Stage Costume Collection (page 11)

France, Paris, Costume sketch for Amonasro in Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Amonasro by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

France, Paris, M. lle Rochois as Armide by Jean-Baptiste Lully, at premiere
France - 17th century - M.lle Rochois as Armide, music by Jean-Baptiste Lully, at premiA

France, Paris, Act II of Samson and Delilah by Charles Camille Saint-Saens, performance at Paris Eden Theatre
Charles Camille Saint-SaA

France, Versailles, costume sketch for Bartolo for performance The Marriage of Figaro or The Day of Madness
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786

Austria, Vienna, Costume sketch for Mortimer in Mary Stuart by Gaetano Donizetti
Gaetano Donizetti (1797-1848), Maria Stuarda (Mary Stuart), 1835. Costume sketch for Mortimer

France, Paris, Costume sketch for Ortlinde valkyrie in The Ring of the Nibelung - The Valkyrie by Richard Wagner for
Richard Wagner (1813-1883), Der Ring des Nibelungen - Die Walkure (The Ring of the Nibelung - The Valkyrie), 1870. Costume sketch for Ortlinde valkyrie by Charles Bianchini (1860-1905)

Costume sketch for female dancer for opera Aida by Giuseppe Verdi (1813-1901) for performance at Paris, Salle Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for female dancer by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

Portrait of Mistinguett pseudonym of Jeanne-Marie Bourgeois (1872-1956), by Charles Gesmar (ja-1928), 1925
Posters, France, 20th century. Charles Gesmar (ja-1928), Mistinguett, 1925. Portrait of Mistinguett pseudonym of Jeanne-Marie Bourgeois (1872-1956)

France, Paris, costume sketch for Barbarina for performance The Marriage of Figaro or The Day of Madness
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786. Costume sketch for Barbarina by Ezio Frigerio, 1973

Austria, Vienna, Costume sketch for Altoum, Emperor of China in Turandot by Giacomo Puccini
Giacomo Puccini (1858-1924), Turandot, 1920-1924. Costume sketch for Altoum, Emperor of China

Italy, Milan, Sketches for Rigoletto by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901). Sketches for " Rigoletto"

France, Paris, Costume sketch for Ping in opera Turandot by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), Turandot, 1920-1924. Costume sketch for Ping by DrA

France, Paris, Costume sketch for musician Schaunard in opera La boheme by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), La bohA

Italy, Milan, The Force of Destiny by Giuseppe Verdi. Terzianis first performance interpreters: Teresa Stolz
Giuseppe Verdi (1813-1901). La forza del destino (The Force of Destiny). Terzianis first performance interpreters: Teresa Stolz, Ida Benza, Mario Tiberini, Giacomo Rota, Luigi Colonnese, Marcel Junca

Italy, Milan, costume sketch for female character in Nabucco (Nebuchadnezzar)
Giuseppe Verdi (1813-1901), Nabucco (Nebuchadnezzar), 1842. Costume sketch for a female character

Costume sketch for Idreno by Giacomo Pregliasco (1759-1819), Performance at Teatro Regio
Franz Joseph Haydn (1732-1809), Armida, 1784. Costume sketch for Idreno by Giacomo Pregliasco (1759-1819). Performance at the Teatro Regio, Turin, December 27, 1804

Italy, Milan, Set design sketch for Mefistopheles
Arrigo Boito (1842-1918), Mefistofele (Mephistopheles), 1868. Set design sketch

Italy, Milan, Cover of piano-vocal score for opera Luisa Miller by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901), Luisa Miller, 1849. Opera to a libretto by Salvatore Cammarano, based on the play Kabale und Liebe (Intrigue and love) by Friedrich Schiller. Cover of piano-vocal score

Italy, Milan, frontispiece of the Rigoletto by Giuseppe Verdi (1813-1901)
Giuseppe Verdi (1813-1901). Frontispiece of the " Rigoletto"

France, Paris, Tamara Platonovna Karsavina and Waslaw Nijinsky performing The Firebird by Stravinsky
Ballet, 20th century - Tamara Platonovna Karsavina and Waslaw Nijinsky performing " The Firebird", by Stravinsky

