
Wolfgang Amadeus Mozart (1756-1791), Don Giovanni ossia Il dissoluto punito, (Don Giovanni or the rake punish d), K 527, 1787

France, Paris, Emilie Ambre as Aida in Aida by Giuseppe Verdi, Performance at Paris, Salle Vantadour, lithograph
Giuseppe Verdi (1813-1901), Aida, 1871. Emilie Ambre as Aida. Performance at Paris, Salle Vantadour, August 1st, 1878. Lithograph by Alfred Lemoine, from a photograph by Mulnier

France, Paris, Costume sketch for Pang in opera Turndot by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), Turandot, 1920-1924. Costume sketch for Pang by DrA

France, Paris, Carmen by Georges Bizet, scene 4 from Rose Album
Georges Bizet (1838-1875), Carmen, scene 4 from Rose Album, 1875

France, Paris, Costume sketch for Quickly in opera Falstaff by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901), " Falstaff". Costume sketch for Quickly by Jean Aujamme for the performance at Paris Opera Comique on May 16, 1952

Austria, Vienna, costume sketch for performance The Magic Flute, at Kindertheater
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Costume sketch by Winckelmann for a performance at Vienna, Kindertheater, 19th century

Dido and Aeneas, set design by Bibiena, 1712, by Henry Purcell (1659 - 1695), illustration
Henry Purcell (1659 - 1695), Dido and Aeneas, set design by Bibiena, 1712

Monaco, Set design for Tannhauser performance by Richard Wagner at Munich National Theater
Richard Wagner (1813-1883), Tannhauser, 1842-1845. Set design by Michael Echter (1812-1879) for the performance at the Munich National Theater in 1867

Italy, Milan, Costume sketch for Gioconda in La Gioconda by Amilcare Ponchielli
Amilcare Ponchielli (1834 - 1886), La Gioconda. Act I. Costume sketch for Gioconda by Giuseppe Palanti (1881-1946), 1907

France, Paris, Costume sketch for Azucena in The Troubadour by Giuseppe Verdi
Giuseppe Verdi (1813-1901). Il trovatore (The Troubadour). Costume sketch for Azucena by Alfred Albert for the performance at Paris OpA

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"Captivating Stage Costumes: A Journey through Time and Culture" Step into the enchanting world of stage costumes as we explore a captivating array of designs from various countries and eras. In Italy, we are transported to the tragic tale of Desdemona in Shakespeare's Othello, where her stunning attire reflects both elegance and vulnerability. Giuseppe Verdi's opera Otello comes alive with an exquisite illustration capturing the essence of this timeless masterpiece. Moving to Germany, Berlin mesmerizes us with a set design for The Magic Flute, showcasing the ethereal beauty of the Queen of the Night. Her costume exudes power and mystery, perfectly complementing Mozart's enchanting music. Next stop is France, where Vaslav Nijinsky captivates audiences in Claude Debussy's L'Apres Midi d'un Faune. His striking outfit embodies sensuality and grace, leaving spectators spellbound. The Carnival of Basel takes center stage in Switzerland as vibrant costumes fill the streets during this joyous celebration. Basler Fasnacht showcases intricate designs that reflect tradition and creativity. Traveling back in time to 18th century Europe, we encounter Queen Anne of Cleves adorned in regal attire fit for royalty. Every detail speaks volumes about her status and influence. An acrobat hanging from a swing captures our attention with their daring performance illustrated on paper. Their costume symbolizes strength and agility while defying gravity itself. Returning to France once more, Carmen by Georges Bizet enchants us with flamenco dancers dressed in vibrant outfits that embody passion and intensity. Racine's Phaedra brings forth another French masterpiece with its elegant costume design reflecting tragedy intertwined with beauty. Giacomo Puccini's Tosca takes us to Paris Opera on June 10th, 1960 - a night filled with anticipation as we witness Tosca herself donning an iconic costume that epitomizes drama and emotion.