South Kensington Museum Collection (page 6)

East Dining or Grill Room, c1860s, (1881). Creator: John Watkins
East Dining or Grill Room, c1860s, (1881). View showing the interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

The Reichenau Crozier, 1351, (1881). Creator: Frederick Albert Slocombe
The Reichenau Crozier, 1351, (1881). Etching of a copper gilt crozier made in the mid 14th century, probably at Konstanz in Germany

Ivory casket lid, 965 to 970 AD, (1881). Creator: W Jones
Ivory casket lid, 965 to 970 AD, (1881). Etching of the carved lid of a box, made in Al-Andalus (Andalucia, Spain), possibly at Madinat al-Zahra, Cordoba, in the mid 10th century

Heart-shaped box, c1650-1699, (1881). Creator: A A Bradbury
Heart-shaped box, c1650-1699, (1881). Etching showing two views of a silver filigree box, made mid-late 17th century, possibly in France

Bronze inkstand, mid-late 16th century, (1881). Creator: W. W. McCarty
Bronze inkstand, mid-late 16th century, (1881). Etching of an inkstand, made in Venice in the second half of the 16th century, in the style of Tiziano Aspetti. Three cupids support the body

Silver monstrance or reliquary, 15th century, (1881). Creator:s Thomas
Silver monstrance or reliquary, 15th century, (1881). Etching of a silver religious item, possibly made in France. It is missing the original glass

Mortar, 1545?, (1881). Creator: W. W. McCarty
Mortar, 1545?, (1881). Etching of a mortar of base metal, possibly made in Germany or Flanders in the mid 16th century. From " The South Kensington Museum"

Crystal crucifix, c1550, (1881). Creator: Frederick Albert Slocombe
Crystal crucifix, c1550, (1881). Etching of a cross of rock crystal, made somewhere in western Europe in the mid 16th century

Bronze lamp, c1500-1550, (1881). Creators: Severo Calzetta da Ravenna, J Emms
Bronze lamp, c1500-1550, (1881). Etching of an oil lamp made in the workshop of Severo da Ravenna, in Padua or Ravenna in Italy, in the first half of the 16th century

Reliquary Cross, 10th century, (1881). Creator: A A Bradbury
Reliquary Cross, 10th century, (1881). Etching of an Anglo Saxon crucifix made c900-1000 AD, possibly in Winchester or Germany

Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Creator: Frederick Albert Slocombe
Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Etching of a childs folding chair in carved walnut, Flemish. From " The South Kensington Museum", a book of engraved illustrations

Two silver cups, 17th century?, (1881). Creator: R I Stevenson
Two silver cups, 17th century?, (1881). Etching of two silver-gilt drinking cups or beakers. The one on the left was made c1600 in Wesel in the German Rhineland

Cartouche, mid 16th century, (1881). Creator: Unknown
Cartouche, mid 16th century, (1881). Design for a cartouche framed in strapwork, in the manner of Rosso Fiorentinos stucco work at Fontainebleau

Bronze vase, 16th century, (1881). Creator: W. M. McGill
Bronze vase, 16th century, (1881). Etching of a vase and lid made in France, the body supported on four lions paws. The cover features a statuette of a boy holding an armorial shield with three fish

Bronze inkstand, early-mid 15th century, (1881). Creator: W F Randall
Bronze inkstand, early-mid 15th century, (1881). Etching of an inkstand with clawed feet, made c1400-1450 in Italy. The object was made to be used

Bronze inkstand with figurine of a Roman emperor, mid 16th century, (1881). Creator: W
Bronze inkstand with figurine of a Roman emperor, mid 16th century, (1881). Etching of a circular inkstand ornamented with masks and garlands, made in Italy, probably Padua

Silver pax with nativity scene, early-mid 19th century, (1881). Creator: W. M. McGill
Silver pax with nativity scene, early-mid 19th century, (1881). Etching of a pax (latin for peace ), a religious item which is kissed during the catholic service of the Mass as a sign of peace

The Salutation, book cover, 15th century, (1881). Creator: W. Rawson
The Salutation, book cover, 15th century, (1881). Etching of a gilt metal panel made in Germany, depicting a biblical scene, decorating the wooden cover of a book

Knights and Ladies Seated under Canopies, pierced ivory panel, mid-late 14th century, (1881). Etching of carved ivory detail from a casket, made c1350-1400 in Paris, showing figures

The Valence Casket, c1305-1312, (1881). Creator: W Harbutt
The Valence Casket, c1305-1312, (1881). Etching of an engraved copper casket with gold and champleve enamel, made in the early 14th century, possibly in England, or in Limoges, France