Germany, Bayreuth, Scene from The Ring of the Nibelung - The Valkyrie by Richard Wagner, Siegmunds death, print
Richard Wagner (1813-1883), Der Ring des Nibelungen - Die Valkure (The Ring of the Nibelung - The Valkyrie). Siegmunds death; print, early 1900 s

France, Paris, Helene Bouvier as Amneris in Aida by Giuseppe Verdi, Performance at Paris Palais Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Helene Bouvier as Amneris. Performance at Paris Palais Garnier, April 12, 1952

Germany, diessen am ammersee, Costume sketch for opera Carmina Burana by Carl Orff (1895-1982), 1958
Theatre, Germany, 20th century. Carl Orff (1895-1982), Carmina Burana. Costume sketch by Jean-Pierre Ponnelle. San Francisco, 1958

France, Paris, costume sketch for Dorabella for performance Thus Do They All, or The School For Lovers
Wolfgang Amadeus Mozart (1756-1791), CosA

France, Versailles, costume sketch for Marcellina for performance The Marriage of Figaro or The Day of Madness
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786

France, Paris, Costume sketch for Amneris in Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Amneris by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

France, Paris, costume sketch for Leonora for performance Fidelio, at Theatre des Italiens
Ludwig van Beethoven (1770-1827), Fidelio, Op. 72, 1805. Costume sketch for Leonora by Pierre Eugene Lacoste (1818-1908). Performance at Paris Theatre des Italiens, 1869

France, Paris, Costume sketch for Fenton in Falstaff by Giuseppe Verdi for performance at Paris Opera Comique
Giuseppe Verdi (1813-1901), Falstaff, 1893. Costume sketch for Fenton by Jean Aujame (1905-1965) for the performance at Paris, Opera Comique, May 16, 1952

France, Paris, Costume sketch for Count di Luna in The Troubadour by Giuseppe Verdi
Giuseppe Verdi (1813-1901). Il trovatore (The Troubadour). Costume sketch for Count di Luna by Alfred Albert for the performance at Paris OpA

France, Paris, costume sketch for Cherubino for performance The Marriage of Figaro or The Day of Madness
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786. Costume sketch for Cherubino by Ezio Frigerio, 1973

France, Paris, Set design for The Song of the Nightingale by Igor Fedorovic Stravinsky
Igor Fedorovic Stravinsky (1882-1971), The Song of the Nightingale (Le chant du rossignol), 1920. Set design by Henry Matisse

Austria, Vienna, Costume sketch for performance The Clemency of Titus by Wolfgang Amadeus Mozart in Vienna
Wolfgang Amadeus Mozart (1756-1791), La clemenza di Tito (The Clemency of Titus), K 621, 1791. Costume sketch for a performance in Vienna, 1806

France, Paris, Costume sketch for Venus in Tannhauser by Richard Wagner for performance at Paris Palais Garnier
Richard Wagner (1813-1883), Tannhauser. Costume sketch for Venus by Charles Bianchini (1860-1905). Performance at Paris Palais Garnier, May 13, 1895

Czech Republic, Prague, Costume sketch for Queen of the night in The Magic Flute by Wolfgang Amadeus Mozart for
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Costume sketch for the Queen of the night by Kvetoslav Bubenik for the performance at Prague National Theatre in 1976

Monaco, Set design for The Mastersingers of Nuremberg by Richard Wagner
Richard Wagner (1813-1883), Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg). Set design by Michael Echter

France, Paris, Costume sketch for Calaf in opera Turandot by Giacomo Puccini (1858-1924)
Giacomo Puccini (1858-1924), Turandot, 1920-1924. Costume sketch for Calaf by DrA

Italy, Milan, Costume sketch for Laura in La Gioconda by Amilcare Ponchielli
Amilcare Ponchielli (1834 - 1886), La Gioconda. Act I. Costume sketch for Laura by Giuseppe Palanti (1881-1946), 1907

Italy, Milan, Performance Simon Boccanegra by Giuseppe Verdi at the Teatro alla Scala in Milan
Giuseppe Verdi (1813-1901), Simon Boccanegra. Performance at the Teatro alla Scala, Milan, 1881

France, Paris, Reconstruction of the scenes (Act4) of first performance of opera Carmen by Georges Bizet
France, 19th century. Carmen by Georges Bizet. Reconstruction by Emile Bertier of the scenes (Act 4th) of the first performance of the opera at the National Theater Opera Comique in Paris (March 1875)

France, Paris, Costume sketch for Wolfram in Tannhauser by Richard Wagner for performance at Paris Palais Garnier
Richard Wagner (1813-1883), Tannhauser. Costume sketch for Wolfram by Charles Bianchini (1860-1905), act III. Performance at Paris Palais Garnier, May 13, 1895

France, Paris, Title page of Les Pecheurs de Perles (1863)
France, 19th century. Title page of Les Pecheurs de Perles (1863), by Georges Bizet

Italy, Campania, Pompeii, Theatre scene, fresco 1st Century A.D. Italy, Naples, Museo Archeologico Nazionale (Archaeological Museum), Roman art

Roman civilization, relief of theatre scene from comedy Andria, by Publius Terentius Afer
Roman civilization, 2nd century b.C. Relief of a theatre scene from the comedy Andria, by Terence (Publius Terentius Afer 185 b.C. - 159 b.C.)

Roman civilization, fresco with theatre scenes, from Herculaneum, Pompei, Italy
Roman civilization, 1st century A.D. Fresco with theatre scenes. From Herculaneum

France, Paris, inn courtyard at Amiens, Set design for Act I in opera Manon by Jules Massenet (1842-1912)
Jules Massenet (1842-1912), Manon, 1884. Act I, An inn courtyard at Amiens. Set design by Drian, for the performance at Paris Opera Comique, January 28, 1950

France, Paris, illustration from Paris Illustre from opera Manon by Jules Massenet (1842-1912), February 1, 1884
Jules Massenet (1842-1912), Manon, 1884. Illustration from " Paris IllustrA

France, Paris, Costume sketch for Manon for act V in opera Manon by Jules Massenet (1842-1912)
Jules Massenet (1842-1912), Manon, 1884. Costume sketch for Manon by Drian, act V, for the performance at Paris Opera Comique, January 28, 1950

France, Paris, Costume sketch for gamblers in act IV opera Manon in by Jules Massenet (1842-1912)
Jules Massenet (1842-1912), Manon, 1884. Costume sketch for the gamblers by Matias, act IV. Performance at Paris OpA

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"Captivating Stage Costumes: A Journey through Time and Culture" Step into the enchanting world of stage costumes as we explore a captivating array of designs from various countries and eras. In Italy, we are transported to the tragic tale of Desdemona in Shakespeare's Othello, where her stunning attire reflects both elegance and vulnerability. Giuseppe Verdi's opera Otello comes alive with an exquisite illustration capturing the essence of this timeless masterpiece. Moving to Germany, Berlin mesmerizes us with a set design for The Magic Flute, showcasing the ethereal beauty of the Queen of the Night. Her costume exudes power and mystery, perfectly complementing Mozart's enchanting music. Next stop is France, where Vaslav Nijinsky captivates audiences in Claude Debussy's L'Apres Midi d'un Faune. His striking outfit embodies sensuality and grace, leaving spectators spellbound. The Carnival of Basel takes center stage in Switzerland as vibrant costumes fill the streets during this joyous celebration. Basler Fasnacht showcases intricate designs that reflect tradition and creativity. Traveling back in time to 18th century Europe, we encounter Queen Anne of Cleves adorned in regal attire fit for royalty. Every detail speaks volumes about her status and influence. An acrobat hanging from a swing captures our attention with their daring performance illustrated on paper. Their costume symbolizes strength and agility while defying gravity itself. Returning to France once more, Carmen by Georges Bizet enchants us with flamenco dancers dressed in vibrant outfits that embody passion and intensity. Racine's Phaedra brings forth another French masterpiece with its elegant costume design reflecting tragedy intertwined with beauty. Giacomo Puccini's Tosca takes us to Paris Opera on June 10th, 1960 - a night filled with anticipation as we witness Tosca herself donning an iconic costume that epitomizes drama and emotion.