Central Door, South Kensington Museum, c1860s, (1881). Creator: Unknown
Central Door, South Kensington Museum, c1860s, (1881). Original bronze front entrance doors to the South Kensington Museum, (later renamed the Victoria & Albert Museum), in London

Chrismatory, late 15th century, (1881). Creator:s Thomas
Chrismatory, late 15th century, (1881). Etching of a container designed to hold chrism, (from the Greek word for anoint ), the holy oil used in the Christian sacraments of confirmation

Giovanni Cimabue: design for a mosaic, c1868, (1881). Creator: Bernard Collier
Giovanni Cimabue: design for a mosaic, c1868, (1881). Design for a glass mosaic in the Kensington Valhalla at the South Kensington Museum (later renamed the Victoria & Albert Museum)

Standing mirror, c1510, (1881). Creator: Andrew Fingar Brophy
Standing mirror, c1510, (1881). Etching of a carved walnut table mirror with metal mirror plate in a rectangular frame that rotates on a four-sided pedestal, made in Italy in the early 16th century

West Staircase, Leading to the Ceramic Gallery, c1876, (1881). Creators: John Watkins, John R
West Staircase, Leading to the Ceramic Gallery, c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moodys ceramic tile mosaic pavement

Sir Francis Philip Cunliffe Owen, director of the South Kensington Museum, 1880. Artist: Lock & Whitfield
Sir Francis Philip Cunliffe Owen, director of the South Kensington Museum, 1880. In 1855 he was appointed one of the superintendents of the British section of the International Exhibition held at

Source Size = 1881 x 2529
The Duke of Edinburghs Collection at the South Kensington Museum, London: Manilla Girl Waiting for the Ferry Boat

Source Size = 1900 x 2522
The Duke of Edinburghs Collection at the South Kensington Museum, London: a Boat Girl at Canton

Source Size = 1911 x 2524
The Duke of Edinburghs Collection at the South Kensington Museum, London: One of the Dukes Japanese Pages

Source Size = 1897 x 2507
The Duke of Edinburghs Collection at the South Kensington Museum, London: Tahiti Girl Gathering Oranges

Source Size = 4913 x 3771
The Painting in the South Kensington Museum, London, 1870

Source Size = 3792 x 3384
Presentation of Prizes by Prince Teck at the South Kensington Museum, London, 1870

Source Size = 3762 x 2522
London, King Coffee Calcallis Umbrella at the South Kensington Museum; after the Ashantee War

SOUTH KENSINGTON MUSEUM, LONDON, UK, britain, british, europe, united kingdom, great britain, european

The court of the South Kensington Museum, London, UK, 19th century engraving

South Kensington Museum 1872

South Kensington Museum, 1863

The Consort Court in the South Kensington Museum, 1875

SOUTH KENSINGTON MUSEUM, LONDON, UK, britain, british, europe, united kingdom, great britain, european

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The South Kensington Museum, also known as the Victoria and Albert Museum, is a treasure trove of history and art. Step into the Green Dining-room, transported back to c1870 with its opulent decor and grandeur. The unknown creator of this masterpiece has left us in awe. As you wander through the museum's halls, you'll come across an exquisite casket from 1400, crafted by Frederick Albert Slocombe in 1881. Its intricate design tells stories of a bygone era, captivating visitors with its beauty. Imagine being present at a meeting where The Prince of Wales presides over discussions held at the South Kensington Museum on that fateful January day in 1867. An anonymous artist captured this historic moment for eternity. Sir Philip Cunliffe Owen was not just a name associated with the museum but also made it his home. A lithograph immortalizes him within those walls he cherished so dearly. Prizes were awarded by none other than Prince Teck himself at the South Kensington Museum. Engraved forever are memories of joyous celebrations and achievements marking significant milestones. A black-and-white photograph transports us to another time when people strolled through the corridors of the South Kensington Museum, their curiosity piqued by countless wonders displayed before them. The court within these hallowed walls was no ordinary one; it was filled with masterpieces from all corners of the world. An engraving captures its splendor and invites us to explore further. F. P Cunliffe Owen stands tall in an engraved portrait as his contributions to this magnificent institution are celebrated. His dedication echoes through time as we admire his legacy today. Brompton Boilers may seem like an odd subject for an engraving related to a museum until you realize they played a vital role in keeping this architectural marvel warm during colder months – ensuring visitors' comfort while exploring endless galleries filled with treasures untold.